Description

FEATURES

Body

 

Tough Body

Magnesium Alloy Body From left: Front Frame, Sensor/IBIS/Mount + Inner Frame, Rear Frame

The camera body is made of magnesium alloy, making it lightweight and very robust. The inner frame directly couples the sensor and IBIS unit with lens and lens mount to provide complete rigidity from the lens to the sensor. The engagement area between the front and rear panels has been maximized to achieve ultimate durability against external force.

 

Body Resistance

95 Sealing Parts

The camera body is weather sealed at 95 points (including the electronic viewfinder) helping it withstand extreme conditions of dust, moisture and low temperatures. This means that the camera can comfortably handle a wide variety of shooting situations, be it shooting stills or video. This means the GFX100 is perfectly suited to being used in a studio but also outdoors in harsher environments.

Operating Condition

Temperature	-10℃ – 40℃
Humidity	10 – 80% (No condensation)
Dust-resistant Weather-resistant	Sealing parts of body 76 / EVF 19

 

Horizontal and Vertical Body Operation

The GFX100 camera body has a built in vertical grip, it is the first FUJIFILM camera to have this integrated design. This allows the camera to be thinner and lighter than before while still housing a large sensor, shutter mechanism, IBIS and two batteries. This balanced design of the camera allows the user to instantly switch from landscape to portrait orientation.

 

Texture and Handling

The magnesium alloy body, whilst lightweight and highly robust, is coated with premium colors and textures. The design and handling have been optimized based on feedback from professional photographers working in the fields of landscape, commercial and fashion portrait photography. The body has been designed down to the last detail, including the size and layout of buttons, dial designs, materials, and sounds.

 

Texture and Handling

The magnesium alloy body, whilst lightweight and highly robust, is coated with premium colors and textures. The design and handling have been optimized based on feedback from professional photographers working in the fields of landscape, commercial and fashion portrait photography. The body has been designed down to the last detail, including the size and layout of buttons, dial designs, materials, and sounds.

 

Sensor / Processor / Mount

 

55mm diagonal length large format CMOS sensor

The GFX Series’ use of 55mm diagonal length large format back-illuminated sensor (43.8 x 32.9mm) has paved the way for ultra high image resolution. The GFX100 delivers smooth gradation and image sharpness with the high resolution sensor. This is made possible thanks to FUJIFILM’s expertise in medium format which has been gained since the days of film cameras. Experience the astonishing photographic potential possible with the 100MP+ sensor.

 

Image Processing Engine

The GFX100 uses the X-Processor 4, FUJIFILM’s latest image processing engine to quickly optimize the data from the fast, high resolution image sensor. Despite the massive amount of data involved, the processor handles it at a speed. You can also apply the Film Simulation modes to 100MP+ image data to achieve FUJIFILM’s unique styles of color and tone reproduction.

Startup time	0.4 sec.
Maximum continuous shooting speed	5.0 fps.*
EVF refresh rate	Approx.85 fps**

 

FUJIFILM G Mount

The G Mount, was designed to accommodate GF lenses with 100MP+ sensors in mind. Taking maximum advantage of the mirrorless system, the G Mount has a short flange focal distance which contributes to the camera’s compact form and mirrors GF lenses’ design and advanced performance. When combined with a large CMOS sensor, the system prevents peripheral light fall-off to achieve stunning edge to edge sharpness.

 

Image Format, Size and Aspect

The GFX100 allows users to capture images in various formats and image qualities. This includes uncompressed / lossless compressed RAW and JPEG formats of varying image sizes, aspect ratios and compression ratios. Its in camera RAW processing gives the option of saving 8bit or 10bit color depth images as 8bit or 16bit TIFF files. When using a 35mm format lens via a mount adapter, the camera can record images in a 36.0mmx24.0mm frame at the center (60.8M) as JPEG or TIFF (in camera RAW processing) formats.

 

Stabilization

 

Focal Plane Shutter

The GFX focal plane shutter is specifically designed for 55mm diagonal length large format, mirrorless digital cameras. With a durability performance over 150,000 shutter actuations^*, it combines an electronic front curtain shutter with an exceptionally quiet mechanical shutter which has a maximum speed of 1/4000sec. The shutter system has been redesigned for the GFX100 to support the new large format CMOS sensor with continuous shooting of up to 5.0fps. You can select from three types of shutters, including an electronic shutter, according to your shooting conditions.

Mechanical Shutter	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.
Electronic Shutter**	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
Electronic Front Curtain Shutter***	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.
Mechanical + Electronic Shutter**	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
Electronic Front Curtain Shutter + Electronic Shutter**,***	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
Synchronized shutter speed for flash	1/125sec. or slower

 

In Body Image Stabilization

The GFX100 is a first mirrorless digital camera equipped with an in-body image stabilization (IBIS) mechanism for a 55mm diagonal lenth large format sensor in GFX series. It provides precision control for the high definition images produced by the camera’s large format sensor, which is approx. 1.7 times the size of a 35mm format sensor. This feature revolutionizes the large format camera system, unleashing its advanced performance with greater flexibility in a wider variety of shooting conditions.

Specification	three-axis accelerometer, three-axis gyro sensor, dedicated dual processor
Image stabilizer mechanism	Image sensor shift mechanism with 5-axis compensation
Compensation Effect	5.5 stops*4

 

Shock Absorption Mechanism for the Shutter

Suspended at the top, bottom, right and left side of the shutter

The GFX100’s shutter has a shock absorption mechanism ideal for landscape photography, studio shooting and commercial photography, all of which are unforgiving to even the slightest of camera shakes. The shutter unit is suspended at the top, bottom, right and left and is able to absorb subtle shakes caused when the mechanical shutter is used. It also enables quicker shutter response, which is useful in a variety of shooting situations.

 

Ergonomic Grip

The in body image stabilization (IBIS) and the shutter’s shock absorbing structure are complemented by the grip design, which is shaped to provide added stability for hand held shooting in various conditions. It allows you to hold the camera firm and there is a better balance even when a large lens is mounted, so that you can focus on the composition of your shake free images.

 

Finder / Monitor

 

High Magnification and High Definition Electronic Viewfinder

The GFX100 comes with a detachable 5.76M dot EVF with approx. 100% coverage. Resolution priority, frame rate priority and AF priority can be selected in boost mode for live view depending on the subject.

Finder	0.5 inch Approx. 5.76 million dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint	Approx. 23mm (from the Rear End of the Camera’s Eyepiece)
Diopter Adjustment	-4 – +2m-1
Magnification	0.86× with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View	Approx. 41° (Horizontal Angle of View: Approx. 33° )
EVF Brightness	AUTO / -7 – +5 (50 – 800cd/m2)
EVF Color	-5 – +5
EVF Color Adjustment	R -5 – +5 B -5 – +5
Others	Built-In Eye Sensor

EVF Tilting Adapter EVF-TL1 (Optional)

Attach the optional EVF Tilting Adapter EVF-TL1 between the camera body and the EVF will enable vertical tilt (0°-90° / 5 steps) and horizontal rotation (±45°). This allows you to shoot from waist level or aids shooting in portrait orientation.

 

Rear Customizable Information Monitor

The rear panel features a sub monitor, which can be configured to display various data previously displayed on the main LCD monitor. Minimizing the amount of data that has to be displayed on the main LCD monitor makes it easy to check the overall framing and concentrate on the composition. You can choose to display the exposure compensation gauge and histogram on the sub monitor to enable exposure adjustment whilst checking the exposure level.

Information1 Information2 Scale            Histogram

Size	2.05 inch
Number of dots	256×64-dot
Type	Monochrome OLED Monitor
Aspect Ratio	4:1
Menu Setting	Information1, Information2, Scale, Histogram

 

Multi-function Monitor

The top panel features a clear, 1.8-inch B/W sub LCD monitor that displays the main shooting settings such as shutter speed, aperture, ISO sensitivity and exposure compensation, as well as function icons, remaining number of frames (stills) and remaining filming time (video). This display can be configured according to what information you want to be displayed. When you switch between stills and video modes, all the settings shown on this sub monitor also change accordingly, ensuring that all relevant data is available at hand.

Information(Still) Information(Movie)
Dials                    Histogram

Size	1.80 inch
Number of dots	303×230-dot
Type	Monochrome LCD Monitor
Aspect Ratio	4:3

 

3.2inch Tilting LCD Screen

The rear panel features the main 3.2-inch 2.36-million dot LCD monitor that has 100% coverage and tilts in three directions, 90 degrees upward, 45 degrees downward and 60 degrees to the right. The use of capacitive touchscreen panel allows easy framing and shooting in high and low angles, which can be difficult when using the EVF.

Monitor	3.2inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type, Touch Screen Color LCD Monitor (Approx. 100% Coverage)
Tilting Direction	Three directions
LCD Brightness	-5 – +5 (30 – 800cd/m2)
LCD Color	-5 – +5
LCD Color Adjustment	R -5 – +5 B -5 – +5

 

Colors / Image setting

 

Fujifilm’s Original Color Reproduction

As a manufacturer of cameras and photographic films for many years, Fujifilm has developed the Film Simulation modes to digitally replicate the image quality of film. The GFX100 allows users reproduce these colors and tones, despite its large image resolution, adding an artistic flair to images with exceptional quality.

PRO Neg. Std

ACROS

Velvia / Vivid

PROVIA / Standard	Standard mode for general use that faithfully reproduces colors just as you remember them.
Velvia / Vivid	A combination of high saturation and natural colors, this option reproduces vivid colors ideal for landscapes.
ASTIA / Soft	Combining a soft effect with high saturation, this option delivers radiant skin tones and smooth gradation.
CLASSIC CHROME	Delivering subtle colors and beautifully muted tones, this simulation is reminiscent of vintage reversal film.
PRO Neg.Hi	Produce portraits with sharp contrast even in flat light. This option delivers preferable natural skin tones.
PRO Neg.Std	Reproduces accurate, natural skin tones in portraits shot under controlled light.
ETERNA / CINEMA	Soft color and rich shadow tone suitable for a movie film look.
ACROS	Premium monochrome mode delivers fine texture, deep blacks and smoother tones.
MONOCHROME	General use monochrome mode that offers three filter options (Ye, R and G), just like ACROS.
SEPIA	Adds a warm tone across the frame for a sepia look. When applied to a retro subject, it creates a nostalgic look.

 

Effects

The GFX100 offers additional photographic effects including the “Grain Effect” for replicating the graininess of analogue photos, the “Color Chrome Effect” for adding deeper tonal gradation to a subject matter with highly saturated colors, and the “Smooth Skin Effect,” a new function developed for the GFX100 for smoothing the skin tones for use in portrait photography.

Grain Effect

OFF
Strong

Color Chrome Effect

OFF
Strong

 

White Balance Adjustment

You can choose the white balance setting from Auto, Custom, Color Temperature and Preset. The white balance can be fine tuned in the WB Shift feature with RB color coordinates. In the Custom mode, which measures the ambient light to determine white balance, you can also adjust size and location settings and register three presets.

2500K 5000K White Balance Shift

Mode	Automatic Scene Recognition
Color Temperature Selection	2500K – 10000K
Custom	Custom 1~3 Size / Area Selectable
Preset	Daylight, Shade, Fluorescent Light (Daylight), Fluorescent Light (Warm White), Fluorescent Light (Cool White), Incandescent Light, Underwater

 

Movie recording

 

4K Movie / 10bit Color Depth

The full potential of the 55mm diagonal length large format sensor in the GFX can be seen when shooting both stills and in video. The combination of the latest sensor and the “X-Processor 4” enables support for 4K/30P video. The camera’s sensor, which is larger than that of most cinema cameras, produces a shallow depth of field, enhanced tonal gradient in 10-bit output, and greater ISO sensitivity. The large format size produces video footage with more detailed textures while reproducing three dimensional definition. You are able to capture the atmosphere of the scene unlike anything before. All the Film Simulation modes can be applied to video as well, including “Eterna,” which replicates the look of FUJIFILM’s cinema film of the same name. Furthermore, the camera supports the digital cinema aspect ratio (17:9), compression codecs such as H.265 and H.264, and a bit rate of up to 400Mbps.

 

Movie recording format

With its large format sensor, the GFX100 demonstrates its appeal in video recording. It uses full sensor width to record video in 4K digital cinema format in the aspect ratios of 16:9 / 17:9. The sensor area used is greater than that of cinema cameras that support a large format sensor. You can use GF lenses and adaptors to achieve a variety of videographic expressions that only large sensors can deliver, and record them in high-resolution 4K video.

 

Simultaneous Output to HDMI and SD card

The high speed image processing engine, X-Processor 4, can read and output condensed video data, feeding 4K/30P 4:2:2 10bit data to the HDMI port and recording 4K/30P 4:2:0 10bit data to an SD card (when H.265 is selected) up to 400Mbps^***. You can also choose All-Intra^*4 / Long-GOP, etc. The processor’s enhanced capability means video footage can be viewed on the camera’s LCD screen as well as on an external monitor whilst you film, while feeding uncompressed data straight to a recorder.

 

F-Log / HLG Support

The GFX100 is capable of recording F-Log, characterized by a gamma curve with a wide dynamic range, and capturing video in HLG (Hybrid Log Gamma), one of the formats defined in the ITU-R BT.2100 international standards. Coupled with color information attained in 10-bit color depth, the camera records premium quality footage faithfully depicting scenes even with a large brightness range or subjects with high color saturation.

 

Focusing / Continuous shooting

 

Phase Detection AF System

The GFX 100 is the first GFX that features a phase detection AF system on 55mm diagonal length large format sensor. The GFX100 has phase detection pixels across the entire sensor and using the X-Processor 4 engine coupled with the latest AF algorithm, is able to focus on a subject at high speed with accuracy even when the subject is away from the center of the frame or in low light.

 

Six AF Modes and AF-C Customization

The GFX100 has six AF modes that cater for all types of subject movement. The AF-S locks focus while the AF-C focuses continuously on a moving subject. These can be combined with focus area options, namely “Single Point,” “Zone” and “Wide / Tracking.” You can also keep six custom settings for AF-C to adjust “Tracking Sensitivity”, “Speed Tracking Sensitivity” and “Zone Area Switching” according to the characteristics of subject movement.

Tracking Sensitivity
Speed Tracking Sensitivity
Zone Area Switching

Leaf Spring Switch Shutter

The GFX100 is equipped with a feather touch shutter button that responds to delicate shutter release actions. The button reacts to the subtlest movements of the finger when gripping the camera body firmly in both portrait and landscape orientations. The use of the electronic front-curtain shutter minimizes release time lag to give even greater confidence in shutter operation.

 

Face/Eye Tracking and Auto Focus

Using the new sensor in conjunction with the X-Processor 4, gives an advanced level of face tracking performance. The photographer has the ability to identify and capture even easier than before, difficult subjects like a person inside profile. In the Eye AF mode, you can even specify which of the subject’s eyes you want the camera to prioritize. This is particularly useful in portraiture, which commands focusing accuracy with a very shallow depth of field. The touchscreen panel or Focus Lever can be used to select which of a crowd of faces detected you want the camera to track, focus and adjust exposure to.

Face/Eye Detection Setting	ON (EYE OFF / EYE AUTO / RIGHT EYE PRIORITY / LEFT PRIORITY) / OFF
Face Select	Touch Panel / Function (Fn) setting

 

Burst Mode

Continuous shooting is available in two frame rates, i.e. high speed burst at 5.0fps (CH) and low speed burst at 2.0fps, which can be checked in Live View. When the AF-C is selected, the GFX100 combines it with various phase detection AF modes and face detection to shoot in bursts while tracking and focusing on a moving subject.

CH Approx. 5.0fps	JPEG: 41 Frames Lossless compression RAW: 14 Frames Uncompressed RAW: 13 Frames
CL Approx. 2.0fps	JPEG: Endless Lossless compression RAW: 20 Frames Uncompressed RAW: 15 Frames

• *When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps.
• *Electronic Front Curtain Shutter support CL only.
• *Recordable frame depends on recording media.
• *Speed of continuous shooting depends on shooting environment and shooting frames.

 

Various functions

 

Switch P / S / A / M Mode

Shooting mode button

The shooting mode button (Fn2) on the top panel allows you to switch between “Program (P)” and “Shutter Speed Priority (S)” (when the aperture is set to Auto) and between “Aperture Priority (A)” and “Manual (M)” (when the aperture is set to Manual). These selections can be assigned to a function button of your choice in Function (Fn) Setting.

 

Still / Multi / Movie mode switch

Rotate the Drive Mode Dial to switch between the Still, Multi and Movie modes. Selecting the Still or Movie mode restores the respective settings so that you can start shooting as soon as you switch, without having to adjust settings. The Drive Button allows you to adjust burst speed and video frame rate. The Dial Lock Release Button prevents any accidental use.

 

Buttons / Menu Customization

Numerous function (Fn) buttons are provided at various points on the camera body allowing you to assign your preferred settings for easy access. The 16 items shown in the Q (Quick) menu and C1 – C7 can also be reconfigured to instantly access your favorite Film Simulation modes or image quality settings. The camera also supports “My Menu,” where your most frequently-used items can be stored.

 

Six Types of Bracketing

Six types of bracketing are available to capture multiple frames at different settings with a single press of the shutter release. This function works with both JPEG and RAW formats.

AE Bracketing ±0EV
+3EV

AE Bracketing	Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 ±1/3EV – ±3EV, 1/3EV step
Film Simulation Bracketing	Any 3 Types of Film Simulation Selectable
Dynamic Range Bracketing	100% · 200% · 400%
ISO Sensitivity Bracketing	±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing	±1 / ±2 / ±3
Focus Bracketing	Interval, Number of shots, 10 step

 

3D Electronic Level / Histogram

The electronic level uses a 3D system which is highly effective for architecture or landscape photography, when the accuracy of horizontal and vertical lines is crucial. Four types of histogram can be displayed: RGB and brightness, each with or without highlight warnings.

 

EXIF / VOICE MEMO

Use the touchscreen panel to enter “Author” and “Copyright” to your file’s EXIF data. Record your voice for up to 30 seconds to make notes about the images you are shooting to keep track of your shoots.

 

INTERVAL TIMER / SELF TIMER

Sample unique shooting styles including fixed point photography, time lapse and self timer images with controls over shooting interval, total number of frames and shutter delay. The Self Timer function can be set at 2 sec. or 10 sec. The former is particularly useful for situations when you want to minimize camera shake, such as long exposures.

Shooting Interval	1sec. – 24 hours
Number of Frames	1 – 999 + ∞
Shutter Delay	In 0min. – 24 hours

 

Wireless Communication and Pairing

Install the free application “FUJIFILM Camera Remote” on your smartphone or tablet device to shoot via Live View and transfer your camera images to your device. The camera can also be paired with your device via Bluetooth® to automatically transfer images. Using the app you can also update the camera firmware directly.

 

Four Metering Modes

The GFX100 offers four metering modes: multi metering, spot metering, average metering and center-weighted metering. When using the spot-metering mode, the selected focus area can also be used for metering. The options allow you to adjust metering according to the surrounding environment or your subject matter.

Multi	Calculates exposure based on analysis of the whole frame
Spot	Takes a meter reading from an area occupying approx. 2% of the frame
Average	Sets exposure based on the average brightness of the entire frame
Center Weighted	Takes a meter reading mainly from the center of the frame

 

ISO Sensitivity

The standard ISO sensitivity range is ISO100-12800, with extended sensitivities of ISO50, ISO25600, ISO51200 and ISO102400. RAW format is supported at all ISO settings. The AUTO function allows you to set the standard ISO, low shutter speed limit and upper ISO limit, and configure AUTO 1 – 3 settings according to shooting conditions.

Still	Standard Output: AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO100 to 12800 (1/3 step) Extended Output: ISO50 / 25600 / 51200 / 102400
Movie	Standard Output: AUTO (up to ISO12800) / ISO100 to 12800 (1/3 step) Extended Output: ISO25600

 

Shooting Standby Mode

In standby mode, all displays except the Sub LCD Monitor and Rear Sub Monitor turn off to save power when the camera is not in use. Choose the length of time your camera will wait before entering standby mode: 5 min, 2 min, 1 min, 30 sec., or 15 sec.

 

Powering the Camera or Recharging via the USB

The GFX100 can be powered and recharged via the USB-C port, enabling an extended shooting and removing any worries about running out of power. While traveling to a shoot or when on an outdoor shoot, you can use a USB PD(Power Delivery) power source which can power the camera or rapidly recharge the battery. If you use device with over 30W delivery, you can charge two batteries simultaneously and quickly(USB PD Rev2.0 ver1.3).

 

Battery Age

Check the age of the batteries in the camera. Battery age is expressed as a number between 0 (youngest) and 4 (oldest).

 

Accessories / Workflow

 

Accessories

EF-X500(Optional)

Flash sync speed is up to 1/125sec. When using the optional EF-X500 or compatible third-party studio flash (which supports FP mode) flash sync can be as fast as 1/4000sec. (the maximum shutter speed possible with the mechanical shutter). The camera also caters to a variety of flash settings including multiple flash lighting.

H MOUNT ADAPTER G (Optional)

Enables compatibility with H Mount lenses, including SUPER EBC FUJINON HC lenses for GX645AF (discontinued), to be attached to the G Mount. It supports lens shutter operations and aperture priority AE. Focusing is manual only, but the mount features electronic contacts to generate and record lens correction data for individual lenses. A detachable tripod collar foot is included.

VIEW CAMERA ADAPTER G (Optional)

Allows you to use a 4×5 view camera on the G Mount in conjunction with old large format FUJINON lenses. This allows you to take advantage of a view camera’s characteristic tilt and shift functions while using the focal-plane shutter in the camera body.

 

Interface for External Connections

The GFX100’s terminal for external connections features a USB-C port for high speed image transfer, a micro-HDMI port to connect to an external monitor, a microphone input, a headphone jack and a remote shutter release connection. The camera can be powered and charged by connecting an AC power adapter (optional) to the power plug input connector or a USB Power Delivery device to the USB-C port. The camera comes with a cable protector for holding cables in place.

Digital Interface	USB Type-C (USB3.2 Gen1 x1)
HDMI Output	HDMI Micro Connector (Type D)
DC IN	15V Connecter *Compatible with AC-15V (Optional) Only
Remote Release Connector	ø2.5mm *Connectable with Remote Release RR-100 (Optional)
Microphone Connector	ø3.5mm, Stereo Mini Connector
Headphone Connector	ø3.5mm, Stereo Mini Connector
Others	Hot Shoe, Synchronized Terninal

 

Software support

You can set up a photographic workflow including tethering, RAW processing preview, RAW development and image checking by installing compatible software to your computer. This can be achieved using FUJIFILM’s own software as well as traditional photo processing applications. Tethered shooting can be achieved by connecting the camera to your computer with a USB cable or setting up a WiFi connection via wireless devices. The IEEE802.11ac has been added to a list of supported wireless protocols to enable data transfer on a 5GHz network.

Capture One Pro(Optional) / Capture One Pro Fujifilm(Optional)

Capture One Pro FUJIFILM is a photographic workflow application* specifically designed for the GFX and X Series cameras and utilizing the diverse and powerful editing functions of Capture One Pro. It is available for purchase from Phase One’s website. The software offers a cataloging function to manage your individual images or sessions of shooting, whilst enabling fast and precise control throughout your workflow from tethered shooting to RAW processing. The Capture Pilot function lets you view and check images you have taken wirelessly on a tablet device, etc.

FUJIFILM X Acquire(Free Download)

FUJIFILM Tether Shooting Plug-in PRO(Optional) + Adobe® Photoshop® Lightroom® Classic CC(Optional)

FUJIFILM X RAW STUDIO (Free Download)

This unique RAW development software from FUJIFIILM connects a computer installed with X RAW STUDIO and camera via USB cable. The processor in the camera can be used to process RAW files, including large batches of images, without any limitations or delays from your computer.
Offering an optimized environment for the GFX100, you can get complete image quality including tone, color reproduction, and Film Simulations.

Capture One Express FUJIFILM (Free Download)

This software supports RAW conversion of files from the GFX and X Series range of cameras^*. The software uses a unique cataloguing format to manage pictures, enabling fast processing of individual images regardless of the quantity or size. FUJIFILM’s unique Film Simulation modes can be applied during RAW conversion so that you can add an artistic flair or traditional film look and feel. This RAW conversion software is available as a free download from Phase One website.

 

SPECIFICATIONS

Model Name	FUJIFILM GFX100
Number of effective pixels	102 million pixels
Image sensor	43.8mm x 32.9mm Bayer array with primary color filter Sensor Cleaning system Ultra Sonic Vibration
Storage media	SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-512GB) UHS-I / UHS-II / Video Speed Class V90*1
File format	Still image JPEG (Exif Ver.2.3)*2, RAW : 14bit / 16bit RAW (RAF original format), RAW+JPEG, 8-bit /16-bit(10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)
Number of recorded pixels	L: (4:3) 11648×8736 / (3:2) 11648×7768 / (16:9) 11648×6552 / (1:1) 8736×8736 (65:24) 11648×4304 / (5:4) 10928×8736 / (7:6) 10192×8736 M: (4:3) 8256×6192 / (3:2) 8256×5504 / (16:9) 8256×4640 / (1:1) 6192×6192 (65:24) 8256×3048 / (5:4) 7744×6192 / (7:6) 7232×6192 S: (4:3) 4000×3000 / (3:2) 4000×2664 / (16:9) 4000×2248 / (1:1) 2992×2992 (65:24) 4000×1480 / (5:4) 3744×3000 / (7:6) 3504×3000
Lens mount	FUJIFILM G mount
Sensitivity	Standard Output Sensitivity AUTO1/AUTO2/AUTO3 (up to ISO12800) / ISO100-12800 (1/3 step) (Movie: AUTO / ISO200-12800) Extended output sensitivity ISO50 / 25600 / 51200 / 102400 (Movie: ISO25600)
Exposure control	TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode	P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation	-5.0EV – +5.0EV 1/3EV step (Movie: -2.0EV – +2.0EV)
Image Stabilizer	Mechanism Image sensor shift mechanism with 5-axis compensation Compensation Effect 5.5 stops (based on CIPA standard). Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
Shutter type	Focal Plane Shutter
Shutter speed	Mechanical Shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min. Electronic Shutter*3 P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min. Electronic Front Curtain Shutter*4 P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min. Mechanical + Electronic Shutter*3 P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min. Electronic Front Curtain Shutter + Electronic Shutter*3*4 P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min. Movie 1/4000sec.-1/4sec*. * Cannot choose slower shutter speed than framerate with LongGOP recording. Synchronized shutter speed for flash 1/125sec. or slower
Continuous shooting	CH Approx. 5.0fps (JPEG: 41 Frames Lossless compression RAW: 14 Frames Uncompressed RAW: 13 Frames) CL Approx. 2.0fps (JPEG: Endless Lossless compression RAW: 20 Frames Uncompressed RAW: 15 Frames) *When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps. *Electronic Front Curtain Shutter support CL only. *Recordable frame depends on recording media. *Speed of continuous shooting depends on shooting environment and shooting frames.
Auto bracketing	AE Bracketing (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV, 5/3EV, 2EV, 7/3EV, 8/3EV, 3EV) Film Simulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (Frames: 1-999, Step: 1-10, Interval: 0-10s)
Focus	mode Single AF / Continuous AF / MF type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) AF frame selection Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid Wide/Tracking AF: (up to 18 area) * AF-S: Wide / AF-C: Tracking All
White balance	Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer	10sec. / 2sec.
Interval timer shooting	Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash modes *When EF-X500 is set	SYNC. MODE 1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) FLASH MODE TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot shoe	Yes (Dedicated TTL Flash compatible)
Viewfinder	0.5 inch Approx. 5.76 million dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece) Diopter Adjustment: -4 – +2m-1 Magnification: 0.86× with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 41° (Horizontal Angle of View: Approx. 33°) Built-In Eye Sensor
LCD monitor	3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage)
Touch Screen Mode	Shooting Mode Touch AF, Focus Area, OFF Double Tap ON/OFF Setting, Touch Function ON/OFF Setting Playback Mode Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)
Sub LCD monitor	1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor
Rear sub monitor	2.05 inch, Aspect Ratio 4:1, 256×64-dot Monochrome OLED Monitor
Movie recording	File format MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling) Movie compression All Intra/Long-GOP * All Intra can be used with following settings. DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps Full HD(2048×1080)/Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p　200Mbps File size / Frame rate / Recording time [DCI4K (4096×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min. [4K (3840×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min. [Full HD (2048×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min. [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher. * Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
Film Simulation mode	16 modes ( PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, ETERNA / CINEMA, Black&White, Black&White+Ye Filter, Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter )
B & W ADJ. (Warm/Cool)	-9 – +9 *When ACROS or Black&White is selected.
Grain Effect	STRONG, WEAK, OFF
Color Chrome Effect	STRONG, WEAK, OFF
Smooth Skin Effect	STRONG, WEAK, OFF
Dynamic range setting	AUTO, 100%, 200%, 400%
Photography functions	D range priority, Highlight tone, Shadow tone, Color, Sharpness, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, AF-C custom setting, Store AF mode by orientation, AF point display, Pre-AF, AF Illuminator, Face/Eye detection AF, AF+MF, MF assist(Digital Split Image, Digital Microprism, Focus peak highlight), Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Flicker reduction, Mount adapter setting, 35mm Format Mode, Red eye removal, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, AWB lock, Multiple exposure
Movie functions	Interframe NR, F-Log/HLG recording, Peripheral light correction, Movie AF mode, 4K movie output, Full HD movie output, HDMI output info display, 4K HDMI standby quality, HDMI rec control, Zebra setting, Zebra level, Audio setting, Time code setting, Tally light, Movie silent control
Playback functions	Switch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2), Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alert
Wireless transmitter	Standard IEEE802.11a/b/g/n/ac (standard wireless protocol) Encryption WEP／WPA／WPA2 mixed mode Access mode Infrastructure
Bluetooth®	Standartds Bluetooth Ver. 4.2(Bluetooth low energy) Operating frequency 2402 – 2480MHz(Center frequency)
Wireless function	Geotagging, Image transfer (Individual image/Selected multiple images), View & Obtain Images, instax Printer Print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF setting, Auto image transfer, Smartphone Sync. Setting, Wireless com. frequency setting
Other functions	Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Regulatory, Sound set-up, EVF brightness, EVF color, EVF color adjustment, LCD brightness, LCD color, LCD color adjustment, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Natural live view, Framing guideline, Auto rotate PB, Focus scale units, Dual display setting, Disp. custom setting, Large indicators mode(EVF/LCD), Large indicators disp. setting, Information contrast adj. Sub monitor setting, Rear sub monitor setting, Sub monitor background color, Rear sub monitor brightness, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Command dial setting, Shutter AF, Shutter AE, Shoot without lens, Shoot without card, Focus ring, Focus ring operation, AE/AF-Lock mode, AWB-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Performance, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Select slot, Select Folder and Create Folder, Copyright Info
Terminal	Digital interface USB Type-C（USB3.2 Gen1x1） HDMI output HDMI Micro connector (Type D) Other ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector DC IN 15V Connecter *Compatible with AC-15V (Optional) Only Hot shoe Synchronized terninal
Power supply	NP-T125 (x2) Li-ion battery (included) Battery life for still images*6 Approx. 800 frames When GF63mmF2.8 R WR is set. (2 batterys installed, Auto power save ON) Actual battery life of movie capture*6 *Face detection is set to OFF [4K] Approx. 100min. [Full HD] Approx. 150min. Continuance battery life of movie capture*6 *Face detection is set to OFF [4K] Approx. 170min. [Full HD] Approx. 240min.
USB power supply	Support USB PD(Power Delivery) power source to supply or rapidly recharge battery (USB PD Rev2.0 ver1.3)
Dimensions	Including EVF 156.2mm (W) × 163.6mm (H) × 102.9mm (D) / 6.15in. (W) × 6.44in. (H) × 4.05in. (D) (Minimum Depth : 48.9mm / 1.93in.) Excluding EVF 156.2mm (W) × 144.0mm (H) × 75.1mm (D) / 6.15in. (W) × 5.67in. (H) × 2.96in. (D) (Minimum Depth : 48.9mm / 1.93in.)
Weight	Approx. 1,400g / 49.4oz. (including EVF, battery x2 and memory card) Approx. 1,320g / 46.6oz. (including battery x2 and memory card) Approx. 1,155g / 40.7oz. (excluding accessories, battery and memory card)
Operating Temperature	-10°C – +40°C (+14°F – +104°F)
Operating Humidity	10 – 80% (no condensation)
Starting up period	Approx 0.4sec.

GFX100 Memory Card Capacity and Image Quality / Size

All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.

• *For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
• *For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
• *Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.