Description
FEATURES
Style
Rangefinder Style
The rangefinder style design allows you to keep your eye on a subject while looking through the viewfinder with the other eye. This enables checking and feeling the atmosphere of the scene around your subject matter, shown in the EVF.
Toughness
Dust-resistant, weather-resistant and freezeproof to -10°C.
The FUJIFILM GFX 50R’s magnesium alloy camera body is dust- and water-resistant while also being able to withstand low temperatures. Despite carrying a large image sensor, the camera is compact, lightweight and extremely durable. The GFX 50R rangefinder style design, weighing just 775g, makes it astonishingly compact and lightweight despite being a medium format digital camera, especially when fitted with a compact lens. Weather seals on the inside of the camera body means it is made to withstand dust and moisture and low temperatures. That makes it a perfect choice for a wide range of tough shooting conditions, as well as in-studio.
Feeling
Body texture and dial based operation
The compact and lightweight GFX body is designed with attention to detail to achieve advanced functionality and elegance at the same time. Examples of this can be seen in the optimized shapes of individual components, surface texture of the magnesium alloy body, and the use of rubber material for a more comfortable grip. Operation dials, including the shutter speed dial, are milled out of aluminum blocks for premium texture. Extra attention has been given to the internal structure and fine adjustments have been applied to individual operations, as evident in the clicking sensation and sound. The more you use the camera, the more comfortable it becomes.
Core
Sensor
FUJIFILM G Format Image Sensor
The FUJIFILM GFX 50R features a 43.8×32.9mm CMOS medium format sensor: a product of Fujifilm’s rich history, cutting-edge digital technology and extensive knowledge of medium format film cameras. Boasting an effective resolution of 51.4 million pixels and paired with high-performance GF lenses, the sensor delivers superior tones and sharpness that will impress professional photographers shooting in the world of commercial, fashion or landscapes.
Optimized Sensor Design
Both the shape of the light-gathering micro-lenses and the processing from the photodiodes have been optimized to achieve a high level of sharpness and broad dynamic range. The lowest native ISO sensitivity of 100 and the 14-stop dynamic range, achieved with 14-bit RAW data, delivers high definition images in a variety of conditions with notably rich skin tones and intricate foliage detail.
Processor
X-Processor Pro
The FUJIFILM GFX 50R sports the X-Processor Pro image processing engine, capable of drawing the very best out of the 51.4 megapixel sensor. Its advanced processing accelerates and optimizes the camera’s performance in a variety of areas including stunning color reproduction with Fujifilm’s unique Film Simulation modes, in-camera RAW conversion to the 8-bit TIFF format, accurate contrast AF, quick startup time, and minimal shutter release time lag and shooting intervals between frames.
Mount
FUJIFILM G Mount
The FUJIFILM GFX 50R uses the G Mount, which has a mount diameter of 65mm, flange back distance of 26.7mm and minimum back focus distance of 16.7mm. It uses as many as 12 electronic contact points for sending and receiving data, plus it supports the use of a wide variety of lenses and accessories. The short back focus distance, made possible because of the Fujifilm mirrorless system’s structure, affords greater freedom in lens design to contribute to the development of fast, compact and high-performance GF lenses while preventing vignetting to deliver edge-to-edge sharpness.
Image Quality
Image Formats
The FUJIFILM GFX 50R saves pictures in a variety of formats and quality, including two sizes and three compression levels of JPEGs, as well as compressed/uncompressed RAW. Even when you are shooting only in RAW, the camera records 12-megapixel thumbnails at the same time. Its in-camera RAW conversion function also enables RAW files processing with the ability to save them as 8-bit TIFFs.
35mm Format Mode
Enable to shoot central 36.0mm x 24.0mm (30.5M) cropped images as both JPEG and RAW files. When using 35mm format adapters, it will be easier to adjust the image size to 35mm format image circle lenses.
ISO Sensitivity
| Standard Output | AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO100 to 12800 (1/3 step) |
|---|---|
| Extended Output | ISO50 / 25600 / 51200 / 102400 |
The standard ISO sensitivity range is ISO100-12800, with extended sensitivities of ISO50, ISO25600, ISO51200 and ISO102400 also available. RAW format is supported at all these ISO settings. The AUTO function allows you to set the standard ISO, low shutter speed limit and upper ISO limit, and configure AUTO 1 – 3 settings according to shooting conditions.
White Balance
White balance can be set as Auto, Preset, Custom or Color Temperature settings. RB color coordinates can be used to shift the white balance for fine tuning color balance. Up to three custom white balance settings can also be stored.upper ISO limit, and configure AUTO 1 – 3 settings according to shooting conditions.
Film Simulation
Developed with Fujifilm’s color producing know-how over 80 years of photographic film manufacturing, Film Simulation allows you to reproducing a variety of colors and tones as if using different photographic films.
PROVIA
Standard mode for general use that faithfully reproduces ‘memory colors’; colors just as you remember them.
Velvia
A combination of high saturation and ‘memory colors’, this option reproduces vivid colors, making it ideal for landscapes.
ASTIA
Combining a soft effect with high saturation, this option delivers radiant skin tones and smooth gradation.
CLASSIC CHROME
Delivering subtle colors and beautifully muted tones, this simulation is reminiscent of vintage reversal film.
PRO Neg.Hi
Produce portraits with sharp contrast even in flat light. This option delivers natural skin tones based on ‘memory color’ technology.
PRO Neg.Std
Reproduces accurate, natural skin tones in portraits shot under controlled light.
ACROS
Premium monochrome mode delivers fine texture, deep blacks and smoother tones.
MONOCHROME
General use monochrome mode that offers three filter options (Ye, R and G), just like ACROS.
SEPIA
Adds a warm tone across the frame for a sepia look. When applied to a retro subject, it creates a nostalgic look.
Advanced Image Setting
Grain Effect
Graininess is added to the entire frame to simulate the look of film-based images.
OFF 
Strong
Color Chrome Effect
Provides an extra boost to saurated colors for a richer result.
OFF 
Strong
Other Image Quality Settings
Tones and colors can be fine tuned in combination with Film Simulation to achieve your desired color reproduction.
| Dynamic Range | AUTO·100%·200%·400% |
|---|---|
| Highlight Tone | ＋4-－2 |
| Shadow Tone | ＋4-－2 |
| Color | ＋4-－4 |
| Sharpness | ＋4-－4 |
| Noise Reduction | ＋4-－4 |
Mechanical
Shutter
The World’s First Focal-Plane Shutter* Specifically Designed for Medium Format Mirrorless Cameras
The newly-developed focal-plane shutter is the world’s first specifically designed for medium format mirrorless cameras. It is a low-noise mechanical shutter that withstands 150,000 actuations**, offers shutter speeds up to 1/4000 sec and has an electronic first curtain. Choose from three shutter types, including an electronic shutter.
| Mechanical Shutter | 4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes) Bulb mode (up to 60min.), TIME: 60min. to 1/4000sec. |
|---|---|
| Electronic Front Curtain Shutter*** | 4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/4000sec. |
| Electronic Shutter | 4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec. |
| Mechanical + Electronic Shutter | 4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec. |
| Electronic Front Curtain Shutter + Electronic Shutter*** | 4 sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec. |
| Synchronized Shutter Speed for Flash | 1/125 sec. or slower |
Focusing
Single Focus Points and Focus Area
TTL Contrast AF is available in Single Point, Zone and Wide/Tracking modes. In the Single Point mode, the camera offers up to 425 Focus Points and six different Focus Area sizes. Select the minimum size for pinpoint focusing.
Six AF Modes
| AF-S + Single Point | For capturing subjects using a specific AF point |
|---|---|
| AF-S + Zone | For capturing subjects across a large AF area (3×3, 5×5, 7×7) |
| AF-S + Wide | For automatically capturing a subject across the frame |
| AF-C + Single Point | For continuous spot-focusing |
| AF-C + Zone | For tracking a subject within a selected area |
| AF-C + Tracking | For continuously tracking a subject across the frame |
Focus Lever
Use the Focus Lever to move the focus area in eight directions (up/down, side to side, diagonally) for easy framing and accurate focusing.
Face Detection / Eye Detection AF
The camera automatically detects and focuses on a face or eyes. Priority can be given to either the right or left eye.
Depth of Field Scale
The distance indicator bar on the monitor can be used to check depth of field. Choose between the Pixel Basis and Film Format Basis options.
Focus Assist Function
Use the Focus Peaking function in Manual Focus mode. The Live View on the screen can be enlarged for more accurate focusing.
Exposure
Exposure Mode Settings Using Dials and Rings
The combination of settings on the Shutter Speed Dial and Aperture Ring allow you to switch between four different exposure modes: Aperture Priority AE (A), Shutter Speed Priority AE (S), Program AE (P) and Manual. As dials are used for main exposure settings, you can adjust settings even when the camera is turned off. The Command Position (C/T) also enables Command Dial operations.
Photometry
Four Metering Modes
The FUJIFILM GFX 50R offers four metering modes: Multi, Spot, Average and Center Weighted. When spot metering, the focusing and metering areas can be linked.
| Multi | Calculates exposure based on analysis of the whole frame |
|---|---|
| Spot | Takes a meter reading from an area occupying approx. 2% of the frame |
| Average | Sets exposure based on the average brightness of the entire frame |
| Center Weighted | Takes a meter reading mainly from the center of the frame |
Continuous Shooting
Continuous Shooting at Approx. 3.0 fps
In continuous shooting mode, the FUJIFILM GFX 50R can shoot at up to 3.0 fps until the memory card fills up in JPEG, up to 8 frames in RAW, and up to 13 frames in compressed RAW.
Flash Shooting
Multi-Function Flash
Flash sync speed is up to 1/125sec. When using the optional EF-X500 or compatible third party studio flash, which supports FP mode, flash sync can be as fast as 1/4000sec. (the maximum shutter speed possible with the mechanical shutter). The camera also caters to a variety of flash settings including multiple flash lighting.
| Compatible Flash | Fujifilm EF Series (excluding EF-X8) |
|---|---|
| Sync Terminal | Yes Synchronized Shutter Speed for Flash 1/125sec. or Slower |
| SYNC. MODE | 1ST CURTAIN / 2ND CURTAIN / AUTO FP (HSS) |
| FLASH MODE | TTL (FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF |
Operability
Custom Buttons and Menus
The FUJIFILM GFX 50R features customizable Fn buttons. Different options can also be asigned to Short Cut Q (Quick) menu items. Frequently used set tings can be registered in My Menu while Custom Registration allows you to save and rename Film Simulation and image quality settings.
Drive Menu
Use the Drive button to quickly switch between different modes such as Burst, Bracketing and Video.
Dual Card Slot
Both slots support high-speed UHS-II cards. They can be assigned to store files according to their format, e.g. JPEG, RAW or Movie.
Command Position (C/T)
Set the Aperture Ring to “C” and the Shutter Speed Dial to “T” to change settings only with the front and rear Command Dials.
Exposure Compensation
Exposure compensation of up to ±5 stops in 1/3 steps can be set with the Exposure Compensation Dial.
Viewfinder
High Magnification and High Definition Electronic Viewfinder
The FUJIFILM GFX 50R is supplied with a 3.69M-dot EVF with 100% coverage. It uses dedicated rich lens elements to achieve extremely high definition finder live view and offers a diopter adjustment range of -4m-1 to＋2m-1.
LCD Monitor
The rear 2.36M-dot LCD monitor measures 3.2 inches and offers 100% coverage. The smart touchscreen panel enables intuitive operation and tilts in two directions for easy framing and shooting from high or low angles.
Smart Touchscreen Display
The touchscreen makes it easy to select an AF area and enlarge the Live View intuitively.
| Shooting Mode / Playback Mode | Flick (Up, Down, Right and Left) Four flick functions (Shooting mode only) |
|---|---|
| Double Tap Enlarged Live View / Playback Zoom |
|
| Tap, Press, Drag AF Area Selection, Touch AF / View Other Area During Playback Zoom |
|
| Pinch-In, Pinch-Out Playback Zoom In and Out (Playback Mode only) |
|
| Swipe View Next Picture (Playback Mode only) |
|
| Other Functions | Q Menu Selection, Input Character |
FUJINON GF Lens
High Performance FUJINON GF Lenses
FUJINON lenses have long catered to the needs of professional photographers with an extensive lineup including medium format lenses, large format lenses and broadcast TV lenses. GF lenses, developed with the latest optical technologies, boast outstanding performance and image quality.
Brass Lens Mount
The lens mount is made from brass for strength, durability and reliability.
Dust-resistant, weather-resistant and freezeproof to -10°C
Like the camera body, GF lenses are resistant to dust, water and low temperatures. Create epic photography regardless of the weather or the season.
System
Flash
EF-X500 (Optional)
A high performance, multi-function flash with a guide number of approx. 50, the optional EF-X500 supports multi-flash lighting, FP mode and continuous output in Burst Mode.
Mount Adapter
H Mount Adapter G (Optional)
Enables compatibility with H Mount lenses, including SUPER EBC FUJINON HC lenses for GX645AF (discontinued), to be attached to the GFX 50R. It supports lens shutter operations and aperture priority AE. Focusing is manual only, but the mount features electronic contacts to generate and record lens correction data for individual lenses. And a detachable tripod base plate is included.
| Compatible Lens | H Mount Lens |
|---|---|
| Exposure Mode | Aperture Priority AE (A) and Manual |
| Shutter Select | Camera Body Focal-Plane Shutter / Leaf Shutter in Lens |
| Focus Mode | Manual Focus Only |
| Operation Parts | Fn button (Shutter Select), Mount Release Lever, DetachableTripod base plate |
View Camera Adapter
View Camera Adapter G (Optional)
Allows you to use a 4×5 view camera on the FUJIFILM GFX 50R in conjunction with old large format FUJINON lenses. This allows you to take advantage of a view camera’s characteristic tilt and shift functions while using the focal-plane shutter in the camera body.
Workflow
By installing compatible software on your computer, it is possible to build an all-in-one workflow for things like “tethered shooting / checking the image / RAW development preview / RAW development”. In addition to FUJIFILM’s own software, you can use software that you are already familiar with. You can carry out tethered shooting by connecting the GFX via USB cable or Wi-Fi connection through wireless LAN access point. Also, RAW files can be developed based on Film Simulation settings.
Capture One Pro / Capture One Pro FUJIFILM (Optional)
Capture One Pro FUJIFILM is workflow software that inherits the versatile and powerful editing capabilities of Capture One Pro but is specifically designed for the GFX and X Series of cameras*. It is available to purchase from Phase One’s website. The Capture Pilot function allows you to connect the camera to a table device, etc. and view/check an image being captured wirelessly on such devices.
Capture One Express FUJIFILM
This software supports RAW conversion for files from the GFX and X Series range of cameras*. The software uses a unique cataloging format to manage pictures, enabling fast processing of individual images regardless of the quantity or size. FUJIFILM’s unique Film Simulation modes can be applied during RAW conversion so that you can add an artistic flair or traditional film look and feel. This RAW conversion software is available as a free download from Phase One website.
FUJIFILM X Acquire + RAW FILE CONVERTER EX 3.0 powered by SILKYPIX
FUJIFILM Tether Shooting Plug-in PRO** + Adobe® Photoshop® Lightroom® Classic CC**
FUJIFILM X RAW STUDIO
This is unique RAW development software from FUJIFILM. By connecting a computer installed with X RAW STUDIO and camera via USB cable, the processor in the camera can be used to process RAW files. Processing time will not be affected by any limitations of your computer, and there is no difficulty in batch processing large number of images. Since it offers an optimized environment for the FUJIFILM GFX 50R, you can get complete image quality includes tone, color reproduction, and Film Simulations
SPECIFICATIONS
| Model Name | FUJIFILM GFX 50R |
|---|---|
| Number of effective pixels | 51.4 million pixels |
| Image sensor | 43.8mm x 32.9mm Bayer array with primary color filter
|
| Storage media | SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-256G) UHS-I / UHS-II*1 |
| File format |
|
| Number of recorded pixels | L: (4:3) 8256 x 6192 / (3:2) 8256 x 5504 / (16:9)8256 x 4640 / (1:1) 6192 x 6192 (65:24)8256 x 3048 / (5:4) 7744 x 6192 / (7:6) 7232 x 6192 S: (4:3) 4000 x 3000 / (3:2)4000 x 2664 / (16:9)4000 x 2248 / (1:1) 2992 x 2992 (65:24)4000 x 1480 / (5:4) 3744 x 3000 / (7:6) 3504 x 3000 |
| Lens mount | FUJIFILM G mount |
| Sensitivity | Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO100-12800 (1/3 step) Extended output sensitivity : ISO50 / 25600 / 51200 / 102400 |
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) |
| Exposure compensation | -5.0EV – +5.0EV, 1/3EV step (movie recording : -2.0EV – +2.0EV) |
| Image Stabilizer | Supported with OIS type lenses |
| Shutter type | Focal Plane Shutter |
| Shutter speed |
|
| Continuous shooting | Approx. 3.0 fps ( JPEG : Endless Lossless compression RAW : 13 Frames Uncompressed RAW : 8 Frames)
Approx. 1.8 fps ( JPEG : Endless Lossless Compression RAW : Endless Uncompressed RAW : 8 Frames)
|
| Auto bracketing | AE Bracketing (2/3/5/7/9 frames) ±1/3EV – ±3EV, 1/3EV step Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (Interval, Number of shots, 10 step) |
| Focus |
|
| White balance | Automatic scene recognition / Custom / Color temperature selection (K) / Preset : Daylight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater |
| Self-timer | 10sec. / 2sec. |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time) |
| Flash modes *When EF-X500 is set |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) |
| Viewfinder | 0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece) Diopter Adjustment: -4 – +2m-1 Magnification: 0.77× with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 38° (Horizontal Angle of View: Approx. 30°) Built-In Eye Sensor |
| LCD monitor | 3.2 inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type(Two Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage) |
| Movie recording | [Full HD (1920 x 1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30min. [HD (1280 x 720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min. |
| Photography functions | Color, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF, AF Illuminator, Face/Eye detection AF, AF+MF, Focus peak highlight, Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Rlease/Focus priority, Touch screen mode, Flicker reduction, Mount adapter setting, 35mm Format Mode, Red eye removal, Movie AF mode, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, Multiple exposure |
| Touch Screen Mode |
|
| Film Simulation mode | 15 modes ( PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, CLASSIC CHROME, PRO Neg.Hi, PRO Neg.Std, Black&White, Black&White+Ye Filter, Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS＋R Filter, ACROS＋G Filter ) |
| Grain Effect | STRONG, WEAK, OFF |
| Color Chrome Effect | STRONG, WEAK, OFF |
| Dynamic range setting | AUTO, 100%, 200%, 400% |
| Playback functions | Switch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2), Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alert |
| Wireless transmitter |
|
| Wireless function | Geotagging, Image transfer (Individual image/Selected multiple images), View & Obtain Images, instax Printer Print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF setting, Auto image transfer, Smartphone Sync. Setting |
| Other functions | Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Sound set-up, EVF brightness, EVF color, EVF color adjustment, LCD brightness, LCD color, LCD color adjustment, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Natural live view, Framing guideline, Autorotate PB, Focus scale units, Disp. custom setting, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Selector button setting, Command dial setting, S.S. operation, Shutter AF, Shutter AE, Shoot without lens, Shoot without card, Focus ring, AE/AF-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Switch slot, Movie file destination, Select Folder and Create Folder, Copyright Info |
| Terminal |
|
| Power supply | NP-T125 Li-ion battery (included)
|
| Dimensions | 160.7mm (W) x 96.5mm (H) x 66.4mm (D) / 6.33in. (W) x 3.80in. (H) x 2.62in. (D) (Minimum Depth : 46.0mm / 1.81in.) |
| Weight | Approx. 775g / 27.3oz. (including battery and memory card) Approx. 690g / 24.3oz. (excluding accessories, battery and memory card) |
| Operating Temperature | -10°C – +40°C (+14°F – +104°F) |
| Operating Humidity | 10 – 80% (no condensation) |
| Starting up period | Approx 0.4sec. |
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
| Modes | Still image (L) | |||
|---|---|---|---|---|
| Number of recorded pixels | 8256 x 6192 (4:3) | |||
| Quality | SUPER FINE | FINE | NORMAL | |
| SDHC memory card | 8 GB | 254 | 381 | 607 |
| 16 GB | 524 | 785 | 1253 | |
| Modes | RAW | ||
|---|---|---|---|
| Quality | UNCOMPRESSED | LOSSLESS COMPRESSED | |
| SDHC memory card | 8 GB | 66 | 127 |
| 16 GB | 137 | 265 | |
| Modes | Movie | ||
|---|---|---|---|
| Quality | FULL HD (1920 x 1080) 60p / 30p | HD (1280 x 720) 60p / 30p | |
| SDHC memory card | 8 GB | 26 min. | 51 min. |
| 16 GB | 54 min. | 105 min. | |
- For recording movies, use a card with UHS Speed Class 1 or higher.
- Although movie recording will continue without interruption when the file size reaches 4 GB, subsequent footage will be recorded to a separate file which must be viewed separately.
