Description
FEATURES
Firmware Ver.3.30
Firmware Ver.3.30
Supports “35mm Format Mode” when using GF Lens and H mount adapter
“35mm Format Mode” crops the center of the sensor 36.0mm x 24.0mm (30.5M) and records JPEG and RAW file.
Improved eye-sensor response
Reduced the time to switch between EVF and LCD when you select “eye-sensor” on the viewfinder display settings.
Supports simultaneous delete for RAW and JPEG files
When RAW / JPEG is selected in the card slot setting (for still image), RAW/JPEG image can be deleted simultaneously. By selecting “OFF”, only the RAW image will be deleted.
Supports EVF and LCD color adjustment
Color of EVF/LCD is adjustable from screen setting menu.
Core
Sensor
FUJIFILM G Format Image Sensor
The FUJIFILM GFX 50S features a 43.8×32.9mm CMOS medium format sensor: a product of Fujifilm’s rich history, cutting-edge digital technology and extensive knowledge of medium format film cameras. Boasting an effective resolution of 51.4 million pixels and paired with high-performance GF lenses, the sensor delivers superior tones and sharpness that will impress professional photographers shooting in the world of commercial, fashion or landscapes.
Optimized Sensor Design
Both the shape of the light-gathering micro-lenses and the processing from the photodiodes have been optimized to achieve a high level of sharpness and broad dynamic range. The lowest native ISO sensitivity of 100 and the 14-stop dynamic range, achieved with 14-bit RAW data, delivers high definition images in a variety of conditions with notably rich skin tones and intricate foliage detail.
Processor
X-Processor Pro
The FUJIFILM GFX 50S sports the X-Processor Pro image processing engine, capable of drawing the very best out of the 51.4 megapixel sensor. Its advanced processing accelerates and optimizes the camera’s performance in a variety of areas including stunning color reproduction with Fujifilm’s unique Film Simulation modes, in-camera RAW conversion to the 8-bit TIFF format, accurate contrast AF, quick startup time, and minimal shutter release time lag and shooting intervals between frames.
Mount
FUJIFILM G Mount
The FUJIFILM GFX 50S uses the G Mount, which has a mount diameter of 65mm, flange back distance of 26.7mm and minimum back focus distance of 16.7mm. It uses as many as 12 electronic contact points for sending and receiving data, plus it supports the use of a wide variety of lenses and accessories. The short back focus distance, made possible because of the Fujifilm mirrorless system’s structure, affords greater freedom in lens design to contribute to the development of fast, compact and high-performance GF lenses while preventing vignetting to deliver edge-to-edge sharpness.
Image Quality
Basic Image Setting
Image Formats
The FUJIFILM GFX 50S saves pictures in a variety of formats and quality, including two sizes and three compression levels of JPEGs, as well as compressed/uncompressed RAW. Even when you are shooting only in RAW, the camera records 12-megapixel thumbnails at the same time. Its in-camera RAW conversion function also enables RAW files processing with the ability to save them as 8-bit TIFFs.
ISO Sensitivity
The standard ISO sensitivity range is ISO100-12800, with extended sensitivities of ISO50, ISO25600, ISO51200 and ISO102400 also available. RAW format is supported at all these ISO settings. The AUTO function allows you to set the standard ISO, low shutter speed limit and upper ISO limit, and configure AUTO 1 – 3 settings according to shooting conditions.
Standard Output | AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO100 to 12800 (1/3 step) |
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Extended Output | ISO50 / 25600 / 51200 / 102400 |
White Balance
White balance can be set as Auto, Preset, Custom or Color Temperature settings. RB color coordinates can be used to shift the white balance for fine tuning color balance. Up to three custom white balance settings can also be stored.
Other Image Quality Settings
Tones and colors can be fine tuned in combination with Film Simulation to achieve your desired color reproduction.
Dynamic Range | AUTO·100%·200%·400% |
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Highlight Tone | +4--2 |
Shadow Tone | +4--2 |
Color | +4--4 |
Sharpness | +4--4 |
Noise Reduction | +4--4 |
Advanced Image Setting
Film Simulation
Developed with Fujifilm’s color producing know-how over 80 years of photographic film manufacturing, Film Simulation allows you to reproducing a variety of colors and tones as if using different photographic films.
PROVIA
Standard mode for general use that faithfully reproduces ‘memory colors’; colors just as you remember them.
Velvia
A combination of high saturation and ‘memory colors’, this option reproduces vivid colors, making it ideal for landscapes.
ASTIA
Combining a soft effect with high saturation, this option delivers radiant skin tones and smooth gradation.
CLASSIC CHROME
Delivering subtle colors and beautifully muted tones, this simulation is reminiscent of vintage reversal film.
PRO Neg. Hi
Produce portraits with sharp contrast even in flat light. This option delivers natural skin tones based on ‘memory color’ technology.
PRO Neg. Std
Reproduces accurate, natural skin tones in portraits shot under controlled light.
ACROS
Premium monochrome mode delivers fine texture, deep blacks and smoother tones.
MONOCHROME
General use monochrome mode that offers three filter options (Ye, R and G), just like ACROS.
SEPIA
Adds a warm tone across the frame for a sepia look. When applied to a retro subject, it creates a nostalgic look.
Grain Effect
OFF
Strong
Graininess is added to the entire frame to simulate the look of film-based images.
Color Chrome Effect
OFF
Strong
Provides an extra boost to saurated colors for a richer result.
Body / Device
Body
Dust-resistant, weather-resistant and freezeproof to -10°C.
The body is made from robust magnesium alloy, which feels both solid and durable in the hand. The body is weather-sealed in 58 points to achieve a high level of resistance to dust and moisture.The GFX 50S is compact and lightweight despite the large size of its sensor, plus its dust and weather-resistant body means it’s equally effective in the studio or out in the field.
Drive Menu
Use the Drive button to quickly switch between different modes such as Burst, Bracketing and Video.
Dual Card Slot
Both slots support high-speed UHS-II cards. They can be assigned to store files according to their format, e.g. JPEG, RAW or Movie.
Command Position (C/T)
Set the ISO Dial/Aperture Ring to “C” and the Shutter Speed Dial to “T” to change settings only with the front and rear Command Dials while checking settings on the Sub LCD Monitor.
Exposure Compensation
Exposure compensation of up to ±5 stops in 1/3 steps can be set with the Exposure Compensation Button and Rear Command Dial.
Viewfinder
High Magnification and High Definition Electronic Viewfinder
The FUJIFILM GFX 50S is supplied with a detachable 3.69M-dot EVF with 100% coverage and a viewfinder magnification of 0.85x. It uses five dedicated lens elements to achieve 100% coverage and offers a diopter adjustment range of -4m-1 to+2m-1.
EVF Tilting Adapter EVF-TL1 (Optional)
Attach the optional EVF Tilting Adapter EVF-TL1 between the camera body and the EVF to enable vertical tilt (0°-90° / 5 steps) and horizontal rotation (±45°). This allows you to shoot from waist level or aids shooting in portrait orientation.
3D Electronic Level
This electronic level uses a 3D system and is highly effective for architecture or landscape photography, when the accuracy of horizontal and vertical lines is crucial.
RGB Histogram
The FUJIFILM GFX 50S can display four types of histograms: RGB and brightness, each with or without highlight warnings.
LCD Monitor
Large Rear Touchscreen LCD Tilts in Three Directions
The rear 2.36M-dot LCD monitor measures 3.2 inches and offers 100% coverage. The smart touchscreen panel enables intuitive operation and tilts in three directions (90° up, 45° down and 60° to the right) for easy framing and shooting from high or low angles.
Enlarged Live View
For more accurate focusing, push or rotate the Rear Command Dial to enlarge Live View images between 1x and 16.7x.
1x
8x
16.7x
Smart Touchscreen Display
The FUJIFILM GFX 50S features a smart touchscreen display, which makes it easy to select an AF area, bring up an RGB histogram, display the 3D electronic level and enlarge the Live View.
Shooting Mode / Playback Mode | Flick (Up and Down) RGB Histogram, Live View Highlight Alert (Shooting Mode only) |
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Double Tap Enlarged Live View / Playback Zoom |
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Tap, Press, Drag AF Area Selection, Touch AF / View Other Area During Playback Zoom |
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Pinch-In, Pinch-Out Playback Zoom In and Out (Playback Mode only) |
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Swipe View Next Picture (Playback Mode only) |
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Other Functions | Q Menu Selection, Input Character |
Sub Monitor
Sub LCD Monitor displays main settings
The 1.28-inch monochrome LCD monitor can be viewed in all conditions (including bright sunlight) and displays information including shutter speed, aperture, ISO, exposure compensation and exposure mode. You can customize up to eight items to be displayed on the monitor; it also has a backlight for viewing in low light conditions.
Vertical Battery Grip
Vertical Battery Grip VG-GFX1 (Optional)
The vertical battery grip VG-GFX1 provides a solid grip while also maintaining the camera’s optical axis during vertical shooting. The grip features a Shutter Release Button, Command Dial, Focus Lever and six Fn buttons, mirroring the layout of the camera body. It holds an extra battery to enable shooting for extended periods of time and can be used to charge the battery. Using the AC adapter supplied (AC-15V), you can fully charge a battery in approx. two hours.
Mechanical
Shutter
The World’s First Focal-Plane Shutter* Specifically Designed for Medium Format Mirrorless Cameras
The newly-developed focal-plane shutter is the world’s first specifically designed for medium format mirrorless cameras. It is a low-noise mechanical shutter that withstands 150,000 actuations**, offers shutter speeds up to 1/4000 sec and has an electronic first curtain. Choose from three shutter types, including an electronic shutter.
Mechanical Shutter | 4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes) Bulb mode (up to 60min.), TIME: 60min. to 1/4000sec. |
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Electronic Front Curtain Shutter*** | 4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/4000sec. |
Electronic Shutter | 4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec. |
Mechanical + Electronic Shutter | 4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec. |
Electronic Front Curtain Shutter + Electronic Shutter*** | 4 sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes) Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec. |
Synchronized Shutter Speed for Flash | 1/125 sec. or slower |
Focusing
9×13 (117 Points) / 17×25 (425 Points) Single Focus Points and Six Sizes of Focus Area
TTL Contrast AF is available in Single Point, Zone and Wide/Tracking modes. In the Single Point mode, the camera offers 9×13 (117 points) or 17×25 (425 points) and six different Focus Area sizes. Select the minimum size for pinpoint focusing.
Six AF Modes
AF-S + Single Point | For capturing subjects using a specific AF point |
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AF-S + Zone | For capturing subjects across a large AF area (3×3, 5×5, 7×7) |
AF-S + Wide | For automatically capturing a subject across the frame |
AF-C + Single Point | For continuous spot-focusing |
AF-C + Zone | For tracking a subject within a selected area |
AF-C + Tracking | For continuously tracking a subject across the frame |
Focus Lever
Use the Focus Lever to move the focus area in eight directions (up/down, side to side, diagonally) for easy framing and accurate focusing.
Face Detection / Eye Detection AF
The camera automatically detects and focuses on a face or eyes. Priority can be given to either the right or left eye.
Depth of Field Scale
The distance indicator bar on the monitor can be used to check depth of field. Choose between the Pixel Basis and Film Format Basis options.
Focus Assist Function
Use the Focus Peaking function in Manual Focus mode. The Live View on the screen can be enlarged for more accurate focusing.
Exposure
Exposure Mode Settings Using Dials and Rings
The combination of settings on the Shutter Speed Dial, ISO Dial and Aperture Ring allow you to switch between four different exposure modes: Aperture Priority AE (A), Shutter Speed Priority AE (S), Program AE (P) and Manual. As dials are used for main exposure settings, you can adjust settings even when the camera is turned off. The Command Position (C/T) also enables Command Dial operations.
Photometry
Four Metering Modes
The FUJIFILM GFX 50S offers four metering modes: Multi, Spot, Average and Center Weighted. When spot metering, the focusing and metering areas can be linked.
Multi | Calculates exposure based on analysis of the whole frame |
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Spot | Takes a meter reading from an area occupying approx. 2% of the frame |
Average | Sets exposure based on the average brightness of the entire frame |
Center Weighted | Takes a meter reading mainly from the center of the frame |
Continuous Shooting
Continuous Shooting at Approx. 3.0 fps
In continuous shooting mode, the FUJIFILM GFX 50S can shoot at up to 3.0 fps until the memory card fills up in JPEG, up to 8 frames in RAW, and up to 13 frames in compressed RAW.
Flash Shooting
Multi-Function Flash
Flash sync speed is up to 1/125 sec. When using the optional EF-X500, which supports FP mode, flash sync can be as fast as 1/4000sec (the maximum shutter speed possible with the mechanical shutter). The camera also caters to a variety of flash settings including multiple flash lighting.
Compatible Flash | Fujifilm EF Series (excluding EF-X8) |
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Sync Terminal | Yes Synchronized Shutter Speed for Flash 1/125sec. or Slower |
SYNC. MODE | 1ST CURTAIN / 2ND CURTAIN / AUTO FP (HSS) |
FLASH MODE | TTL (FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF |
- *When EF-X500 is set.
Operability
Five Types of Bracketing
Five types of bracketing are available to capture multiple frames at different settings with a single press of the shutter release. This function works with both JPEG and RAW formats.
AE Bracketing (2/3/5/7/9 frames) | ±1/3EV – ±3EV, 1/3EV step |
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Film Simulation Bracketing | Any 3 Types of Film Simulation Selectable |
Dynamic Range Bracketing | 100% · 200% · 400% |
ISO Sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV |
White Balance Bracketing | ±1 / ±2 / ±3 |
AE Bracketing
±0EV
+3EV
Film Simulation Bracketing
PROVIA
Velvia
Interval Timer Shooting
Shooting Interval | 1sec. – 24 hours |
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Number of Frames | 1 – 999 + ∞ |
Shutter Delay | In 0min. – 24 hours |
Sample unique shooting styles including fixed-point photography, time lapse and self-timer images with controls over shooting interval, total number of frames and shutter delay. You can set an interval between 1 sec – 24 hours for shooting 1 – infinity frames.
Multiple Exposure
The FUJIFILM GFX 50S allows you to take two frames and combine them for a creative effect. The first shot is displayed on the LCD monitor, so you can easily compose and shoot the second frame.
Self Timer
The Self Timer function can be set at 2 sec or 10 sec. It is particularly useful for situations when you want to minimize camera shake, such as long exposures.
Battery Age
Check the age of the batteries in the camera and the vertical battery grip. Battery age is expressed as a number between 0 (youngest) and 4 (oldest).
Shooting Stand By Mode
In standby mode, all displays except the Sub LCD Monitor turn off to save power when no operations are being performed. Choose the length of time your camera will wait before entering standby mode: 5 min, 2 min, 1 min, 30 sec, or 15 sec.
Full HD Video
The FUJIFILM GFX 50S supports Full HD video recording (1920×1080, 29.97p / 25p / 24p / 23.98p, 36Mbps) and HD video recording (1280×720, 29.97p / 25p / 24p / 23.98p, 18Mbps). Film Simulation effects, such as ACROS for ultra high-quality monochrome and CLASSIC CHROME for a documentary-themed look, can also be applied to video.
Voice Memo Function
Record your voice for up to 30 seconds to make notes about the images you are shooting. This makes it easy to keep track of shooting data in situations where writing notes is impractical.
Copyright Data for EXIF
Use the touchscreen panel to enter “Author” and “Copyright” to automatically add this information to the file’s EXIF data.
Sensor Cleaning
The FUJIFILM GFX 50S uses piezoelectric elements to provide ultrasonic sensor cleaning. You can specify when to perform sensor cleaning: immediately, when the camera is turned on, or when the camera is turned off.
Wireless Connectivity
Install the free FUJIFILM Camera Remote app on your smartphone or tablet to carry out a location data search, remotely control the camera and transfer or view in-camera images, all without having to enter a password. This functionality is also useful when shooting landscapes with the camera mounted on a tripod
Custom Buttons and Menus
The FUJIFILM GFX 50S features 10 customizable Fn buttons. Different options can also be asigned to Short Cut Q (Quick) menu items. Frequently used settings can be registered in My Menu while Custom Registration allows you to save and rename Film Simulation and image quality settings.
FUJINON GF Lens
High Performance FUJINON GF Lenses
FUJINON lenses have long catered to the needs of professional photographers with an extensive lineup including medium format lenses, large format lenses and broadcast TV lenses. GF lenses, developed with the latest optical technologies, boast outstanding performance and image quality.
GF63mm F2.8 R WR
GF120mm F4 R LM OIS WR Macro
GF32-64mm F4 R LM WR
Brass Lens Mount
The lens mount is made from brass for strength, durability and reliability.
Dust-resistant, weather-resistant and freezeproof to -10°C
Like the camera body, GF lenses are resistant to dust, water and low temperatures. Create epic photography regardless of the weather or the season.
System
System Chart
Flash
EF-X500 (Optional)
A high performance, multi-function flash with a guide number of approx. 50, the optional EF-X500 supports multi-flash lighting, FP mode and continuous output in Burst Mode.
Terminal
External Connection Interface
The FUJIFILM GFX 50S offers various interfacing options, including USB 3.0 for computer-tethered shooting, an HDMI Micro connector to output images to an external monitor, remote shutter release terminal, microphone input, and headphone jack. Connect the optional AC power adapter AC-15V to the DC input terminal to use an external power source for camera operation and charging. The camera comes with a cable lock for attaching cables.
Mount Adapter
H Mount Adapter G (Optional)
Enables compatibility with H Mount lenses, including SUPER EBC FUJINON HC lenses for GX645AF (discontinued), to be attached to the GFX 50S. It supports lens shutter operations and aperture priority AE. Focusing is manual only, but the mount features electronic contacts to generate and record lens correction data for individual lenses. And a detachable tripod base plate is included.
Compatible Lens | H Mount Lens |
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Exposure Mode | Aperture Priority AE (A) and Manual |
Shutter Select | Camera Body Focal-Plane Shutter / Leaf Shutter in Lens |
Focus Mode | Manual Focus Only |
Operation Parts | Fn button (Shutter Select), Mount Release Lever, DetachableTripod base plate |
View Camera Adapter
View Camera Adapter (Optional)
Allows you to use a 4×5 view camera on the FUJIFILM GFX 50S in conjunction with old large format FUJINON lenses. This allows you to take advantage of a view camera’s characteristic tilt and shift functions while using the focal-plane shutter in the camera body.
Workflow
By installing compatible software on your computer, it is possible to build an all-in-one workflow for things like “tethered shooting / checking the image / RAW development preview / RAW development”. In addition to FUJIFILM’s own software, you can use software that you are already familiar with. You can carry out tethered shooting by connecting the GFX via USB cable or Wi-Fi connection through wireless LAN access point. Also, RAW files can be developed based on Film Simulation settings.
Capture One Pro / Capture One Pro FUJIFILM (Optional)
Capture One Pro FUJIFILM is workflow software that inherits the versatile and powerful editing capabilities of Capture One Pro but is specifically designed for the GFX and X Series of cameras*. It is available to purchase from Phase One’s website. The Capture Pilot function allows you to connect the camera to a table device, etc. and view/check an image being captured wirelessly on such devices.
Capture One Express FUJIFILM
This software supports RAW conversion for files from the GFX and X Series range of cameras*. The software uses a unique cataloging format to manage pictures, enabling fast processing of individual images regardless of the quantity or size. FUJIFILM’s unique Film Simulation modes can be applied during RAW conversion so that you can add an artistic flair or traditional film look and feel. This RAW conversion software is available as a free download from Phase One website.
FUJIFILM X Acquire + RAW FILE CONVERTER EX 3.0 powered by SILKYPIX
FUJIFILM Tether Shooting Plug-in PRO** + Adobe® Photoshop® Lightroom® Classic CC**
FUJIFILM X RAW STUDIO
This is unique RAW development software from FUJIFILM. By connecting a computer installed with X RAW STUDIO and camera via USB cable, the processor in the camera can be used to process RAW files. Processing time will not be affected by any limitations of your computer, and there is no difficulty in batch processing large number of images. Since it offers an optimized environment for the FUJIFILM GFX 50R, you can get complete image quality includes tone, color reproduction, and Film Simulations
SPECIFICATIONS
Model Name | FUJIFILM GFX 50S |
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Number of effective pixels | 51.4 million pixels |
Image sensor | 43.8mm x 32.9mm Bayer array with primary color filter
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Storage media | SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-256G) UHS-I / UHS-II*1 |
File format |
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Number of recorded pixels | L: (4:3) 8256 x 6192 / (3:2) 8256 x 5504 / (16:9)8256 x 4640 / (1:1) 6192 x 6192 (65:24)8256 x 3048 / (5:4) 7744 x 6192 / (7:6) 7232 x 6192 S: (4:3) 4000 x 3000 / (3:2)4000 x 2664 / (16:9)4000 x 2248 / (1:1) 2992 x 2992 (65:24)4000 x 1480 / (5:4) 3744 x 3000 / (7:6) 3504 x 3000 |
Lens mount | FUJIFILM G mount |
Sensitivity | Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO100-12800 (1/3 step) Extended output sensitivity : ISO50 / 25600 / 51200 / 102400 |
Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted |
Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) |
Exposure compensation | -5.0EV – +5.0EV, 1/3EV step (movie recording : -2.0EV – +2.0EV) |
Image Stabilizer | Supported with OIS type lenses |
Shutter type | Focal Plane Shutter |
Shutter speed |
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Continuous shooting | Approx. 3.0 fps ( JPEG:Endless Lossless compression RAW : 13 Frames Uncompressed RAW : 8 Frames)
When Using the Electronic Front Curtain Shutter
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Auto bracketing | AE Bracketing (2/3/5/7/9 frames) ±1/3EV – ±3EV, 1/3EV step Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing*5 (Interval, Number of shots, 10 step) |
Focus |
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White balance | Automatic scene recognition / Custom / Color temperature selection (K) / Preset : Daylight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater |
Self-timer | 10sec. / 2sec. |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time) |
Flash modes *When EF-X500 is set |
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Hot shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder | 0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area : Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece) , Diopter Adjustment: -4 – +2m-1 Magnification: 0.85x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 40° (Horizontal Angle of View: Approx. 33° ) Built-In Eye Sensor |
LCD monitor | 3.2 inch, Aspect Ratio 4:3, Approx. 2,360K-dot Tilt-Type, Touch Screen Color LCD Monitor (Approx. 100% Coverage) |
Movie recording | [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30 min. [HD (1280×720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min. |
Photography functions | Color, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF, Face/Eye detection AF, AF+MF, Focus peak highlight, Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Flicker reduction*5, Mount adapter setting, 35mm Format Mode*5, Red eye removal, Movie AF mode, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, Multiple exposure |
Touch Screen Mode |
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Film Simulation mode | 15 modes ( PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, CLASSIC CHROME, PRO Neg.Hi, PRO Neg.Std, Black&White, Black&White+Ye Filter, Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter ) |
Grain Effect | STRONG, WEAK, OFF |
Color Chrome Effect | STRONG, WEAK, OFF |
Dynamic range setting | AUTO, 100%, 200%, 400% |
Playback functions | Switch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2)*5, Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alert |
Wireless transmitter |
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Wireless function | Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, instax printer print |
Other functions | Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Sound set-up, EVF brightness, EVF color, EVF color adjustment*5, LCD brightness, LCD color, LCD color adjustment*5, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Preview pic. effect, Framing guideline, Autorotate PB, Focus scale units, Disp. custom setting, Sub monitor setting, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Selector button setting, Command dial setting, S.S. operation*5, Shutter AF, Shutter AE, Shoot without lens, Shoot without card*5, Focus ring, AE/AF-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Switch slot, Movie file destination, Select Folder and Create Folder*5, Copyright Info |
Terminal |
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Power supply | NP-T125 Li-ion battery (included)
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Dimensions | 147.5mm (W) x 94.2mm (H) x 91.4mm (D) / 5.81in. (W) x 3.71in. (H) x 3.60in. (D) (Minimum Depth : 41.6mm / 1.64in.) |
Weight | Approx. 825g / 29.1 oz. (including battery and memory card), Approx 920g / 32.5 oz. (including EVF) Approx. 740g / 26.1 oz. (excluding accessories, battery and memory card) |
Operating Temperature | -10°C – +40°C (+14°F – +104°F)C |
Operating Humidity | 10 – 80% (no condensation) |
Starting up period | Approx 0.4sec. |
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
Modes | Still image (L) | |||
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Number of recorded pixels | 8256 x 6192 (4:3) | |||
Quality | SUPER FINE | FINE | NORMAL | |
SDHC memory card | 8 GB | 254 | 381 | 607 |
16 GB | 524 | 785 | 1253 |
Modes | RAW | ||
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Quality | UNCOMPRESSED | LOSSLESS COMPRESSED | |
SDHC memory card | 8 GB | 66 | 127 |
16 GB | 137 | 265 |
Modes | Movie | ||
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Quality | FULL HD (1920 x 1080) 60p / 30p | HD (1280 x 720) 60p / 30p | |
SDHC memory card | 8 GB | 26 min. | 51 min. |
16 GB | 54 min. | 105 min. |
- *For recording movies, use a card with UHS Speed Class 1 or higher.
- *Although movie recording will continue without interruption when the file size reaches 4 GB, subsequent footage will be recorded to a separate file which must be viewed separately.