FUJIFILM GFX 50S MEDIUM FORMAT MIRRORLESS CAMERA (BODY)

  • Firmware Ver.3.30
  • 43.8×32.9mm 51.4MP CMOS medium format sensor
  • X-Processor Pro
  • Detachable 3.69M-dot EVF
  • 2.36M-dot touchscreen LCD back panel
  • Compact and lightweight body
  • Weather resistant structure
  • FUJINON GF Lens
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Description

FEATURES

Firmware Ver.3.30

 

Firmware Ver.3.30

Supports “35mm Format Mode” when using GF Lens and H mount adapter

“35mm Format Mode” crops the center of the sensor 36.0mm x 24.0mm (30.5M) and records JPEG and RAW file.

Improved eye-sensor response

Reduced the time to switch between EVF and LCD when you select “eye-sensor” on the viewfinder display settings.

Supports simultaneous delete for RAW and JPEG files

When RAW / JPEG is selected in the card slot setting (for still image), RAW/JPEG image can be deleted simultaneously. By selecting “OFF”, only the RAW image will be deleted.

Supports EVF and LCD color adjustment

Color of EVF/LCD is adjustable from screen setting menu.

 

Core

 

Sensor

FUJIFILM G Format Image Sensor

The FUJIFILM GFX 50S features a 43.8×32.9mm CMOS medium format sensor: a product of Fujifilm’s rich history, cutting-edge digital technology and extensive knowledge of medium format film cameras. Boasting an effective resolution of 51.4 million pixels and paired with high-performance GF lenses, the sensor delivers superior tones and sharpness that will impress professional photographers shooting in the world of commercial, fashion or landscapes.

Optimized Sensor Design

Both the shape of the light-gathering micro-lenses and the processing from the photodiodes have been optimized to achieve a high level of sharpness and broad dynamic range. The lowest native ISO sensitivity of 100 and the 14-stop dynamic range, achieved with 14-bit RAW data, delivers high definition images in a variety of conditions with notably rich skin tones and intricate foliage detail.

 

Processor

X-Processor Pro

The FUJIFILM GFX 50S sports the X-Processor Pro image processing engine, capable of drawing the very best out of the 51.4 megapixel sensor. Its advanced processing accelerates and optimizes the camera’s performance in a variety of areas including stunning color reproduction with Fujifilm’s unique Film Simulation modes, in-camera RAW conversion to the 8-bit TIFF format, accurate contrast AF, quick startup time, and minimal shutter release time lag and shooting intervals between frames.

 

Mount

FUJIFILM G Mount

The FUJIFILM GFX 50S uses the G Mount, which has a mount diameter of 65mm, flange back distance of 26.7mm and minimum back focus distance of 16.7mm. It uses as many as 12 electronic contact points for sending and receiving data, plus it supports the use of a wide variety of lenses and accessories. The short back focus distance, made possible because of the Fujifilm mirrorless system’s structure, affords greater freedom in lens design to contribute to the development of fast, compact and high-performance GF lenses while preventing vignetting to deliver edge-to-edge sharpness.

 

Image Quality

 

Basic Image Setting

Image Formats

The FUJIFILM GFX 50S saves pictures in a variety of formats and quality, including two sizes and three compression levels of JPEGs, as well as compressed/uncompressed RAW. Even when you are shooting only in RAW, the camera records 12-megapixel thumbnails at the same time. Its in-camera RAW conversion function also enables RAW files processing with the ability to save them as 8-bit TIFFs.

ISO Sensitivity

The standard ISO sensitivity range is ISO100-12800, with extended sensitivities of ISO50, ISO25600, ISO51200 and ISO102400 also available. RAW format is supported at all these ISO settings. The AUTO function allows you to set the standard ISO, low shutter speed limit and upper ISO limit, and configure AUTO 1 – 3 settings according to shooting conditions.

Standard Output AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO100 to 12800 (1/3 step)
Extended Output ISO50 / 25600 / 51200 / 102400
White Balance

White balance can be set as Auto, Preset, Custom or Color Temperature settings. RB color coordinates can be used to shift the white balance for fine tuning color balance. Up to three custom white balance settings can also be stored.

Other Image Quality Settings

Tones and colors can be fine tuned in combination with Film Simulation to achieve your desired color reproduction.

Dynamic Range AUTO·100%·200%·400%
Highlight Tone +4--2
Shadow Tone +4--2
Color +4--4
Sharpness +4--4
Noise Reduction +4--4

 

Advanced Image Setting

Film Simulation

Developed with Fujifilm’s color producing know-how over 80 years of photographic film manufacturing, Film Simulation allows you to reproducing a variety of colors and tones as if using different photographic films.

PROVIA
Standard mode for general use that faithfully reproduces ‘memory colors’; colors just as you remember them.

Velvia
A combination of high saturation and ‘memory colors’, this option reproduces vivid colors, making it ideal for landscapes.

ASTIA
Combining a soft effect with high saturation, this option delivers radiant skin tones and smooth gradation.

CLASSIC CHROME
Delivering subtle colors and beautifully muted tones, this simulation is reminiscent of vintage reversal film.

PRO Neg. Hi
Produce portraits with sharp contrast even in flat light. This option delivers natural skin tones based on ‘memory color’ technology.

PRO Neg. Std
Reproduces accurate, natural skin tones in portraits shot under controlled light.

ACROS
Premium monochrome mode delivers fine texture, deep blacks and smoother tones.

MONOCHROME
General use monochrome mode that offers three filter options (Ye, R and G), just like ACROS.

SEPIA
Adds a warm tone across the frame for a sepia look. When applied to a retro subject, it creates a nostalgic look.

Grain Effect

OFF Strong
Graininess is added to the entire frame to simulate the look of film-based images.

Color Chrome Effect

OFF Strong
Provides an extra boost to saurated colors for a richer result.

 

Body / Device

 

Body

Dust-resistant, weather-resistant and freezeproof to -10°C.

The body is made from robust magnesium alloy, which feels both solid and durable in the hand. The body is weather-sealed in 58 points to achieve a high level of resistance to dust and moisture.The GFX 50S is compact and lightweight despite the large size of its sensor, plus its dust and weather-resistant body means it’s equally effective in the studio or out in the field.

Drive Menu

Use the Drive button to quickly switch between different modes such as Burst, Bracketing and Video.

Dual Card Slot

Both slots support high-speed UHS-II cards. They can be assigned to store files according to their format, e.g. JPEG, RAW or Movie.

Command Position (C/T)

Set the ISO Dial/Aperture Ring to “C” and the Shutter Speed Dial to “T” to change settings only with the front and rear Command Dials while checking settings on the Sub LCD Monitor.

Exposure Compensation

Exposure compensation of up to ±5 stops in 1/3 steps can be set with the Exposure Compensation Button and Rear Command Dial.

 

Viewfinder

High Magnification and High Definition Electronic Viewfinder

The FUJIFILM GFX 50S is supplied with a detachable 3.69M-dot EVF with 100% coverage and a viewfinder magnification of 0.85x. It uses five dedicated lens elements to achieve 100% coverage and offers a diopter adjustment range of -4m-1 to+2m-1.

EVF Tilting Adapter EVF-TL1 (Optional)

Attach the optional EVF Tilting Adapter EVF-TL1 between the camera body and the EVF to enable vertical tilt (0°-90° / 5 steps) and horizontal rotation (±45°). This allows you to shoot from waist level or aids shooting in portrait orientation.

3D Electronic Level

This electronic level uses a 3D system and is highly effective for architecture or landscape photography, when the accuracy of horizontal and vertical lines is crucial.

RGB Histogram

The FUJIFILM GFX 50S can display four types of histograms: RGB and brightness, each with or without highlight warnings.

 

LCD Monitor

Large Rear Touchscreen LCD Tilts in Three Directions

The rear 2.36M-dot LCD monitor measures 3.2 inches and offers 100% coverage. The smart touchscreen panel enables intuitive operation and tilts in three directions (90° up, 45° down and 60° to the right) for easy framing and shooting from high or low angles.

Enlarged Live View

For more accurate focusing, push or rotate the Rear Command Dial to enlarge Live View images between 1x and 16.7x.

1x 8x 16.7x

Smart Touchscreen Display

The FUJIFILM GFX 50S features a smart touchscreen display, which makes it easy to select an AF area, bring up an RGB histogram, display the 3D electronic level and enlarge the Live View.

Shooting Mode / Playback Mode Flick (Up and Down)
RGB Histogram, Live View Highlight Alert (Shooting Mode only)
Double Tap
Enlarged Live View / Playback Zoom
Tap, Press, Drag
AF Area Selection, Touch AF / View Other Area During Playback Zoom
Pinch-In, Pinch-Out
Playback Zoom In and Out (Playback Mode only)
Swipe
View Next Picture (Playback Mode only)
Other Functions Q Menu Selection, Input Character

 

Sub Monitor

Sub LCD Monitor displays main settings

The 1.28-inch monochrome LCD monitor can be viewed in all conditions (including bright sunlight) and displays information including shutter speed, aperture, ISO, exposure compensation and exposure mode. You can customize up to eight items to be displayed on the monitor; it also has a backlight for viewing in low light conditions.

 

Vertical Battery Grip

Vertical Battery Grip VG-GFX1 (Optional)

The vertical battery grip VG-GFX1 provides a solid grip while also maintaining the camera’s optical axis during vertical shooting. The grip features a Shutter Release Button, Command Dial, Focus Lever and six Fn buttons, mirroring the layout of the camera body. It holds an extra battery to enable shooting for extended periods of time and can be used to charge the battery. Using the AC adapter supplied (AC-15V), you can fully charge a battery in approx. two hours.

 

Mechanical

 

Shutter

The World’s First Focal-Plane Shutter* Specifically Designed for Medium Format Mirrorless Cameras

The newly-developed focal-plane shutter is the world’s first specifically designed for medium format mirrorless cameras. It is a low-noise mechanical shutter that withstands 150,000 actuations**, offers shutter speeds up to 1/4000 sec and has an electronic first curtain. Choose from three shutter types, including an electronic shutter.

Mechanical Shutter 4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes)
Bulb mode (up to 60min.), TIME: 60min. to 1/4000sec.
Electronic Front Curtain Shutter*** 4sec. to 1/4000sec. (P Mode), 60min. to 1/4000sec. (All Modes)
Bulb Mode (up to 60min.), TIME: 60min. to 1/4000sec.
Electronic Shutter 4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes)
Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec.
Mechanical + Electronic Shutter 4sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes)
Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec.
Electronic Front Curtain Shutter + Electronic Shutter*** 4 sec. to 1/16000sec. (P Mode), 60min. to 1/16000sec. (All Modes)
Bulb Mode (up to 60min.), TIME: 60min. to 1/16000sec.
Synchronized Shutter Speed for Flash 1/125 sec. or slower

Focusing

9×13 (117 Points) / 17×25 (425 Points) Single Focus Points and Six Sizes of Focus Area

TTL Contrast AF is available in Single Point, Zone and Wide/Tracking modes. In the Single Point mode, the camera offers 9×13 (117 points) or 17×25 (425 points) and six different Focus Area sizes. Select the minimum size for pinpoint focusing.

Six AF Modes
AF-S + Single Point For capturing subjects using a specific AF point
AF-S + Zone For capturing subjects across a large AF area (3×3, 5×5, 7×7)
AF-S + Wide For automatically capturing a subject across the frame
AF-C + Single Point For continuous spot-focusing
AF-C + Zone For tracking a subject within a selected area
AF-C + Tracking For continuously tracking a subject across the frame
Focus Lever

Use the Focus Lever to move the focus area in eight directions (up/down, side to side, diagonally) for easy framing and accurate focusing.

Face Detection / Eye Detection AF

The camera automatically detects and focuses on a face or eyes. Priority can be given to either the right or left eye.

Depth of Field Scale

The distance indicator bar on the monitor can be used to check depth of field. Choose between the Pixel Basis and Film Format Basis options.

Focus Assist Function

Use the Focus Peaking function in Manual Focus mode. The Live View on the screen can be enlarged for more accurate focusing.

 

Exposure

Exposure Mode Settings Using Dials and Rings

The combination of settings on the Shutter Speed Dial, ISO Dial and Aperture Ring allow you to switch between four different exposure modes: Aperture Priority AE (A), Shutter Speed Priority AE (S), Program AE (P) and Manual. As dials are used for main exposure settings, you can adjust settings even when the camera is turned off. The Command Position (C/T) also enables Command Dial operations.

 

Photometry

Four Metering Modes

The FUJIFILM GFX 50S offers four metering modes: Multi, Spot, Average and Center Weighted. When spot metering, the focusing and metering areas can be linked.

Multi Calculates exposure based on analysis of the whole frame
Spot Takes a meter reading from an area occupying approx. 2% of the frame
Average Sets exposure based on the average brightness of the entire frame
Center Weighted Takes a meter reading mainly from the center of the frame

 

Continuous Shooting

Continuous Shooting at Approx. 3.0 fps

In continuous shooting mode, the FUJIFILM GFX 50S can shoot at up to 3.0 fps until the memory card fills up in JPEG, up to 8 frames in RAW, and up to 13 frames in compressed RAW.

 

Flash Shooting

Multi-Function Flash

Flash sync speed is up to 1/125 sec. When using the optional EF-X500, which supports FP mode, flash sync can be as fast as 1/4000sec (the maximum shutter speed possible with the mechanical shutter). The camera also caters to a variety of flash settings including multiple flash lighting.

Compatible Flash Fujifilm EF Series (excluding EF-X8)
Sync Terminal Yes Synchronized Shutter Speed for Flash 1/125sec. or Slower
SYNC. MODE 1ST CURTAIN / 2ND CURTAIN / AUTO FP (HSS)
FLASH MODE TTL (FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF
  • *When EF-X500 is set.

 

Operability

 

Five Types of Bracketing

Five types of bracketing are available to capture multiple frames at different settings with a single press of the shutter release. This function works with both JPEG and RAW formats.

AE Bracketing (2/3/5/7/9 frames) ±1/3EV – ±3EV, 1/3EV step
Film Simulation Bracketing Any 3 Types of Film Simulation Selectable
Dynamic Range Bracketing 100% · 200% · 400%
ISO Sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing ±1 / ±2 / ±3

AE Bracketing

±0EV

+3EV

Film Simulation Bracketing

PROVIA

Velvia

 

Interval Timer Shooting

Shooting Interval 1sec. – 24 hours
Number of Frames 1 – 999 + ∞
Shutter Delay In 0min. – 24 hours

Sample unique shooting styles including fixed-point photography, time lapse and self-timer images with controls over shooting interval, total number of frames and shutter delay. You can set an interval between 1 sec – 24 hours for shooting 1 – infinity frames.

 

Multiple Exposure

The FUJIFILM GFX 50S allows you to take two frames and combine them for a creative effect. The first shot is displayed on the LCD monitor, so you can easily compose and shoot the second frame.

 

Self Timer

The Self Timer function can be set at 2 sec or 10 sec. It is particularly useful for situations when you want to minimize camera shake, such as long exposures.

 

Battery Age

Check the age of the batteries in the camera and the vertical battery grip. Battery age is expressed as a number between 0 (youngest) and 4 (oldest).

 

Shooting Stand By Mode

In standby mode, all displays except the Sub LCD Monitor turn off to save power when no operations are being performed. Choose the length of time your camera will wait before entering standby mode: 5 min, 2 min, 1 min, 30 sec, or 15 sec.

 

Full HD Video

The FUJIFILM GFX 50S supports Full HD video recording (1920×1080, 29.97p / 25p / 24p / 23.98p, 36Mbps) and HD video recording (1280×720, 29.97p / 25p / 24p / 23.98p, 18Mbps). Film Simulation effects, such as ACROS for ultra high-quality monochrome and CLASSIC CHROME for a documentary-themed look, can also be applied to video.

 

Voice Memo Function

Record your voice for up to 30 seconds to make notes about the images you are shooting. This makes it easy to keep track of shooting data in situations where writing notes is impractical.

 

Copyright Data for EXIF

Use the touchscreen panel to enter “Author” and “Copyright” to automatically add this information to the file’s EXIF data.

 

Sensor Cleaning

The FUJIFILM GFX 50S uses piezoelectric elements to provide ultrasonic sensor cleaning. You can specify when to perform sensor cleaning: immediately, when the camera is turned on, or when the camera is turned off.

 

Wireless Connectivity

Install the free FUJIFILM Camera Remote app on your smartphone or tablet to carry out a location data search, remotely control the camera and transfer or view in-camera images, all without having to enter a password. This functionality is also useful when shooting landscapes with the camera mounted on a tripod

 

Custom Buttons and Menus

The FUJIFILM GFX 50S features 10 customizable Fn buttons. Different options can also be asigned to Short Cut Q (Quick) menu items. Frequently used settings can be registered in My Menu while Custom Registration allows you to save and rename Film Simulation and image quality settings.

 

FUJINON GF Lens

 

High Performance FUJINON GF Lenses

FUJINON lenses have long catered to the needs of professional photographers with an extensive lineup including medium format lenses, large format lenses and broadcast TV lenses. GF lenses, developed with the latest optical technologies, boast outstanding performance and image quality.

GF63mm F2.8 R WR

 

GF120mm F4 R LM OIS WR Macro

 

GF32-64mm F4 R LM WR

 

Brass Lens Mount

The lens mount is made from brass for strength, durability and reliability.

 

Dust-resistant, weather-resistant and freezeproof to -10°C

Like the camera body, GF lenses are resistant to dust, water and low temperatures. Create epic photography regardless of the weather or the season.

 

System

 

System Chart

 

Flash

EF-X500 (Optional)

A high performance, multi-function flash with a guide number of approx. 50, the optional EF-X500 supports multi-flash lighting, FP mode and continuous output in Burst Mode.

 

Terminal

External Connection Interface

The FUJIFILM GFX 50S offers various interfacing options, including USB 3.0 for computer-tethered shooting, an HDMI Micro connector to output images to an external monitor, remote shutter release terminal, microphone input, and headphone jack. Connect the optional AC power adapter AC-15V to the DC input terminal to use an external power source for camera operation and charging. The camera comes with a cable lock for attaching cables.

 

Mount Adapter

H Mount Adapter G (Optional)

Enables compatibility with H Mount lenses, including SUPER EBC FUJINON HC lenses for GX645AF (discontinued), to be attached to the GFX 50S. It supports lens shutter operations and aperture priority AE. Focusing is manual only, but the mount features electronic contacts to generate and record lens correction data for individual lenses. And a detachable tripod base plate is included.

Compatible Lens H Mount Lens
Exposure Mode Aperture Priority AE (A) and Manual
Shutter Select Camera Body Focal-Plane Shutter / Leaf Shutter in Lens
Focus Mode Manual Focus Only
Operation Parts Fn button (Shutter Select),
Mount Release Lever,
DetachableTripod base plate

 

View Camera Adapter

View Camera Adapter (Optional)

Allows you to use a 4×5 view camera on the FUJIFILM GFX 50S in conjunction with old large format FUJINON lenses. This allows you to take advantage of a view camera’s characteristic tilt and shift functions while using the focal-plane shutter in the camera body.

 

Workflow

By installing compatible software on your computer, it is possible to build an all-in-one workflow for things like “tethered shooting / checking the image / RAW development preview / RAW development”. In addition to FUJIFILM’s own software, you can use software that you are already familiar with. You can carry out tethered shooting by connecting the GFX via USB cable or Wi-Fi connection through wireless LAN access point. Also, RAW files can be developed based on Film Simulation settings.

Capture One Pro / Capture One Pro FUJIFILM (Optional)

Capture One Pro FUJIFILM is workflow software that inherits the versatile and powerful editing capabilities of Capture One Pro but is specifically designed for the GFX and X Series of cameras*. It is available to purchase from Phase One’s website. The Capture Pilot function allows you to connect the camera to a table device, etc. and view/check an image being captured wirelessly on such devices.

Capture One Express FUJIFILM

This software supports RAW conversion for files from the GFX and X Series range of cameras*. The software uses a unique cataloging format to manage pictures, enabling fast processing of individual images regardless of the quantity or size. FUJIFILM’s unique Film Simulation modes can be applied during RAW conversion so that you can add an artistic flair or traditional film look and feel. This RAW conversion software is available as a free download from Phase One website.

FUJIFILM X Acquire + RAW FILE CONVERTER EX 3.0 powered by SILKYPIX

FUJIFILM Tether Shooting Plug-in PRO** + Adobe® Photoshop® Lightroom® Classic CC**

 

FUJIFILM X RAW STUDIO

This is unique RAW development software from FUJIFILM. By connecting a computer installed with X RAW STUDIO and camera via USB cable, the processor in the camera can be used to process RAW files. Processing time will not be affected by any limitations of your computer, and there is no difficulty in batch processing large number of images. Since it offers an optimized environment for the FUJIFILM GFX 50R, you can get complete image quality includes tone, color reproduction, and Film Simulations

 

SPECIFICATIONS

Model Name FUJIFILM GFX 50S
Number of effective pixels 51.4 million pixels
Image sensor 43.8mm x 32.9mm Bayer array with primary color filter

Sensor Cleaning system
Ultra Sonic Vibration
Storage media SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-256G) UHS-I / UHS-II*1
File format
Still image
JPEG (Exif Ver.2.3)*2, RAW : 14bit RAW(RAF original format), RAW+JPEG, 8-bit TIFF(In-camera Raw Conversion Only)
Movie
MOV (MPEG-4 AVC / H.264, Audio : Linear PCM / Stereo sound 48KHz sampling)
Number of recorded pixels L: (4:3) 8256 x 6192 / (3:2) 8256 x 5504 / (16:9)8256 x 4640 / (1:1) 6192 x 6192 (65:24)8256 x 3048 / (5:4) 7744 x 6192 / (7:6) 7232 x 6192
S: (4:3) 4000 x 3000 / (3:2)4000 x 2664 / (16:9)4000 x 2248 / (1:1) 2992 x 2992 (65:24)4000 x 1480 / (5:4) 3744 x 3000 / (7:6) 3504 x 3000
Lens mount FUJIFILM G mount
Sensitivity Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO100-12800 (1/3 step)
Extended output sensitivity : ISO50 / 25600 / 51200 / 102400
Exposure control TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure)
Exposure compensation -5.0EV – +5.0EV, 1/3EV step
(movie recording : -2.0EV – +2.0EV)
Image Stabilizer Supported with OIS type lenses
Shutter type Focal Plane Shutter
Shutter speed
Mechanical Shutter
4sec. – 1/4000sec (P mode), 60 min. – 1/4000 sec. (All modes)
Bulb mode (up to 60min), TIME:60min. – 1/4000sec.
Electronic Shutter*3
4sec – 1/16000sec (P mode), 60min – 1/16000sec (All modes)
Bulb mode (up to 60 min), TIME:60min. – 1/16000sec.
Electronic Front Curtain Shutter*4
4sec. – 1/4000sec (P mode), 60 min. – 1/4000 sec. (All modes)
Bulb mode (up to 60min), TIME:60min. – 1/4000sec.
Mechanical + Electronic Shutter
4sec – 1/16000sec (P mode), 60min – 1/16000sec (All modes)
Bulb mode (up to 60 min), TIME:60min. – 1/16000sec.
Electronic Front Curtain Shutter*3,*4 + Electronic Shutter
4sec – 1/16000sec (P mode), 60min – 1/16000sec (All modes)
Bulb mode (up to 60 min), TIME:60min. – 1/16000sec.
Synchronized shutter speed for flash
1/125sec. or slower
Continuous shooting Approx. 3.0 fps ( JPEG:Endless Lossless compression RAW : 13 Frames Uncompressed RAW : 8 Frames)

When Using the Electronic Front Curtain Shutter
Approx. 1.8 fps ( JPEG : Endless Lossless Compression RAW : Endless Uncompressed RAW : 8 Frames)

  • * Recordable frames depends on recording media
  • * Speed of continuous shooting depends on shooting environment and shooting frames
Auto bracketing AE Bracketing (2/3/5/7/9 frames) ±1/3EV – ±3EV, 1/3EV step
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
White Balance Bracketing (±1, ±2, ±3)
Focus Bracketing*5 (Interval, Number of shots, 10 step)
Focus
mode
Single AF / Continuous AF / MF
type
TTL Contrast AF
AF frame selection
Single Point AF: EVF / LCD: 13×9 / 25×17 (Changeable Size of AF Frame Among 6 Types)
Zone AF: 3×3 / 5×5 / 7×7 from 117 Areas on 13×9 Grid
Wide/Tracking AF: (Up to 9 Area)

  • * AF-S : Wide
  • * AF-C : Tracking
White balance Automatic scene recognition / Custom / Color temperature selection (K) / Preset : Daylight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer 10sec. / 2sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time)
Flash modes
*When EF-X500 is set
SYNC. MODE
1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS)
FLASH MODE
TTL(FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder 0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area : Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece) , Diopter Adjustment: -4 – +2m-1
Magnification: 0.85x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 40° (Horizontal Angle of View: Approx. 33° )
Built-In Eye Sensor
LCD monitor 3.2 inch, Aspect Ratio 4:3,
Approx. 2,360K-dot Tilt-Type, Touch Screen Color LCD Monitor (Approx. 100% Coverage)
Movie recording [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 36Mbps up to Approx. 30 min.
[HD (1280×720)] 29.97p / 25p / 24p / 23.98p 18Mbps up to Approx. 30min.
Photography functions Color, Sharpness, Highlight tone, Shadow tone, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, Store AF mode by orientation, Rapid AF, AF point display, Pre-AF, Face/Eye detection AF, AF+MF, Focus peak highlight, Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Flicker reduction*5, Mount adapter setting, 35mm Format Mode*5, Red eye removal, Movie AF mode, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, Multiple exposure
Touch Screen Mode
Shooting Mode
Touch AF, Focus Area, OFF
Playback Mode
Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag
Film Simulation mode 15 modes ( PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, CLASSIC CHROME, PRO Neg.Hi, PRO Neg.Std, Black&White, Black&White+Ye Filter, Black&White+R Filter, Black&White+Gfilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter )
Grain Effect STRONG, WEAK, OFF
Color Chrome Effect STRONG, WEAK, OFF
Dynamic range setting AUTO, 100%, 200%, 400%
Playback functions Switch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2)*5, Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites, RGB histogram, Highlight alert
Wireless transmitter
Standard
IEEE 802.11b / g / n (standard wireless protocol)
Encryption
WEP / WPA / WPA2 mixed mode
Access mode
Infrastructure
Wireless function Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, instax printer print
Other functions Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Sound set-up, EVF brightness, EVF color, EVF color adjustment*5, LCD brightness, LCD color, LCD color adjustment*5, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Preview pic. effect, Framing guideline, Autorotate PB, Focus scale units, Disp. custom setting, Sub monitor setting, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Selector button setting, Command dial setting, S.S. operation*5, Shutter AF, Shutter AE, Shoot without lens, Shoot without card*5, Focus ring, AE/AF-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Switch slot, Movie file destination, Select Folder and Create Folder*5, Copyright Info
Terminal
Digital interface
USB3.0 (High-Speed) / micro USB terminal

  • * connectable with Remote Release RR-90 (sold separately)
HDMI output
HDMI micro connector (Type D)
Other
ø3.5mm, stereo mini connector (Microphone) / ø3.5mm, stereo mini connector (Headphone) / ø2.5mm, Remote Release Connector DC IN 15V Connecter *Compatible with AC-15V (Optional) Only / Hot shoe / Syncronized terninal
Power supply NP-T125 Li-ion battery (included)

Battery life for still images*6
Approx. 400frames When GF63mmF2.8 R WR is set. (Auto power save ON)
Actual battery life of movie capture*6

  • *Face detection is set to OFF
Full HD : approx. 70 min
Continuance battery life of movie capture*6

  • *Face detection is set to OFF
Full HD : approx. 145 min.
Dimensions 147.5mm (W) x 94.2mm (H) x 91.4mm (D) / 5.81in. (W) x 3.71in. (H) x 3.60in. (D)
(Minimum Depth : 41.6mm / 1.64in.)
Weight Approx. 825g / 29.1 oz. (including battery and memory card), Approx 920g / 32.5 oz. (including EVF)
Approx. 740g / 26.1 oz. (excluding accessories, battery and memory card)
Operating Temperature -10°C – +40°C (+14°F – +104°F)C
Operating Humidity 10 – 80% (no condensation)
Starting up period Approx 0.4sec.

Memory Card Capacity and Image Quality / Size

All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.

Modes Still image (L)
Number of recorded pixels 8256 x 6192 (4:3)
Quality SUPER FINE FINE NORMAL
SDHC memory card 8 GB 254 381 607
16 GB 524 785 1253
Number of images
Modes RAW
Quality UNCOMPRESSED LOSSLESS COMPRESSED
SDHC memory card 8 GB 66 127
16 GB 137 265
Recording time
Modes Movie
Quality FULL HD (1920 x 1080) 60p / 30p HD (1280 x 720) 60p / 30p
SDHC memory card 8 GB 26 min. 51 min.
16 GB 54 min. 105 min.
  • *For recording movies, use a card with UHS Speed Class 1 or higher.
  • *Although movie recording will continue without interruption when the file size reaches 4 GB, subsequent footage will be recorded to a separate file which must be viewed separately.

 

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Brand

Fujifilm