Description
FEATURES
Firmware Ver.1.20
Firmware Ver.1.20
Supports “FUJIFILM X RAW STUDIO”
After connecting a camera to a computer via USB cable, the “FUJIFILM X RAW STUDIO” enables users to convert RAW files with X-Processor Pro. Fast batch processing will also be available. The “FUJIFILM X RAW STUDIO” can be downloaded from the FUJIFILM website for free.
Support for backup/restore of camera settings via FUJIFILM X Acquire
Once connecting a camera to a computer via USB cable, the “FUJIFILM X Acquire” allows users to backup/restore camera settings to/from a file. Copying all camera settings from one camera to another is available.
Compatible with the newly developed FUJINON XC15-45mmF3.5-5.6 OIS PZ lens
The upgrade will add compatibility for the newly developed FUJINON XC15-45mmF3.5-5.6 OIS PZ lens.
1. MF ring can be used as zoom ring
2. Maintain the lens zoom position during interval shooting
3. Maintain the lens zoom position in playback mode to shorten the startup time for the next shooting
Improve radio flash controller usability
The upgrade allows users to shoot with compatible third party studio flash in high speed sync. or TTL mode via their radio controllers.
Enhanced Bluetooth®* connectivity via the FUJIFILM Camera Remote app.
The upgrade allows users to utilize the following functions with the latest “FUJIFILM Camera Remote” app.
1. The upgrade allows users to select multiple smartphones or tablet devices by paring the cameras.(Up to 7 devices)
2. Update the firmware** of compatible cameras that offer Bluetooth® capability via smartphone or tablet devices.
3. It supports Bluetooth® wireless remote control camera shutter release** for cameras that offer Bluetooth® capability.
Enlarged and customizable indicators or information
The upgrade allows users to enlarge indicators and information in the viewfinder and/or LCD monitor. This upgrade will also enable users to customize the location of where the information is shown on the display.
Normal
LARGE INDICATORS MODE
LARGE INDICATORS DISP.SETTING
Operation & Control Layout
Control Mode
Manual Controls
Combinations of settings on the shutter speed dial and the lens’s aperture ring allow you to set exposure modes including Program, Shutter Priority, Aperture Priority and Manual even when the camera is turned off.
Supporting exposure compensation for ± 3 stops in 1/3 steps. Supports up to ± 5 stops when in the “C” position.
Auto Mode
Advanced SR AUTO mode
Switch the top plate to “AUTO” to select the Advanced SR AUTO mode. The camera will then automatically select the optimum autofocus and exposure settings from 58 presets.
Control Layout
Focus Lever
With direct operation performed using a stick, it is possible to instantaneously move the focus area in eight directions, including vertical, horizontal, and diagonal. Focusing can be performed accurately with composition already decided.
Customizable Menu
It is possible to assign frequently used menu functions to the “Quick Menu” and “My Menu.” Assigned functions can also be called up directly by setting them to the “Function Button”. Abundant shortcut possibilities are incredibly convenient, allowing for easy transitions according to the application and scene.
Rear layout allows to keep a firm grip
With each button able to call up functions with ease, the rear layout features a simple but beautiful design. By keeping the number of buttons to the absolute minimum, no elements interfere with the fingers of the photographer, allowing for a firm grip on the camera.
Real Time EVF & Touchscreen LCD
Electronic Viewfinder
Finder size comparison
Touch panel operation possible while looking into the viewfinder
Equipped with a 0.62x* / 100% field of view and 2.36M-dot organic EL electronic viewfinder, projecting subjects clearly even in bright outdoors scenes. Boasting a display time lag of just 0.005 seconds, in addition to continuing to capture the subject in real time, the viewfinder also reflects shooting effects such as exposure settings and film simulation.
Touchscreen LCD
The rear LCD monitor adopts an electrostatic touch panel display, supporting intuitive operation with your fingertips such as flick, double tap, tap, drag, and pinching in and out.
SHOOTING MODE / PLAYBACK MODE
1. [Flick (Up and Down, Left and Right)] Touch Fn.
2. [Double tap] Enlarged live view / Playback zoom
3. [Tap, Drag] AF area selection, Touch AF, Touch Shot / View other area during playback zoom
4. [Pinch-In, Pinch-Out] Playback zoom in and out (Playback mode only)
5. [Swipe] View next picture (Playback mode only)
Other Functions
6. Q menu selection, Input Character
Touch panel operation when using the EVF
It’s also possible to use the touch panel while looking into the viewfinder. According to the operation method, it’s possible to set the effective range of the touch panel to the full screen, right half, left half, or OFF.
Connectivity
Wireless communication with Bluetooth®
Bluetooth functionality makes it easy to enjoy your images on various devices
The first camera in the X Series to be equipped with Bluetooth®functionality, the camera can pair with your smartphone and always stay connected. With images automatically transferred, the connection between the camera and your smartphone or tablet is even smoother. Remote shooting and viewing of images stored within the camera** is also possible.
Wireless instax printing
Pictures taken can be wireless sent to the instax SHARE printer, allowing users to print out their shots instantly.
Imaging
X-Trans™* CMOS III Sensor for high quality image.
The FUJIFILM X-E3 features Fujifilm’s X-Trans CMOS III, a 24.3-megapixel APS-C sized sensor renowned for outstanding image quality when combined with high performance XF lenses. Thanks to its random pixel array, the sensor cuts outs moiré and false colors without needing an optical low-pass filter, plus it delivers impressive noise reduction up to ISO 12800. The sensor also offers excellent read speed, helping to improve the camera’s response in the burst mode, high-accuracy AF tracking, high-speed live view and high-quality video performance.
X-Processor Pro with advanced image processing capability
The FUJIFILM X-E3’s X-Processor Pro image processing engine delivers a processing speed roughly 4x faster than previous models. The increased buffer memory boosts performance, drawing out the best from the X-Trans CMOS III sensor. This means that ACROS has now been added to the popular set of Film Simulation modes, which are available for both stills and 4K video. X-Processor Pro also enhances overall performance with shorter shooting intervals, shutter release time lag and blackout time, as well as improving AF accuracy and the number of continuous frames possible in the burst mode.
Sensitivity
In addition to ordinary ISO levels, the camera is capable of using extended ISO levels, including ISO100/125/160/25600/51200. It is also capable of recording in RAW. The AUTO function allows you to set the standard ISO, low shutter speed limit and upper ISO limit, and configure AUTO 1 – 3 settings according to shooting conditions.
High Performance
The CPU for high-speed processing. The Buffer memory has also been increased for an even faster response.
Continuous shooting
Continuous shooting performance up to 8.0fps, allowing for continuous capture of fast-moving subjects.
Focusing
New AF algorithm for smooth continuous shooting.
Thanks to the newly developed image recognition algorithm, the FUJIFILM X-E3 is able to track moving subjects twice as fast as previous models*. In addition, the FUJIFILM X-E3 is also able to track moving subjects of half the size as before.
Phase Detection AF area
Choose between 91 or 325 focus points. The fast and accurate phase detection pixels cover 50% [side-to-side] and 75% [top-to-bottom] of the frame.
AF modes
The camera offers Single Point AF for accurate focus on a single focus point, Zone AF for a moving subject and Wide/Tracking AF. If “ALL” is selected, it is possible to seamlessly switch the AF mode using the rear command dial.
AF-S + Single Point | For capturing subjects using a specific AF point |
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AF-S + Zone | For capturing subjects across a large AF area (3×3, 5×5, 7×7) |
AF-S + Wide | For automatically capturing a subject across the frame |
AF-C + Single Point | For continuous spot-focusing |
AF-C + Zone | For tracking a subject within a selected area |
AF-C + Tracking | For continuously tracking a subject across the frame |
AF-C Custom Settings
The camera offers five AF-C presets for a variety of different subjects.
SET 1 | Standard setting |
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SET 2 | Ignoring obstacles |
SET 3 | Accelerating / decelerating subjects |
SET 4 | For subjects that suddenly come into the frame |
SET 5 | Erratically moving subjects |
Film Simulation
Film simulation focus on the philosophy of color-creation
CLASSIC CHROME
ACROS
Incorporating knowledge accumulated during over 80 years of film production, Film simulation allow users to enjoy a rich variety of color and gradation reproductions according to their subject, shooting scene, and expression intent. Users can choose from a total of 15 different types, just as if they were changing films.
PROVIA / Standard | Standard mode that accommodates a diverse range of scenes |
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Velvia / Vivid | Reproduction of vivid primary colors. Ideal for landscape and nature photography |
ASTIA / Soft | Soft tones combined with a saturated pop of colors. |
ACROS (+ Ye/R/G FILTER) | New monochrome mode with perfectly rich gradation |
CLASSIC CHROME | Added tonal depth for a documentary photography look |
PRO Neg. Hi | Natural skin tone reproduction |
PRO Neg. Std | Soft tones with low saturation for unique snapshots |
MONOCHROME (+ Ye/R/G FILTER) | Standard monochrome mode that accommodates a diverse range of scenes |
SEPIA | Warm sepia tone for a retro effect |
Grain Effect
Grain Effect OFF
Grain Effect ON (Strong)
By adding grain to selected photos, it is possible to give photos a texture with a film-like tone. The user can select from OFF, weak, and strong.
Functions
4K Movie Shooting
Support for shooting high quality 4K movies at 29.97 fps with a quality of 100Mbps. Also supports authentic movie shooting, allowing for the external microphone inputs and HDMI monitor output. Film simulation can also be selected even during 4K movie shooting, allowing users to enjoy a variety of video expressions.
Advanced Filters
Dynamic Tone
Partial Color (Green)
Apply various filter effects to create unique images. 8 effects are available, including Toy Camera for a retro look, Miniature for a diorama effect, Pop Color for high contrast and saturation, as well as High Key, Low Key, Dynamic Tone, Soft Focus and Partial Color (Red, Orange, Yellow, Green, Blue and Purple). All effects can be previewed as you shoot on the LCD screen.
TOY CAMERA | Create shaded borders as taken by toy cameras, creating a nostalgic effect |
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MINIATURE | Create top and bottom blur for diorama effect |
POP COLOR | Emphasize contrast and color saturation |
HIGH-KEY | Enhance brightness and reduce contrast to lighten tone reproduction |
LOW-KEY | Create uniformly dark tones with few areas of emphasized highlights |
DYNAMIC TONE | Create fantasy effect by dynamically-modulated tone reproduction |
SOFT FOCUS | Create a look that is evenly soft throughout the whole image |
PARTIAL COLOR (RED/ORANGE/YELLOW/GREEN/BLUE/PURPLE) | Retain selected original color and other areas change to monochrome |
Included Flash
A stylish guide number 8 clip-on flash adds to the great design of the camera.
Auto Bracketing
Capable of taking multiple patterns of photos with a single release, the auto bracketing supports 5 different varieties of bracketing, including the standard AE bracketing.
Multiple Exposures
The FUJIFILM X-E3 allows you to combine two frames for an artistic effect. The first shot is displayed on the LCD monitor so it can be seamlessly blended with the second frame.
Panorama
Pan the camera using the on-screen guide to shoot several frames and the FUJIFILM X-E3 will merge them into an amazing panoramic image. You can choose between “L” for a 180-degree shot and “M” for a 120-degree shot.
System
Lenses
Every facet of the development and design of Fujifilm’s original X Mount began with a clean slate. The result was the marriage of high-precision optical engineering with the latest digital technology. From the acclaimed high resolution XF lens series to the compact portability of the XC lens series, each lens exploits the full potential of the X Mount’s descriptive performance.
Each different lens opens a door to new possibilities.
XF14mmF2.8 R
Ultra wide-angle lens delivering sharp, distortion-free images
XF18mmF2 R
Compact wide-angle lens, perfect for snapshots
XF23mmF2 R WR
All new 23mm lens with high-speed AF and weather / dust resistance
XF27mmF2.8
Light pancake lens that combines light weight and compact dimensions with excellent image quality
XF35mmF2 R WR
Standard lens characterized by beautiful bokeh and outstanding sharpness
XF50mmF2 R WR
Latest mid-telephoto lens, designed for portability
XF18-55mmF2.8-4 R LM OIS
Standard zoom lens renowned for its premium image quality
XF55-200mmF3.5-4.8 R LM OIS
Telephoto zoom that produces sharp, crisp images across its zoom range
Accessories
Mount Adapter : MOUNT ADAPTER
A mount adapter that allows the use of a wide variety of M Mount lenses on the X Mount camera body. It is built with a three-part structure that uses optimum materials for each of the components, to accommodate perfect fitting with high precision.
Leather Case : BLC-XE3
Hand Grip : MHG-XE3
Shoe Mount Flash : EF-X20
Remote Release : RR-90
Li-ion battery : NP-W126S
Battery charger : BC-W126
SPECIFICATIONS
Model Name | FUJIFILM X-E3 |
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Number of effective pixels | 24.3 millions pixels |
Image sensor | 23.5mm x 15.6mm(APS-C)X-Trans CMOS III with primary color filter.
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Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I*1 |
File format |
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Number of recorded pixels | L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000 M: (3:2) 4240 x 2832 / (16:9) 4240 x 2384 / (1:1) 2832 x 2832 S: (3:2) 3008 x 2000 / (16:9) 3008 x 1688 / (1:1) 2000 x 2000<Panorama> L: 2160 x 9600 (Horizontal : 9600 x 1440) M: 2160 x 6400 (Horizontal : 6400 x 1440) |
Lens mount | FUJIFILM X mount |
Sensitivity |
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Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted |
Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) |
Exposure compensation | -5.0EV – +5.0EV, 1/3EV step (movie recording : -2.0EV – +2.0EV) |
Image Stabilizer | Supported with OIS type lenses |
Shutter type | Focal Plane Shutter |
Shutter speed |
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Continuous shooting | Approx. 14fps [Only Electronic Shutter][JPEG:35 frames Lossless compression RAW:22 frames Uncompressed RAW:21 frames] Approx. 11fps [Only Electronic Shutter][JPEG:53 frames Lossless compression RAW:23 frames Uncompressed RAW:21 frames] Approx. 8.0 fps [JPEG:62 frames Lossless compression RAW:25 frames Uncompressed RAW:23 frames] Approx. 5.0 fps [JPEG:68 frames Lossless compression RAW:28 frames Uncompressed RAW:25 frames] Approx. 4.0 fps [JPEG:73 frames Lossless compression RAW:29 frames Uncompressed RAW:25 frames] Approx. 3.0 fps [JPEG:81 frames Lossless compression RAW:32 frames Uncompressed RAW:27 frames]
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Auto bracketing | AE Bracketing[2 / 3 / 5 / 7 / 9 frames] ±1/3EV- ±3EV, 1/3EV step Film Simulation Bracketing [Any 3 types of film simulation selectable] Dynamic Range Bracketing [100%, 200%, 400%] ISO sensitivity Bracketing [±1/3EV, ±2/3EV, ±1EV] White Balance Bracketing [±1, ±2, ±3] |
Focus |
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White balance | Automatic scene recognition / Custom / Color temperature selection [K] / Preset : Daylight, Shade, Fluorescent light [Daylight], Fluorescent light [Warm White], Fluorescent light [Cool White], Incandescent light, Underwater |
Self-timer | 10sec. / 2sec. |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time) |
Flash *EF-X8[Included] |
Shoe Mount Flash : EF-X8 (Super Intelligent Flash) Guide number : approx. 11 (ISO200 · m) / approx. 8 (ISO100 · m) |
Flash modes |
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Hot shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder | 0.39-in., Approx. 2,360K-dot OLED color viewfinder, Coverage of viewing area vs. capturing area : Approx. 100% Eye point : Approx. 17.5mm ( from the rear end of the camera’s eyepiece), Diopter adjustment : -4m – +2m-1(dpt) Magnification : 0.62x with 50mm lens[(35mm format equivalent) at infinity and diopter set to -1m-1. . Diagonal angle of view : Approx. 30°( Horizontal angle of view : Approx. 25°) Built-in eye sensor |
LCD monitor | 3.0-inch, aspect ratio 3:2, approx. 1040K-dot Touch screen color LCD monitor (approx. 100% coverage) |
Movie recording | 4K [3840 x 2160] 29.97p / 25p / 24p / 23.98P, 100Mbps Continuous recording : up to Approx. 10 min. Full HD [1920 x 1080] 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 36Mbps Continuous recording : up to Approx. 15 min. HD [1280 x 720] 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 18Mbps Continuous recording : up to Approx. 30 min.
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Photography functions | Advanced SR AUTO, Highlight tone, Shadow tone, Color, Sharpness, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color Space, Pixel mapping, Select custom setting, Edit/Save custom setting, Min. shutter speed, AF-C Custom settings, Store AF mode by orientation, Pre-AF, Face/Eye detection AF, AF+MF, Focus check, Focus peak highlight, Digital Split Image™*4, Interlock spot AE & Focus area, Instant AF setting(AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Mount adapter setting, Red eye removal, Movie AF mode, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE LOCK, AF LOCK, AF-ON, Multiple exposure |
Touchscreen Mode |
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Film Simulation mode | 15 modes [PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, CLASSIC CHROME, PRO Neg.Hi, PRO Neg.Std, Black& White, Black& White+Ye Filter, Black& White+R Filter, Black& White+GFilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter] |
Grain Effect | STRONG , WEAK , OFF |
Dynamic range setting | AUTO, 100%, 200%, 400% |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color [Red / Orange / Yellow / Green / Blue / Purple] |
Playback functions | RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye removal, Photobook assist, Erase selected frames, Multi-frame playback [with micro thumbnail], Slide show, Protect, Crop, Resize, Panorama, Favorites, Image Transfer Order |
Wireless transmitter |
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Bluetooth® |
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Wireless function | Geotagging, Wireless communication [Image transfer], View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF Setting, Auto image transfer |
Other functions | Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Sound set-up, EVF bright ness, EVF color, LCD brightness, LCD color, Image disp., Auto rotate displays, Preview exp./WB in manual mode, Preview pic. Effect, Framing guideline, Autorotate PB, Focus scale units, Disp. custom setting, Selector button setting, Edit/Save Quick menu, Function(Fn) setting, Command dial setting, Shutter AF, Shutter AE, Shoot without lens, Focus ring, AE/AAF-Lock mode, Expo. Comp. button setting, Touch screen setting, Auto power off, Performance setting, Frame No., Save org image, Edit file name, Copyright info., |
Terminal |
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Power supply | NP-W126S Li-ion battery (included)
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Dimensions | 121.3mm (W) x 73.9mm (H) x 42.7mm (D) / 4.78in. (W) x 2.91in. (H) x 1.68in. (D) (Minimum Depth : 32.4mm / 1.28 in.) |
Weight | Approx. 337g / 11.9 oz. (including battery and memory card) Approx. 287g / 10.1 oz. (excluding accessories, battery and memory card) |
Operating Temperature | 0°C – + 40°C (+32°F – +104°F)C |
Operating Humidity | 10 – 80% (no condensation) |
Starting up period | Approx 0.4sec. |
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
Modes | Still image (L) | ||
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Number of recorded pixels | 6000 x 4000 (3:2) | ||
Quality | JPEG FINE | JPEG NORMAL | |
SDHC memory card | 8 GB | 540 | 800 |
16 GB | 1110 | 1660 |
Modes | Still image (M) | ||
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Number of recorded pixels | 4240 x 2832 (3:2) | ||
Quality | JPEG FINE | JPEG NORMAL | |
SDHC memory card | 8 GB | 1070 | 1590 |
16 GB | 2210 | 3290 |
Modes | Still image (S) | ||
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Number of recorded pixels | 3008 x 2000 (3:2) | ||
Quality | JPEG FINE | JPEG NORMAL | |
SDHC memory card | 8 GB | 2120 | 3110 |
16 GB | 4370 | 6410 |
Modes | RAW | ||
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Quality | UNCOMPRESSED | LOSSLESS COMPRESSED | |
SDHC memory card | 8 GB | 150 | 300 |
16 GB | 320 | 630 |
Modes | Movie | |||
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Quality | 4K (3840 x 2160) | FULL HD (1920 x 1080) | HD (1280 x 720) | |
SDHC memory card | 8 GB | 9 min. | 26 min. | 51 min. |
16 GB | 20 min. | 54 min. | 105 min. |
- *For recording movies, use a card with UHS Speed Class 3 or higher.
- *Individual movies cannot exceed approx. 10 min. on 4K mode, approx 15 min. on Full HD mode, and approx 30 min. on HD mode.
- *Although movie recording will continue without interruption when the file size reaches 4 GB, subsequent footage will be recorded to a separate file which must be viewed separately.
See all models by series.