In-body image stabilization and optical image stabilization now work together to improve overall stability
With an XF or XC optical image stabilized lens, in-body image stabilization worked with 3 axis (up and down / optical axis rotation). The remaining 2 axis (right and left pitch, yaw angle) was controlled by optical image stabilization in the lens. This firmware has a new image stabilization algorithm to allow the in-body image stabilization to work in all 5 axis and to achieve more than five-stops (up to the equivalent of 5.5 stops*) image stabilization by cooperative control according to the types of frequency and blur amount.
To activate this function, lenses are necessary to be updated to latest firmware version. Please check the latest firmware version from the link below.
|Product name||Compatible firmware version|
|XF80mmF2.8 R LM OIS WR Macro||Ver. 1.11 or later|
|XF200mmF2 R LM OIS WR||Ver. 1.00 or later|
|XF10-24mmF4 R OIS||Ver. 1.12 or later|
|XF18-55mmF2.8-4 R LM OIS||Ver. 3.22 or later|
|XF18-135mmF3.5-5.6 R LM OIS WR||Ver. 1.11 or later|
|XF50-140mmF2.8 R LM OIS WR||Ver. 1.30 or later|
|XF55-200mmF3.5-4.8 R LM OIS||Ver. 1.20 or later|
|XF100-400mmF4.5-5.6 R LM OIS WR||Ver. 1.20 or later|
|XC15-45mmF3.5-5.6 OIS PZ||Ver. 1.02 or later|
|XC16-50mmF3.5-5.6 OIS II||Ver. 1.11 or later|
|XC50-230mmF4.5-6.7 OIS II||Ver. 1.10 or later|
|Product name||X-H1 firmware|
|XF80mmF2.8 R LM OIS WR Macro||5.0 stops||5.0 stops|
|XF200mmF2 R LM OIS WR||5.0 stops||5.0 stops|
|XF10-24mmF4 R OIS||3.0 stops||5.5 stops|
|XF18-55mmF2.8-4 R LM OIS||3.5 stops||5.5 stops|
|XF18-135mmF3.5-5.6 R LM OIS WR||5.0 stops||5.0 stops|
|XF50-140mmF2.8 R LM OIS WR||5.0 stops||5.0 stops|
|XF55-200mmF3.5-4.8 R LM OIS||5.0 stops||5.0 stops|
|XF100-400mmF4.5-5.6 R LM OIS WR||5.0 stops||5.0 stops|
|XC15-45mmF3.5-5.6 OIS PZ||3.0 stops||5.0 stops|
|XC16-50mmF3.5-5.6 OIS II**||3.0 stops||5.5 stops|
|XC50-230mmF4.5-6.7 OIS II**||3.5 stops||5.0 stops|
Improved in-body image stabilization performance
Eliminate image shake when panning slowly when movie recording or on the live view image.
Recording over 4GB movie file as one file
Movie files are no longer split when the file reaches 4GB file size. The file is recorded as one file providing an SD memory card greater than 32GB is used (excludes 32GB)***
Display color temperature (Kelvin) on EVF/LCD
Color temperature (Kelvin) can be displayed on EVF/LCD.
Display power supply icon
Power supply icon is displayed on EVF/LCD while using AC adapter (AC-9VS), or Anker PowerCore+ 26800 PD*4 and Anker PowerCore Speed 20000 PD*5
Addition of “Focus Bracketing”
The update will enable the photographer to shoot focus distance bracketing up to 999 frames. When the photographer begins shooting, the focal location is shifted with each activation of the shutter by the step of focus shift set from 1 to 10.
Compatible with the newly developed cinema lens FUJINON MKX18-55mmT2.9 lens and FUJINON MKX50-135mmT2.9 lens
The upgrade will add compatibility for the newly developed FUJINON MKX18-55mmT2.9 lens and FUJINON MKX50-135mmT2.9 lens
1. Aperture information can be displayed on the monitor. The upgrade allows users to select T-stop or F-stop.
2. The upgrade allows users to check the focus distance with the distance indicator shown on the monitor.
3. Automatically corrects the distortion and the color/brightness shading.
4. Camera automatically calculate the White Balance based on the lens position and deliver the color expressions with Film Simulation modes.
Enhanced Phase Detection AF during movie recording.
Enabled phase detection AF at smallest area size when in single point AF, making phase detection AF active all 6 area sizes both in AF-S/AF-C mode.
Expanded Phase Detection AF Area options during still shooting
Phase detection AF is now available in the smallest size single AF point when shooting in AF-S and AF-C modes. This takes the total phase detection AF areas to 6.
Enhanced Bluetooth®* connectivity via “FUJIFILM Camera Remote” app.
The upgrade allows users to utilize the following functions with the latest “FUJIFILM Camera Remote” app.
1. It synchronizes “date and time” and/or “location information” of smartphone and tablet devices when used with cameras with Bluetooth® capability
2. The upgrade allows users to select multiple smartphones or tablet devices by paring the cameras.(Up to 7 devices)
3. Update the firmware** of compatible cameras that offer Bluetooth® capability via smartphone or tablet devices.
4. It supports Bluetooth® wireless remote control camera shutter release** for cameras that offer Bluetooth® capability.
Addition of Fn button support for “IS Mode”
The upgrade allows users to set the Fn button as “IS Mode” for quicker setting changes.
Enlarged and customizable indicators or information
The upgrade allows users to enlarge indicators and information in the viewfinder and/or LCD monitor.
This upgrade will also enable users to customize the location of where the information is shown on the display.
LARGE INDICATORS MODE
LARGE INDICATORS DISP.SETTING
X-Trans™* CMOS III Sensor
The FUJIFILM X-H1 features the 24.3MP APS-C sensor “X-Trans CMOS III”, which delivers images with enriched depth. The use of aperiodic color filter array minimizes moiré and false colors even without an optical low-pass filter. When combined with XF lenses, specifically designed for this series of cameras, the sensor achieves outstanding descriptive performance.
The “X-Processor Pro” is a processing engine that draws out the maximum capability of the “X-Trans CMOS III” high-performance sensor. Its use of large built-in memory and advanced processing power boost the camera’s speed and precision performance in interval shooting, shutter release time lag, AF, continuous shooting, live view display, etc. The processor also supports the Boost Mode for the vertical power booster grip, VPB-XH1, enhancing the camera’s performance to another level
The FUJIFILM X-H1 boasts autofocus performance with enhanced capability to track a moving subject. With 91 focus points (up to 325 points), the camera has a phase detection AF area that covers 50% (side to side) and 75% (top to bottom) of the frame to achieve fast and accurate autofocus. The phase detection’s AF range has been expanded by 1.5 stops from the previous 0.5EV to -1EV, while the minimum aperture requirement is also improved from F8 to F11. Enhanced AF-C performance during zooming means the camera can handle sports with erratic subject movements, and capture a subject with fine textures such as a distant animal, with an advanced level of precision.
AF-C Custom Setting
Speed Tracking Sensitivity
Zone Area Switching
The FUJIFILM X-H1 offers three user-adjustable parameters for determining focusing characteristics to make it easier to accurately track a moving subject in the AF-C Mode. There are presets to suit different types of scenes, or you can determine your own custom setting.
|SET 2||Ignoring obstacles|
|SET 3||Accelerating / decelerating subjects|
|SET 4||Subjects that suddenly come into the frame|
|SET 5||Erratically moving subjects|
AF Operation Systems
Focus Lever for quick operations
AF-ON button positioned near your thumb
Your index finger can concentrate on delicate shutter release actions.
The FUJIFILM X-H1 features a Focus Lever for quickly changing focus point selection in eight directions. You can intuitively move the focus point while keeping your eye on the viewfinder (or by touch panel operation on the rear LCD monitor). The dedicated “AF-ON” button is positioned where your right thumb is placed, so that the focus point can be adjusted with the thumb, while the index finger can concentrate on delicate shutter release actions.
Tough and durable camera body
The FUJIFILM X-H1’s body is made of magnesium alloy, 25% thicker than previous models. The lens mount’s structure has been revised to achieve a compact and lightweight design that is also of high precision and more resistant to shock or damage than other models in the X Series. It is also resistant to dust and moisture, capable of working at temperatures as low as -10°C. The grain size of the exterior coating has been improved to achieve scratch resistance equivalent to 8H surface hardness.
In-body image stabilization
Sensor unit that cancels vibration with fast processing and linear drive
For the first time in the X Series, the FUJIFILM X-H1 has an image stabilization mechanism built in. A three-axis accelerometer, a three-axis gyro sensor and a dedicated dual processor work together to carry out processing and correction approximately 10,000 times every second to achieve image stabilization performance with advanced speed and precision. The correction is based on five axes (up and down / right and left pitch, yaw angle and optical axis rotation) to achieve more than five-stop (up to the equivalent of 5.5 stops* ) image stabilization when the camera is fitted with any FUJINON lens that does not feature the optical image stabilization functionality. This complements FUJIFILM X-H1’s performance in low-light conditions or when shooting active scenes.
Shutter shock absorption mechanism
Shock absorption suspension implemented in shutter unit
The top plate of the FUJIFILM X-H1’s shutter unit is equipped with suspension for absorbing delicate shock generated by the operation of the mechanical shutter. This minimizes camera shake risks to maximize the effect of image stabilization. The mechanism reduces shutter noise to the lowest level in the history of X Series, making the camera a perfect choice when silent operation is desired, e.g. when photographing wildlife, stage performances or wedding ceremonies.
Feather-touch shutter button
Firm-hold design allowing the index finger to concentrate on shutter release actions
The FUJIFILM X-H1 is equipped with the new feather-touch shutter button that can respond to delicate shutter release actions to capture all photographic opportunities. When combined with the firm-hold design of the grip, the shutter button controls camera shake for fast-response operability.
The FUJIFILM X-H1 has a large, class-leading 3.69-million-dot high-resolution electronic viewfinder with the magnification ratio of 0.75x, boasting a display time lag of just 0.005 sec, and a refresh rate of up to 100fps. It is approximately 1.6 times brighter than previous models, enabling subject capture and focus adjustment with greater precision. The eye sensor, for automatically switching between rear monitor display and viewfinder display, responds around 2 times faster than previous models for enhanced usability.
Dedicated operation dials are provided to control main exposure settings, such as shutter speed, ISO sensitivity and Drive Mode. For the first time in the X Series, the FUJIFILM X-H1’s top plate features a sub LCD monitor (1.28 inch), displaying main settings as well as detailed information including exposure compensation and white balance. Shutter speed, exposure, ISO sensitivity and exposure compensation can be controlled with the front and rear dials alone, giving users operability options to suit their preference.
The rear 3.0-inch 1.04-million-dot LCD monitor can be tilted by 90 degrees upwards, 45 degrees downwards and 60 degrees to the right for easy high-angle / low-angle / vertical low-angle shooting. The use of the capacitive touch panel facilitates intuitive touch-screen operations for focus point selection, etc.
PRO Neg. Hi
With Film Simulations, you can apply colors and tones that match your artistic intentions to your pictures, as if choosing different special effect photographic films. The FUJIFILM X-H1 comes with sixteen Film Simulation modes, which Fujifilm has uniquely created based on the color-presentation philosophy and know-how the company has developed through more than 80 years of photo film production.
Film Simulation “ETERNA”
The FUJIFILM X-H1 features the “ETERNA” mode, a new Film Simulation mode suitable for video recording, simulating the output of cinematographic films. Characterized by subdued color presentations and rich shadow tones, this mode can be used at 400% Dynamic Range (equivalent to approximately 12 stops) to attain video recording with a high degree of perfection while substantially reducing color-grading workload in post processing.
The X-H1 supports the digital cinema aspect ratio (17:9), and records high-quality video at a high bit rate of 200 Mbps. You can use the highest ISO 25600, a low shutter speed of 1/4 sec, and even Film Simulation modes in video, enabling diverse video expressions. A premium sound microphone (24bit / 48KHz) is built in, which means you don’t need extra equipment to record sound in high-resolution quality.
High dynamic range “F-Log” log-gamma option
The dynamic range “F-Log” log-gamma option* is available for recording and uncompressed output to external equipment. It supports “color grading,” which refers to post-shooting processing of colors and tones for artistic videography. The long-awaited addition of the Film Simulation lookup table (for ETERNA) has increased freedom in post-processing.
High-speed video recording
The FUJIFILM X-H1 supports 120p / 100p high-speed video recording (Full HD, 2x / 4x / 5x slow motion), creating slow-motion video with an artistic impact, broadening your scope of videographic expressions.
Silent video operation
The Silent Video Operation function allows you to control settings such as aperture, shutter speed, ISO sensitivity and white balance with silent touch-panel operations on the rear monitor, preventing the camera from picking up operation noise from buttons and dials during video recording.
FUJINON Cine Lenses are used to shoot movies, commercials, and television dramas all over the world. These lenses have world-class performance and quality ingrained in their DNA. They are now available in X Mount version with the new MKX Series. MKX lenses have excellent optical performance, lightweight and compactness and are available in both standard zoom 18-55mm and telephoto zoom 50-135mm focal lengths. Both lenses feature a consistent T2.9 speed for shallow depth of field and beautiful bokeh effects.
The FUJIFILM X-H1 supports remote shooting, using a smartphone or tablet. You can use your smart device to check preview, control shooting settings, and view / transfer photographs taken.
The FUJIFILM X-H1 can be paired up with a computer, tablet or smartphone via Bluetooth® to maintain constant connectivity for automatic transfer of photographs as you shoot.
The FUJIFILM X-H1 has the Flickering Reduction function for controlling exposure and color instability caused by flickering of AC-powered fluorescent lights. The function detects light flicker rate and automatically controls shutter timing to coincide with peak brightness, thereby achieving exposure stability in indoor sports photography (except when using the electronic shutter).
X Mount Lens
Red Badge Zoom
XF16-55mmF2.8 R LM WR
XF50-140mmF2.8 R LM OIS WR
XF100-400mmF4.5-5.6 R LM OIS WR
Of the diverse lineup of FUJINON lenses, Red Badge zooms, namely XF16-55mmF2.8 R LM WR, XF50-140mmF2.8 R LM OIS WR and XF100-400mmF4.5-5.6 R LM OIS WR are the perfect fit for FUJIFILM X-H1. Add the Vertical Power Booster Grip to the body to hold the camera more comfortably, while making toughness features available for the entire system. Advanced response performance, including high-speed AF and fast continuous shooting, allows you to capture scenes of ultimate difficulty.
X Mount Lens
Every facet of the development and design of Fujifilm’s original X Mount began with a clean slate. The result was the marriage of high-precision optical engineering with the latest digital technology. From the acclaimed high resolution XF lens series to the compact portability of the XC lens series, each lens exploits the full potential of the X Mount’s descriptive performance.
The EF-X500 (optional) is a powerful high-performance clip-on flash unit with the guide number of 50. It supports the wireless Master / Remote modes, allowing users to set up multi-flash lighting. Its FP lighting (high-speed synchronization) capability enables the use of fast shutter speed or wide-open aperture in flash photography for bokeh (out-of-focus) background.
Vertical Power Booster Grip
The VPB-XH1, a vertical power booster grip specifically designed for the FUJIFILM X-H1, is dust and moisture-resistant, similar to the camera body. When loaded with two batteries, it increases the maximum number of frames that can be shot per charge to approximately 900. Activating its Boost Mode enhances the camera’s performance including the continuous shooting speed. The grip’s layout of the shutter button, focus lever and other buttons simulate that of the camera body for smooth switchover to vertical shooting. Equipped with built-in battery-charging functionality, the grip can charge bat teries, using the AC adapter supplied. It also features a headphone jack, which is useful during video recording.
By installing compatible software on your computer, it is possible to build an all-in-one workflow for things like “tethered shooting – checking the image – RAW development preview – RAW development”. In addition to FUJIFILM’s own software, you can use software that you are already familiar with. You can carry out tethered shooting by connecting the FUJIFILM X-H1 via USB cable or Wi-Fi connection through wireless LAN access point. Also, RAW files can be developed based on Film Simulation settings
Capture One Pro / Capture One Pro FUJIFILM (Optional)
Capture One Pro FUJIFILM is workflow software that inherits the versatile and powerful editing capabilities of Capture One Pro but is specifically designed for the GFX and X Series of cameras*. It is available to purchase from Phase One’s website. The Capture Pilot function allows you to connect the camera to a table device, etc. and view/check an image being captured wirelessly on such devices.
Capture One Express FUJIFILM
This software supports RAW conversion for files from the GFX and X Series range of cameras*. The software uses a unique cataloging format to manage pictures, enabling fast processing of individual images regardless of the quantity or size. FUJIFILM’s unique Film Simulation modes can be applied during RAW conversion so that you can add an artistic flair or traditional film look and feel. This RAW conversion software is available as a free download from Phase One website.
FUJIFILM X Acquire + RAW FILE CONVERTER EX 3.0 powered by SILKYPIX
FUJIFILM Tether Shooting Plug-in PRO** + Adobe® Photoshop® Lightroom® Classic CC**
FUJIFILM X RAW STUDIO
This is unique RAW development software from FUJIFIILM. By connecting a computer installed with X RAW STUDIO and camera via USB cable, the processor in the camera can be used to process RAW files. Processing time will not be affected by any limitations of your computer, and there is no difficulty in batch processing large number of images. Since it offers an optimized environment for the X Series, you can get complete image quality includes tone, color reproduction, and Film Simulations.
|Model Name||FUJIFILM X-H1|
|Number of effective pixels||24.3 millions pixels|
|Image sensor||23.5mm x 15.6mm(APS-C)X-Trans CMOS III with primary color filter.
|Storage media||SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-512G) UHS-I / UHS-II*1|
|Number of recorded pixels||L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000
M: (3:2) 4240 x 2832 / (16:9) 4240 x 2384 / (1:1) 2832 x 2832
S: (3:2) 3008 x 2000 / (16:9) 3008 x 1688 / (1:1) 2000 x 2000
|Lens mount||FUJIFILM X mount|
|Sensitivity||Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO200 to 12800(1/3 step)
Extended output sensitivity : ISO100 / 125 / 160 /25600 / 51200
|Exposure control||TTL 256-zone metering, Multi / Spot / Average / Center Weighted|
|Exposure mode||P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)|
|Exposure compensation||-5.0EV – +5.0EV, 1/3EV step
(Movie : -2.0EV – +2.0EV)
|Shutter type||Focal Plane Shutter|
|Continuous shooting||Approx. 14fps [Only electronic shutter ]
(JPEG: 40 frames Lossless compression RAW: 27 frames Uncompressed RAW: 23 frames)
Approx. 11fps [with VPB-XH1]
(JPEG: 70 frames Lossless compression RAW: 28 frames Uncompressed RAW: 24frames)
Approx. 8fps (JPEG: 80 frames Lossless compression RAW: 31 frames Uncompressed RAW: 26 frames)
Approx. 6fps [Only electronic front curtain shutter ]
(JPEG: endless Lossless compression RAW: 35 frames Uncompressed RAW: 28 frames)
Approx. 5fps (JPEG: endless Lossless Compression RAW: 37 frames Uncompressed RAW: 29 frames)
|Auto bracketing||AE Bracketing (±3EV,±8/3EV,±7/3EV,±2EV, ±5/3EV, ±4/3EV, ±1EV, ±2/3EV, ±1/3EV)
Filmsimulation bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
White Balance Bracketing (±1, ±2, ±3)
|White balance||Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K-10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater|
|Self-timer||10sec. / 2sec.|
|Interval timer shooting||Yes (Setting : Interval, Number of shots, Starting time)|
|Hot shoe||Yes (Dedicated TTL Flash compatible)|
|Viewfinder||0.5 inch approx. 3.69 millions dots OLED Color Viewfinder
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 23mm (from the rear end of the camera’s eyepiece) Diopter adjustment: -4-+2m-1
Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1
Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° )
Built-in eye sensor
|LCD monitor||3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen color LCD monitor(approx. 100% coverage)|
|Movie recording||[4K (4096 x 2160)] 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 15min.
[4K (3840 x 2160)] 29.97p / 25p / 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 15min.
[Full HD (2048 x 1080)] 24p / 23.98p 100Mbps / 50Mbps up to approx. 20min.
[Full HD (1920 x 1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 100Mbps / 50Mbps up to approx. 20min.
[Full HD (1920 x 1080) High speed rec.] 120p / 100p 200Mbps up to approx. 6min.
[HD (1280 x 720)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 50Mbps up to approx. 30min.
|Film Simulation mode||16 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema)|
|Grain effect||STRONG, WEAK, OFF|
|Dynamic range setting||AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more)
|Advanced filter||Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)|
|Power supply||NP-W126S Li-ion battery (included)
|Dimensions||(W) 139.8mm x (H) 97.3mm x (D) 85.5mm (minimum depth 39.5mm)|
|Weight||Approx 673g(including battery and memory card)
Approx 623g(excluding battery and memory card)
|Operating Temperature||-10°C – +40°C|
|Operating Humidity||10 – 80% (no condensation)|
|Starting up period||Approx 0.4sec.|
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
|Modes||Still image (L)|
|Number of recorded pixels||6000 x 4000 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC / SDXC memory card||4 GB||270||400|
|Modes||Still image (M)|
|Number of recorded pixels||4240ｘ2832 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC / SDXC memory card||4 GB||540||800|
|Modes||Still image (S)|
|Number of recorded pixels||3008ｘ2000 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC / SDXC memory card||4 GB||1060||1560|
|SDHC / SDXC memory card||4 GB||70||150|
|Quality||4K (3840 x 2160, 200Mbps)||FULL HD (1920 x 1080, 100Mbps)||HD (1280 x 720, 50Mbps)|
|SDHC / SDXC memory card||4 GB||2 min.||4 min.||9 min.|
|8 GB||4 min.||9 min.||19 min.|
|16 GB||10 min.||20 min.||39 min.|
- *For recording movies, use a card with UHS Speed Class 3 or higher.
- *Individual movies cannot exceed approx. 10 min. on 4K mode, and approx 15 min. on Full HD mode.
- *With Vertical Power Booster Grip attached, individual movie recording time is extended up to approx 30 min. on both 4K and Full HD mode.
- *Although movie recording will continue without interruption when the file size reaches 4 GB, subsequent footage will be recorded to a separate file which must be viewed separately.