1. New AF tracking algorithm for moving subjects
Thanks to the newly developed image recognition algorithm, the update enhances AF-C to track moving subjects twice as fast as previous firmware. In addition, the update also enhances tracking to be able to capture up to 50% smaller moving subjects than before.
2. Enhanced touchscreen operation
The firmware update will add some of the touch screen operation features which are currently available on the FUJIFILM X-E3. These touch screen features include:
- 1:The AutoFocus area can be moved when in focus zoom with flick operation.
- 2:Pinch-in/out operation in playback mode will be updated to go from full-frame playback to multi-frame playback (Nine-frame view and Hundred-frame view)
- 3:Select the frame in multi-frame playback with tap or drag operation or return to full-frame playback by double-tapping
- 4:Q (Quick) menu selection in Q menu
- 5:Input character with touch key-board*
3. Support “FUJIFILM X RAW STUDIO”
After connecting a camera to a computer via USB cable, the “FUJIFILM X RAW STUDIO” enables users to convert RAW files with X-Processor Pro. Fast batch processing will also be available. The “FUJIFILM X RAW STUDIO” can be downloaded from the FUJIFILM website for free.
4. Compatible with the newly developed FUJINON XC15-45mmF3.5-5.6 OIS PZ lens
The upgrade will add compatibility for the newly developed FUJINON XC15-45mmF3.5-5.6 OIS PZ lens.
- 1:MF ring can be used as zoom ring
- 2:Maintain the lens zoom position during interval shooting
- 3:Maintain the lens zoom position in playback mode to shorten the startup time for the next shooting
5. Improve radio flash controller usability
The upgrade allows users to shoot with compatible third party studio flash in high speed sync. or TTL mode via their radio controllers.
6. RGB histogram display and highlight warning
If you press the function button in the histogram, RGB histogram and highlight warning (high brightness portion will blink) will be displayed.
7. Enlarged and customizable indicators or information
The upgrade allows users to enlarge indicators and information in the viewfinder and/or LCD monitor. This upgrade will also enable users to customize the location of where the information is shown on the display.
LARGE INDICATORS MODE
LARGE INDICATORS DISP.SETTING
Control Mode & Auto Mode
Explore Your Creativity
Capture images exactly as you see them with dial-based controls and a variety of exposure modes. The compact and lightweight camera body, which sits comfortably in your hand, is both fun and simple to use. The FUJIFILM X-T20 offers fully manual operation thanks to a shutter speed dial, exposure compensation dial, drive dial and other controls that have become synonymous with the X Series. Combinations of settings on the shutter speed dial and the lens’s aperture ring allow you to set exposure modes including program, shutter priority, aperture priority and manual even when the camera is turned off. The exposure compensation dial enables compensation of up to ±3 stops in 1/3 steps; putting the dial to the “C” position allows exposure compensation of up to ±5 stops using the front command dial. Exposure can be precisely adjusted while checking the effect on the EVF.
Express Your Feelings
Advanced SR AUTO for intelligent, fully-automatic shooting. Set the Auto Mode Switch on the top plate to “AUTO” to select the Advanced SR AUTO mode. The camera will then automatically select the optimum autofocus and exposure settings from 58 presets, including “Landscape”, “Night Landscape”, “Beach”, “Sunset”, “Blue Sky”, “Portrait” and “Moving Subject”. All you have to do is press the shutter release. This mode is perfect for situations where it is difficult to choose the right exposure settings or when you just want to take quick shots. You can also select a specific preset of your choice.
Electronic Viewfinder & Tilting Touch Monitor
High-precision, high-magnification EVF
Viewfinder size comparison
Viewfiinder features four lens elements
The FUJIFILM X-T20 features a 2.36M-dot organic EL electronic viewfinder. It uses four dedicated lens elements for a clear, high resolution image showing 100% of the image area that can be viewed even in bright outdoor conditions. The EVF has a smooth display thanks to a frame rate of 54.54fps and a time-lag of 0.005sec. It also shows the effects of Film Simulation and exposure settings in real time, so you can take photos knowing exactly how the image will turn out. This capability to reflect settings can be turned on and off; when turned off, the view replicates natural tones exactly as if viewed by the naked eye.
Automatic brightness control and EVF customization.
EVF brightness is automatically controlled according to the shooting conditions for maximum viewing comfort. All the items displayed in the viewfinder can be turned ON or OFF for a customized view.
Tilting LCD & Touch Screen Monitor
1.04M-dot tilting LCD monitor
The FUJIFILM X-T20 features a 3.0-inch 1.04M-dot tilting TFT color LCD monitor with a 3:2 aspect ratio. The dot count is the same as the LCD monitors used in flagship models. It’s easy to view, even in bright outdoor conditions, making it comfortable to shoot both stills and video. The monitor tilts up and down allowing you to shoot while holding the camera at waist level or from high/low angles. All shooting information displayed in the LCD monitor can be turned off if you want to concentrate on your subject and the LCD monitor sits flush to the body when not in use, so it doesn’t compromise the FUJIFILM X-T20’s sleek lines.
Intuitive touch screen operation
While shooting, the FUJIFILM X-T20’s touch screen can be used for “Touch Focus”, “Focus Area Selection” and “Touch Shot”. During playback, intuitive controls include swiping the screen to fast-forward video, and double-tapping it to zoom in and out.
Sensor and Processor
X-Trans™* CMOS III Sensor for high quality image.
The FUJIFILM X-T20 features Fujifilm’s X-Trans CMOS III, a 24.3-megapixel APS-C sized sensor renowned for outstanding image quality when combined with high performance XF lenses. Thanks to its random pixel array, the sensor cuts outs moiré and false colors without needing an optical low-pass filter, plus it delivers impressive noise reduction up to ISO 12800. The sensor also offers excellent read speed, helping to improve the camera’s response in the burst mode, high-accuracy AF tracking, high-speed live view and high-quality video performance.
X-Processor Pro with advanced image processing capability
The FUJIFILM X-T20’s X-Processor Pro image processing engine delivers a processing speed roughly 4x faster than previous models. The increased buffer memory boosts performance, drawing out the best from the X-Trans CMOS III sensor. This means that ACROS has now been added to the popular set of Film Simulation modes, which are available for both stills and 4K video. X-Processor Pro also enhances overall performance with shorter shooting intervals, shutter release time lag and blackout time, as well as improving AF accuracy and the number of continuous frames possible in the burst mode.
Versatile AF modes
Choose between 91 or 325 focus points. The faster and more accurate phase detection pixels cover 50% (side-to-side) and 75% (top-to-bottom) of the frame. The camera offers Single Point AF for accurate focus on a selected focus point, Zone AF for a moving subject and Wide/Tracking AF. These modes are complemented by Face Detection/Eye Detection AF and manual focus modes, which give you a truly versatile range of options to choose from.
AF-S + Single Point
AF-S + Zone
AF-S + Wide/Tracking
AF-C + Single Point
AF-C + Zone
AF-C + Wide/Tracking
AF-C custom settings optimized for different types of movement
The FUJIFILM X-T20 offers AF-C presets for a variety of different subjects to make it easier to accurately track a moving subject. The camera offers five presets with optim ized parameters, including Ignoring Obstacles and Accelerating / Decelerating subjects.
8.0fps continuous shooting and reduced blackout time
The FUJIFILM X-T20 boasts continuous shooting at 8.0fps when using the mechanical shutter and 5.0fps in the Live View mode. Its blackout time has been substantially reduced from previous models, allowing extended continuous shooting while following your subject in the viewfinder. In CH mode, you can write up to 62 JPEG images continuously.
Comparison of blackout time with previous models
Fujifilm’s Film Simulation modes have been perfected over 80 years of photographic film manufacturing. They enable you to produce rich colors and tones perfectly suited to the subject, shooting conditions and your own creativity, just as if you were swapping between different photographic films. Images are delivered in premium JPEG quality. A total of 15 Film Simulation options are available including PROVIA, which faithfully reproduces colors exactly as you remember each scene, Velvia, ASTIA and CLASSIC CHROME, which focus on artistic effects, PRO Neg. Hi / PRO Neg. Std for outstanding reproduction of natural skin tones and the new ACROS for a traditional monochrome look.
PROVIA / Standard
Standard mode for general photography that delivers radiant skin tones and vibrant colors, just as you remember them.
Velvia / Vivid
Combines high saturation and accurate colors to produce vivid images. Ideal for landscapes and wildlife, while its deep blacks also make it perfect for night scenes.
ASTIA / Soft
Offering soft tones and high saturation, this option showcases radiant skin tones and smooth gradation. It is ideal for outdoor portraits when you want to add punch to the background.
Delivers subtle colors and beautifully muted tones, designed primarily to deliver a look reminiscent of vintage reversal film.
ACROS (+ Ye/R/G FILTER)
A new monochrome mode, designed to produce fine textures, deep blacks, and smoother gradation. It provides ultra-fine details at low ISO and graininess at high ISO.
PRO Neg. Hi
For high contrast portraits, even in overcast conditions or indoor situations with flat light. Skin tones are naturally reproduced, setting it apart from other Film Simulation options.
Produces accurate skin tones in portraits shot under controlled light. Its softer, gentler saturation makes it useful for general snapshots.
MONOCHROME (+ Ye/R/G FILTER)
Similar to ACROS, this standard monochrome mode offers three filter options (Yellow, Red and Green) all delivering an elegant monochrome look.
Adds a warm brown tone across the frame to simulate a nostalgic, sepia look. Works best on retro subjects.
Incredible 4K video
In addition to conventional Full HD video, the FUJIFILM X-T20 also supports 4K video for amazing movie quality with minimal moiré and artifacts. The camera accepts both an HDMI monitor and an external microphone for full-scale video productions.
Film Simulation modes for video
Film Simulation modes are available even while recording 4K video. Enjoy versatile video effects, including monochrome video with ACROS, and documentary-themed tones with CLASSIC CHROME. You can also change settings such as aperture and exposure compensation during recording.
The FUJIFILM X-T20 allows you to combine two frames for an artistic effect. The first shot is displayed on the LCD monitor so it can be seamlessly blended with the second frame.
Pan the camera using the on-screen guide to shoot several frames and the FUJIFILM X-T20 will merge them into an amazing panoramic image. You can choose between L for a 180-degree shot and “M” for a 120-degree shot.
Apply various filter effects to create unique images. 8 effects are available, including Toy Camera for a retro look, Miniature for a diorama effect, Pop Color for high contrast and saturation, as well as High Key, Low Key, Dynamic Tone, Soft Focus and Partial Color (Red, Orange, Yellow, Green, Blue and Purple). All effects can be previewed as you shoot on the LCD screen.
Partial Color (Red/Orange/Yellow/Green/Blue/Purple)
Interval Timer shooting
Shoot the same subject from a fixed point or try time lapse photography with settings including shooting interval (1 sec – 24 hours), total number of frames (1 – ∞), and a self-timer for setting when to start a time lapse (1 minute later – 24 hours).
The Bracketing mode, which takes three frames at different settings with a single press of the shutter release, is not only available for the common auto exposure bracketing, but also for white balance, dynamic range, Film Simulation and ISO sensitivity.
Super Intelligent Flash
The FUJIFILM X-T20’s pop-up flash uses Fujifilm’s original TTL flash control technology (Super Intelligent Flash) to automatically adjust light output according to the shooting conditions. The camera also supports optional TTL flashguns.
Install the free FUJIFILM Camera Remote app on your smartphone or tablet to remotely control the camera or view and transfer in-camera images.
X Mount Lenses
X Mount Lens – the product of integrated lens & sensor development with original digital technology. Every new addition to the expanding line-up is a gem of optical excellence.
Every facet of the development and design of Fujifilm’s original X Mount began with a clean slate. The result was the marriage of high-precision optical engineering with the latest digital technology. From the acclaimed high resolution XF lens series to the compact portability of the XC lens series, each lens exploits the full potential of the X Mount’s descriptive performance.
Each different lens opens a door to new possibilities.
Ultra wide-angle lens delivering sharp, distortion-free images
Compact wide-angle lens, perfect for snapshots
XF23mmF2 R WR
All new 23mm lens with high-speed AF and weather / dust resistance
Light pancake lens that combines light weight and compact dimensions with excellent image quality
XF35mmF2 R WR
Standard lens characterized by beautiful bokeh and outstanding sharpness
XF50mmF2 R WR
Latest mid-telephoto lens, designed for portability
XF18-55mmF2.8-4 R LM OIS
Standard zoom lens renowned for its premium image quality
XF55-200mmF3.5-4.8 R LM OIS
Telephoto zoom that produces sharp, crisp images across its zoom range
|Model Name||FUJIFILM X-T20|
|Number of effective pixels||24.3 millions pixels|
|Image sensor||23.6mm x 15.6mm(APS-C)X-Trans CMOS III with primary color filter.
|Storage media||SD Card (-2G) / SDHC Card (-32G) / SDXC Card (-256G) UHS-I*1|
|Number of recorded pixels||L: (3:2) 6000 x 4000 / (16:9) 6000 x 3376 / (1:1) 4000 x 4000
M: (3:2) 4240 x 2832 / (16:9) 4240 x 2384 / (1:1) 2832 x 2832
S: (3:2) 3008 x 2000 / (16:9) 3008 x 1688 / (1:1) 2000 x 2000<Panorama>
L: 2160 x 9600 (Horizontal : 9600 x 1440)
M: 2160 x 6400 (Horizontal : 6400 x 1440)
|Lens mount||FUJIFILM X mount|
|Sensitivity||Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO200 to 12800(1/3 EV step)
Extended output sensitivity : ISO100 / 25600 / 51200
|Exposure control||TTL 256-zone metering, Multi / Spot / Average / Center Weighted|
|Exposure mode||P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure)|
|Exposure compensation||-5.0EV – +5.0EV, 1/3EV step
(movie recording : -2.0EV – +2.0EV)
|Image Stabilizer||Supported with OIS type lenses|
|Shutter type||Focal Plane Shutter|
|Continuous shooting||Approx. 14.0 fps [Only Electronic Shutter](JPEG: 42 frames Lossless compression RAW: 23 frame Uncompressed RAW: 22 frames)
Approx. 11.0 fps [Only Electronic Shutter](JPEG: 56 frames Lossless compression RAW: 24 frame Uncompressed RAW: 23 frames)
Approx. 8.0 fps (JPEG: 62 frames Lossless compression RAW: 25 frame Uncompressed RAW: 23 frames)
Approx. 5.0 fps (JPEG: 68 frames Lossless compression RAW: 28 frame Uncompressed RAW: 25 frames)
Approx. 4.0 fps (JPEG: 73 frames Lossless compression RAW: 29 frame Uncompressed RAW: 25 frames)
Approx. 3.0 fps (JPEG: 81 frames Lossless compression RAW: 32 frame Uncompressed RAW: 27 frames)
|Auto bracketing||AE Bracketing(±2EV / ±5/3EV / ±4/3EV / ±1EV / ±2/3EV / ±1/3EV)
Film simulation bracketing(Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100% · 200% · 400%)
ISO sensitivity Bracketing (±1/3EV / ±2/3EV / ±1EV)
White Balance Bracketing (±1 / ±2 / ±3)
|White balance||Automatic scene recognition / Custom / Color temperature selection (K) / Preset : Daylight, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater|
|Self-timer||10sec. / 2sec.|
|Interval timer shooting||Yes (Setting : Interval, Number of shots, Starting time)|
|Flash||Manual pop-up flash (Super Intelligent Flash)
Guide number : approx. 7 (ISO200 · m) / approx. 5 (ISO100 · m)
|Hot shoe||Yes (Dedicated TTL Flash compatible)|
|Viewfinder||0.39-in., approx. 2,360K-dot OLED color viewfinder, Coverage of viewing area vs. capturing area : approx. 100%
Eye point : approx. 17.5mm ( from the rear end of the camera’s eyepiece), Diopter adjustment : -4m ~ +2m-1(dpt)
Magnification : 0.62x with 50mm lens(35mm format equivalent) at infinity and diopter set to -1m-1.
Diagonal angle of view : approx. 30°( Horizontal angle of view : approx. 25°) Built-in eye sensor
|LCD monitor||3.0-inch, aspect ratio 3:2,
approx. 1040K-dot Tilt-type TFT color LCD monitor (approx. 100% coverage)
|Movie recording||[4K (3840×2160)] 29.97p / 25p / 24p / 23.98P, 100Mbps Continuous recording : up to approx. 10 min.
[Full HD (1920×1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 36Mbps Continuous recording : up to approx. 15 min.
[HD (1280×720)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98P, 18Mbps Continuous recording : up to approx. 30 min.
|Photography functions||Advanced SR AUTO, Face / Eye detection AF, Auto Red-eye Removal, Select custom setting, Panorama, Color space, Setting (Color, Sharpness, D-range, Highlight tone, Shadow tone), Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Lens Modulatioon Optimizer, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image™ *4, Electronic level, Multiple exposure, Release priority / Focus priority selection, Fn button setting , ISO AUTO control, Instant AF setting (AF-S/AF-C), AF-C CUSTOM SETTINGS , SHUTTER AF , SHUTTER AE , AF-ON , Interlock spot AE & Focus area, Focus area setting, AEL/AFL button setting, Edit/Save Quick menu, Preview exp./WB in manual mode, Shutter Type, Touch Screen Setting|
|Touch Screen Mode||
|Film Simulation mode||15 modes (PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black& White, Black& White+Ye Filter, Black& White+R Filter, Black& White+GFilter, Sepia, ACROS, ACROS+Ye Filter, ACROS＋R Filter, ACROS＋G Filter)|
|Grain Effect||STRONG , WEAK , OFF|
|Dynamic range setting||AUTO, 100%, 200%, 400%|
|Advanced filter||Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)|
|Playback functions||RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye removal, Photobook assist, Erase selected frames, Multi-frame playback (with micro thumbnail), Slide show, Protect, Crop, Resize, Panorama, Favorites|
|Wireless function||Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print|
|Other functions||Exif Print, 35 Languages, Date/Time, Time difference, Sound & Flash OFF, Performance Setting, Preview exp. in Manual mode, LCD Brightness, LCD Color, Preview Pic. Effect, DISP. Custom Setting , Copyright Setting|
|Power supply||NP-W126S Li-ion battery (included)
|Dimensions||118.4mm (W) x 82.8mm (H) x 41.4mm (D) / 4.66in. (W) x 3.26in. (H) x 1.63in. (D)
(Minimum Depth : 31.9mm / 1.3 in.)
|Weight||Approx. 383g / 13.5 oz. (including battery and memory card)
Approx. 333g / 11.8 oz. (excluding accessories, battery and memory card)
|Operating Temperature||0°C – 40°C (+32°F – +104°F)C|
|Operating Humidity||10 – 80% (no condensation)|
|Starting up period||Approx 0.4sec.|
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
|Modes||Still image (L)|
|Number of recorded pixels||6000 x 4000 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC memory card||8 GB||540||800|
|Modes||Still image (M)|
|Number of recorded pixels||4240 x 2832 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC memory card||8 GB||1070||1590|
|Modes||Still image (S)|
|Number of recorded pixels||3008 x 2000 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC memory card||8 GB||2120||3110|
|SDHC memory card||8 GB||150||310|
|Quality||4K (3840 x 2160)||FULL HD (1920 x 1080)||HD (1280 x 720)|
|SDHC memory card||8 GB||9 min.||26 min.||19 min.|
|16 GB||20 min.||52 min.||103 min.|
- *For recording movies, use a card with UHS Speed Class 3 or higher.
- *Individual movies cannot exceed approx. 10 min. on 4K mode, approx 15 min. on Full HD mode, and approx 30 min. on HD mode.
- *Although movie recording will continue without interruption when the file size reaches 4 GB, subsequent footage will be recorded to a separate file which must be viewed separately.