4K HDR video recording in Hybrid Log Gamma (HLG)
Supports 4K HDR video recording in the Hybrid Log Gamma (HLG), one of the formats defined in the ITU-R BT.2100 international standards*. It allows the capture of rich and realistic images in a scene where there is a huge gap between highlight and shadow, or subjects with high color saturation.
Simultaneous output of Film Simulation and F-Log footage**
Supports simultaneous output of Film Simulation and F-Log footage. It allows you to record in F-Log while checking Film Simulation image on an external monitor.
Display color temperature (Kelvin) on EVF/LCD
Color temperature (Kelvin) can be displayed on EVF/LCD.
Supports slower shutter speeds with DCI4K/4K 29.97P/25P/24P/23.98P***
Slower shutter speeds than the framerate can be selected with 4K 29.97P/25P/24P/23.98P. The setting cannot be applied when you select Long GOP with DCI4K/4K or FHD. Please refer to the “Movie Recording Mode” chart below for more details.
Compatible with ALL-Intra and maximum bitrate 400Mbps with H.264
Using H.264 compression, you will now to be able to select ALL-Intra at a maximum bitrate of 400Mbps.
Display power supply icon
Power supply icon is displayed on EVF/LCD while using AC adapter (AC-9VS), or Anker PowerCore+ 26800 PD*4 and Anker PowerCore Speed 20000 PD*5
The First X Series model featuring a new back-illuminated sensor
The FUJIFILM X-T3 features a newly-developed back-illuminated “X-Trans* CMOS 4” sensor, the fourth generation to feature in the X Series. Boasting a resolution of 26.1MP, the sensor uses a unique color filter array, synonymous to X-Trans CMOS sensors, to control moiré and false color without the use of an optical low-pass filter. Its back-illuminated structure enhances image quality while maintaining a high S/N ratio. Furthermore, ISO160, previously available only as extended ISO, is now part of the normal ISO range, allowing you to achieve incredibly clean, noise free images.
The brain that utilizes the full potential of the X-Trans CMOS 4 sensor
The FUJIFILM X-T3 uses the X-Processor 4, an evolved version of X Series’ image processing engine that boasts advanced processing capabilities. The new processor, combined with a new algorithm, enhances the Film Simulation modes, substantially improving the camera’s ability to track moving subjects, boosts AF’s speed and accuracy, and allows for a more diverse range of video functions. It maximizes the full potential of X-Trans CMOS 4 sensor to deliver the highest performance in all aspects in the history of X Series.
Large EVF means you’ll never lose sight of your subject
The FUJIFILM X-T3 features a 3.69-million-dot high resolution EVF with a high magnification ratio of 0.75x. The display time lag of just 0.005 seconds and refresh rate of approx. 100fps* ensure smooth display and allows you to precisely identify subject movements and focus positions.
Blackout-free high-speed continuous shooting of up to 30 fps with AF/AE tracking
Increased read speed from the sensor and the new high-speed processor have made it possible to have AF/AE-tracking, blackout-free continuous shooting of up to 30 fps** in approx. 16.6M (1.25x crop) mode using the electronic shutter, while maintaining a smooth Live View of 60fps to track your subject. The rolling shutter distortion, a typical issue for electronic shutters, has been halved compared to the previous generation.
Sports finder mode for enhanced shooting
1.25x cropped frame
The “Sports finder mode” makes it even easier to capture moving subjects. The new mode marks a cropped area in the viewfinder and shoots at approx. 16.6M (1.25x crop). This is particularly useful for sports and wildlife photography, as you can check the movements of a subject just outside the shooting frame and take advantage of shorter-than-usual blackout time as compared with the mechanical shutter.
Film Simulation modes for a variety of color tones and gradations
The FUJIFILM X-T3 offers 16 Film Simulation modes so that you can match your true photographic intention in a similar way to how photographers used to choose purpose-specific photographic films. This unique philosophy reflects Fujifilm’s heritage and color science know-how, nurtured by over 80 years of film manufacturing.
ACROS (+Ye / R / G FILTER)
Cutting-edge monochrome expression for the digital age
The FUJIFILM X-T3 offers the new “monochrome adjustment” function to faithfully reproduce warm and cool tones which were conventionally achieved using specific photographic papers and developers. This function, available in the standard “Monochrome” as well as the “ACROS” mode, provide smooth halftones, deep blacks, and beautiful textures to broaden the scope of monochrome expression.
Color Chrome effect for high saturation subjects
Color Chrome Effect ON
This effect produces deeper colors and gradation in subjects with highly saturated colors present in vivid and shaded flowers, which are notoriously difficult to photograph.
Fast and accurate phase detection AF across the frame
The FUJIFILM X-T3’s sensor has increased the phase detection AF area to the entire frame (approx. 100%) with 2.16M phase detection pixels. The low-light AF sensitivity has also been extended from -1EV to -3EV, enabling high-speed AF in even lower light conditions, like a scene lit only with candlelight.
Enhanced AF processing for moving subject
The X-Processor 4’s high processing speed and improved phase detection algorithm means the camera refocuses (AF) and meters (AE) about 1.5 times more frequently than current models to improve autofocus even when shooting sports involving fast and erratic movements across the frame.
Substantially improved performance with face- and eye-detection AF
The performance of face-detection AF on a moving person has been doubled. The eye-detection AF works in AF-C mode, maintaining accurate focus-tracking with portraits. It focuses precisely when shooting people from the front or side.
11fps continuous shooting with camera body only
Continuous shooting of 11fps with the mechanical shutter no longer requires the optional vertical grip.
4K/60P 10bit HDMI output and internal SD card recording
The FUJIFILM X-T3 is our first model that features 4K/60P 4:2:2 10bit HDMI output and 4K/60P 4:2:0 10bit internal SD card recording. Supported video formats include the widely-used H.264/MPEG-4 AVC as well as H.265/HEVC for greater data compression. This enables 200Mbps bitrate recording when shooting 4K/60P 4:2:0 10bit. Video compression options available are ALL-Intra* and Long GOP. When using ALL-Intra*, video is recorded at 400Mbps**.
Enhanced ISO performance for a wider scope of video expressions
The introduction of a new noise reduction process and new “4K interframe NR” function have reduced noise at ISO12800 by the equivalent of approx. 2 stops. The NR process has a greater level of noise-identifying accuracy for appropriate denoising performance. The 4K interframe NR function uses differential data between adjacent frames to reduce noise even further. Furthermore, the minimum sensitivity for shooting F-Log and with the setting of DR400% footage has been extended from ISO800 to ISO640.
Further expansion of video functions with firmware update
Available at the end of 2018 via firmware update, the FUJIFILM X-T3 will support video recording in the Hybrid Log Gamma (HLG), one of the formats defined in the ITU-R BT.2100 international standards. In response to user feedback, the firmware update will also allow the FUJIFILM X-T3 to simultaneously output Film Simulation and F-Log footage, further expanding its video functions.
Greater freedom of gradations with 10bit color depth
The FUJIFILM X-T3’s 10bit color depth has 64 times the color information versus an 8bit depth system. With the wide dynamic range of 400% (approx. 12 stops), it enables gradation-rich video recording when applying “ETERNA”, characterized by subdued color and rich shadow tones, or “F-Log,” which is a gamma curve option with an even wider dynamic range.
Simultaneous output of 4K HDMI and internal SD card recording
The FUJIFILM X-T3 supports 4K/60P 4:2:2 10bit HDMI output and 4K/60P 4:2:0 10bit internal SD card recording simultaneously. This allows you to take backup video or conduct 4K/60P internal SD card recording while monitoring 4K/60P footage. Also, the sensor’s read speed is about 1.5 times faster than current models, which enables fast 17msec reading of 4K/60P video. The rolling shutter distortion has been reduced for even smoother filming of fast-moving subjects.
MKX cinema lenses for dramatically improving the quality of video footage
Award-winning FUJINON cinema lenses are now also available with the X Mount, offering edge-to-edge sharpness and excellent portability. Cine lenses suppress focus shift while zooming and reduce lens breathing during focusing, something photographic lenses do not. Furthermore, the MKX lenses feature three manual rings for precise adjustments of focus, zoom and aperture, allowing for comfortable functionality and operation.
Movie Recording Mode
Design / Operability
Design inherits FUJIFILM X-T2’s philosophy
The FUJIFILM X-T3 inherits FUJIFILM X-T2’s popular design features such as the positioning of dials on the top panel, central viewfinder style for added sense of stability, and excellent grip design for comfort.
Silver as standard color
The silver color is lineup as standard, which features more classical tone compared with graphite silver, limited edition for previous models. Its styling that reminds you of traditional film cameras is combined with outstanding practicality, making it photographic equipment that is a pleasure to own for many years to come.
Lockable EVF’s diopter adjustment dial
EVF’s diopter adjustment is lockable achieved by pulling out and rotating a diopter knob, so as to prevent unintended adjustments while carrying the camera.
Touchscreen panel tilts in 3 directions
The FUJIFILM X-T3 uses a touchscreen panel with higher contrast, wider viewing angle and better operability than those in previous models to enable intuitive operation.
Improved dials and buttons
The FUJIFILM X-T3 inherits FUJIFILM X-H1’s features such as large top-panel dials / rear-panel buttons and comfortable clicking touch of front and rear command dials.
Terminal with high expandability
A headphone jack is provided on the camera body so that all accessories required for video recording, such as microphone and HDMI devices can be centrally connected to the body for added mobility in videography.
Also, the terminal cover is removable, and USB terminal supports USB-Type C (USB3.1 Gen1) specification.
By installing compatible software on your computer, it is possible to build an all-in-one workflow for things like “tethered shooting – checking the image – RAW development preview – RAW development”. In addition to FUJIFILM’s own software, you can use software that you are already familiar with. You can carry out tethered shooting by connecting the FUJIFILM X-T3 via USB cable or Wi-Fi connection through wireless LAN access point. Also, RAW files can be developed based on Film Simulation settings
FUJIFILM X Acquire + RAW FILE CONVERTER EX 3.0 powered by SILKYPIX
FUJIFILM Tether Shooting Plug-in PRO* + Adobe® Photoshop® Lightroom® Classic CC*
FUJIFILM X RAW STUDIO
This is unique RAW development software from FUJIFIILM. By connecting a computer installed with X RAW STUDIO and camera via USB cable, the processor in the camera can be used to process RAW files. Processing time will not be affected by any limitations of your computer, and there is no difficulty in batch processing large number of images. Since it offers an optimized environment for the X Series, you can get complete image quality includes tone, color reproduction, and Film Simulations.
The FUJIFILM X-T3 can be constantly paired to a smartphone or tablet device through Bluetooth connection** for automatic transfer of captured images.
Anker PowerCore+ 26800 PD*** (30W Power Delivery Wall Charger included) and Anker PowerCore Speed 20000 PD (30W Power Delivery Wall Charger Bundle included)*4
Use “Anker PowerCore+ 26800 PD” and “Anker PowerCore Speed 20000 PD”, which are both 30W Power Delivery Wall Charger bundle model, to significantly increase the maximum number of frames per charge and the maximum duration of video recording.
|Model Name||FUJIFILM X-T3|
|Number of effective pixels||26.1 millions pixels|
|Image sensor||23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.
|Storage media||SD memory card (-2GB) / SDHC memory card (-32GB) / SDXC memory card (-512GB)
UHS-I / UHS-II / Video Speed Class V90 *1
|Number of recorded pixels||L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160
M: (3:2) 4416 x 2944 / (16:9) 4416 x 2488 / (1:1) 2944 x 2944
S: (3:2) 3120 x 2080 / (16:9) 3120 x 1760 / (1:1) 2080 x 2080
|Lens mount||FUJIFILM X mount|
|Sensitivity||Standard Output Sensitivity : AUTO1 / AUTO2 / AUTO3(up to ISO12800) / ISO160 to 12800(1/3 step)
Extended output sensitivity : ISO80 /100 /125 / 25600 / 51200
|Exposure control||TTL 256-zone metering, Multi / Spot / Average / Center Weighted|
|Exposure mode||P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)|
|Exposure compensation||-5.0EV – +5.0EV, 1/3EV step
(movie recording : -2.0EV – +2.0EV)
|Image Stabilizer||Supported with OIS type lenses|
|Shutter type||Focal Plane Shutter|
|Continuous shooting||Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 60 frames Lossless compression RAW： 35 frames Uncompressed RAW： 33 frames)
Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 114 frames Lossless compression RAW： 37 frames Uncompressed RAW： 34 frames)
Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 500 frames Lossless compression RAW： 48 frames Uncompressed RAW： 39 frames)
Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compression RAW: 36 frames Uncompressed RAW: 34 frames)
Approx. 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames)
Approx. 8.0fps (JPEG: 200 frames Lossless compression RAW: 49 frames Uncompressed RAW: 39 frames)
Approx. 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames)
Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 20 frames after full press, total max. 40 frames)
Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 37 frames after full press, total max. 57 frames)
Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 300 frames after full press, total max. 310 frames)
|Auto bracketing||AE Bracketing (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV、5/3EV、2EV、7/3EV、8/3EV、3EV)
Film Simulation bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
White Balance Bracketing (±1, ±2, ±3)
Focus Bracketing (Frames: 1-999, Step: 1-10, Interval: 0-10s)
|White balance||Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater|
|Self-timer||10sec. / 2sec.|
|Interval timer shooting||Yes (Setting : Interval, Number of shots, Starting time)|
|Hot shoe||Yes (Dedicated TTL Flash compatible)|
|Viewfinder||0.5 inch approx. 3.69 millions dots OLED Color Viewfinder
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 23mm (from the eyepiece lens) Diopter adjustment: -4-+2m-1 (lockable)
Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1
Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° )
Built-in eye sensor
|LCD monitor||3.0 inch, aspect ratio 3:2, approx. 1.04 millions dots touch screen color LCD monitor(approx. 100% coverage)|
|Film Simulation mode||16 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema)
B & W Adjustment: -9-+9
|Grain effect||STRONG, WEAK, OFF|
|Color chrome effect||STRONG, WEAK, OFF|
|Dynamic range setting||AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
|Advanced filter||Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)|
|Power supply||NP-W126S Li-ion battery (included)
|Dimensions||132.5mm (W) x 92.8mm (H) x 58.8mm (D) (minimum depth 35.4mm)|
|Weight||Approx. 539g (including battery and SD memory card)
Approx. 489g (excluding battery and SD memory card)
|Operating Temperature||-10°C – +40°C|
|Operating Humidity||10 – 80% (no condensation)|
|Starting up period||Approx 0.3sec.|
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
|Modes||Still image (L)|
|Number of recorded pixels||6240 x 4160 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC / SDXC memory card||4 GB||250||370|
|Modes||Still image (M)|
|Number of recorded pixels||4416 x 2944 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC / SDXC memory card||4 GB||490||740|
|Modes||Still image (S)|
|Number of recorded pixels||3120 x 2080 (3:2)|
|Quality||JPEG FINE||JPEG NORMAL|
|SDHC / SDXC memory card||4 GB||980||1470|
|SDHC / SDXC memory card||4 GB||60||120|
|Quality||4K (3840 x 2160, 400Mbps)||FULL HD (1920 x 1080, 200Mbps)|
|SDHC / SDXC memory card||4 GB||1 min.||2 min.|
|8 GB||2 min.||4 min.|
|16 GB||4 min.||10 min.|
- For recording movies, use a card with UHS Speed Class 3 or higher.
- *Requires an SD card with the video speed class of V60 or above to record at the bitrate of 400Mbps
- *Individual movies cannot exceed approx. 20 min. on 4K/60P mode, approx. 30 min. on 4K/30P mode, and approx 30 min. on Full HD mode.
- *Although movie recording will continue without interruption when the file size reaches 4 GB, subsequent footage will be recorded to a separate file which must be viewed separately.