Photography in Motion
Making a camera that suitable for both photography and videography is no simple task. The X-T4 is our most powerful X Series camera to date with no compromises for stills or video. Using the 4th generation X-Trans CMOS 4 sensor, X-Processor 4, a newly developed compact in-body image stabilization (IBIS) system, new Film Simulation mode “ETERNA Bleach Bypass” and various other features that have evolved based on user feedback, this camera delivers image quality that can satisfy the demands of professional photographers and videographers.
“Colors”matter every time
FUJIFILM’s color science is a result of years of research in both analog and digital photography. All X Series cameras allow you to access this research at the touch of a button to help you express your creative vision. The X-T4 features the our new “color” expression, “ETERNA Bleach Bypass.” It produces a high-contrast look while keeping the level of color saturation low, faithfully reproducing a film processing technique called “bleach bypass,” which has been popular among many creative producers since the days of film photography.
ETERNA ETERNA Bleach Bypass
Classic Chrome Classic Neg ETERNA ETERNA Bleach Bypass ACROS PROVIA Velvia
Highlight and shadow tones can be adjusted by 1/2 stops, instead of full stops, capturing scenes exactly as you have imagined them. This can be used in combination with Film Simulations, to significantly reduce post processing time.
Auto White Balance
The Auto White Balance(AWB) can be set to “AUTO,” “White Priority” or “Ambience Priority”. In scenes lit by incandescent bulbs, the camera would choose for whiter whites when set to “White Priority” and warmer whites when set to “Ambience Priority”.
Speed where you need it to capture the decisive moment
The X-T4 utilises the high-speed performance of the X Trans CMOS 4, which is a back-illuminated structure and features phase-detection pixels across the entire sensor. Combined with a new advanced AF algorithm and the X Processor 4, the camera delivers exceptional autofocus performance. The X-T4 has the ability to focus fast and accurately in low light, lock onto human face / eyes, and track a moving subject with ease providing you with added confidence to capture the decisive shot.
0.02 second AF
The new AF algorithm on the X-T4 gives an AF speed of up to 0.02 second; which is the fastest AF speed among mirrorless cameras with an APS-C size sensor.
The improved AF algorithm also allows you to capture your subject with an outstanding accuracy of over 90%. This evolved AF algorithm combined with the X-Trans CMOS 4 and the X Processor 4, gives professional level performance at every opportunity
The tracking AF performance has been significantly improved. The new algorithm uses color information and the subject shape to lock on and steadily track a moving subject, maintaining accurate and instantaneous focus.
Face & Eye AF
The Face / Eye AF performance has been updated and is now around twice as good at tracking people’s face and eye while shooting in burst mode. The X-T4 will capture the face and eye even when the subject is constantly moving across the entire frame.
Low Light AF
The AF system in the X-T4 works down to -6.0EV, which is almost complete darkness. The phase detection AF system is fast and accurate even in these low light conditions.
The new focal plane shutter unit in the X-T4 use a high-speed coreless DC motor. This enables a super-fast 15fps continuous shooting in post view*1 and an 8fps continuous shooting with live view. The shutter is also 30% quieter and offers twice the durability of previous models with 300,000 shutter actuations*2. The blackout period when using the live view burst mode has been shortened up to 75msec, and the release time lag is quick as up to 0.035second, promising you with an instantaneous response. When shooting with electronic shutter, you can shoot up to an incredible 30fps. Combined with the evolved AF performance, the shutter system makes it possible to capture the every moment, even when your subject is moving.
*1 Fastest burst shooting at mechanical shutter among mirrorless cameras with an APS-C size sensor (February, 2020)
*2 According to Fujifilm internal testing.
A camera that withstands the elements and ready when you are.
In body image stabilization
The image stabilization unit has been dramatically reduced in size (30% smaller and 20% lighter), without compromising the performance. The new unit uses magnets instead of springs and high-performance gyro sensors to improve accuracy 8 times better compared to what X-H1 adopted. Also, the new shock absorbing structure integrated in the image stabilization unit will stabilize the smallest shakes, allowing the new focal plane shutter unit to perform at its full potential. Finally, the unit carries out over 10,000 corrections per second to achieve up to 6.5 stops of image stabilization with 18 out of 29 FUJINON XF lenses.
With non-OIS lenses
|XF14mmF2.8 R||5 axis||6.5||5|
|XF16mmF1.4 R WR||5 axis||6.5||5|
|XF16mm F2.8 R WR||5 axis||6.5||5|
|XF18mmF2 R||5 axis||6.5||5|
|XF23mmF1.4 R||5 axis||6.5||5|
|XF23mmF2 R WR||5 axis||6.5||5|
|XF35mmF1.4 R||5 axis||6.5||5.5|
|XF35mmF2 R WR||5 axis||6.5||5|
|XF50mmF2 R WR||5 axis||6.5||5|
|XF56mmF1.2 R||5 axis||6.5||5|
|XF56mmF1.2 R APD||5 axis||6.5||5|
|XF60mmF2.4 R Macro||5 axis||6.5||5|
|XF90mmF2 R LM WR||5 axis||6||5|
|XF8-16mm F2.8 R LM WR||5 axis||6.5||5|
|XF16-55mmF2.8 R LM WR||5 axis||5.5||5|
*Compliant with CIPA standard
With OIS lenses
|XF80mmF2.8 R LM OIS WR Macro||5 axis||5||5|
|XF200mmF2 R LM OIS WR||5 axis||5.5||5|
|XF10-24mmF4 R OIS||5 axis||6.5||5.5|
|XC15-45mmF3.5-5.6 OIS PZ||5 axis||6||5|
|XC16-50mmF3.5-5.6 OIS II||5 axis||6.5||5.5|
|XF16-80mmF4 R OIS WR||5 axis||6||6|
|XF18-55mmF2.8-4 R LM OIS||5 axis||6.5||5.5|
|XF18-135mmF3.5-5.6 R LM OIS WR||5 axis||5.5||5|
|XF50-140mmF2.8 R LM OIS WR||5 axis||6||5|
|XC50-230mmF4.5-6.7 OIS II||5 axis||5.5||5|
|XF55-200mmF3.6-4.8 R LM OIS||5 axis||5.5||5|
|XF100-400mmF4.5-5.6 R LM OIS WR||5 axis||5.5||5|
*Compliant with CIPA standard
The X-T4 has 63 weather sealed points which gives it the advanced level of dust- and moisture resistance, similar to that of the X-T3.
You can shoot without concern, knowing that the camera operates in temperatures as low as minus ten degrees Celsius and in tough conditions like rain or in clouds of dust.
The X-T4 has three ‘Boost’ modes that changes the responsiveness of the LCD and EVF according to what you are shooting.
Enhances the subject when shooting in low light
Allows you to see more of the fine details
Frame Rate Priority
For smoother transitions, essential when shooting moving subjects
|Shutter release time lag||0.035sec.||0.035sec.||0.035sec.||0.035sec.||0.035sec.|
|Auto power save||12sec.||No||No||No||No|
The X-T4 uses a large capacity “NP-W235” battery, which lasts for approx. 500 frames per charge in the standard mode and 600 frames per charge in Economy mode. When 3 batteries are used with the optional battery grip “VG-XT4” (2 batteries in the grip and 1 in the camera), you can get up to approx. 1700 frames per charge.
This removes any stress about battery life and allows you to shoot for longer.
|Body Only||LCD||600 frames||500 frames||480 frames||480 frames||480 frames|
|EVF||570 frames||500 frames||450 frames||450 frames||450 frames|
|with VG-XT4||LCD||1700 frames||1450 frames||1350 frames||1350 frames||1350 frames|
|EVF||1600 frames||1450 frames||1300 frames||1300 frames||1300 frames|
|AC adaptor||Through PC|
|With Body (NP-W235 x 1)||3.0h||3.0h||3.0h||10h|
|With BC-W235 (NP-W235 x2)||3.3h||2.5h||2.5h||20h|
|With Body & VG-XT4 (NP-W235 x 3)||5.5h||3.5h||3.0h||30h|
Uncompromising video capabilities.
The X-T4 allows seamless transition between shooting stills and movies. The STILL / MOVIE lever on the top panel and video-specific menu, facilitate fuss-free switching between photo and video recording. The addition of the video-only Quick Menu (Q Menu) button has enhanced the camera’s functionality while recording video as well.
Movie Optimized Control
Video settings can be changed using the touchscreen panel or the front/rear command dials during video recording. When changing settings like this, the values on the shutter speed dial, ISO dial and aperture ring are ignored, and the camera will keep the exposure settings when switching back from still shooting to video shooting.
Professional level video recording
Video can be recorded to an external device via HDMI at 4K/60P 4:2:2 10 bit or internally at 4K/60P 4:2:0 10bit.
Like the X-T3, the X-T4 supports H.264/MPEG-4 AVC as well as H.265/HEVC, which offers a higher rate of compression, when recording 4K/60P 4:2:0 10 bit video at a bit rate of 200Mbps.
However, you can now choose MP4 in addition to the standard MOV video file format, broadening where you can use the files.
File format : [MOV/H.265(HEVC) LPCM] Sampling/Bit depth ＝ 4:2:0/10bit
File format : [MOV/H.264 LPCM] Sampling/Bit depth ＝ 4:2:0/8bit
File format : [MP4/H.264 AAC] Sampling/Bit depth ＝ 4:2:0/8bit
HDMI output : Sampling/Bit depth ＝ 4:2:2/10bit
*1 Cannot choose slower shutter speed than framerate
*2 Not compatible with DCI4K.
*3 Codec and bit rate will be changed depends on the recorder.
Ultra Highspeed recording
The X-T4 can shoot high-speed video at Full-HD 240P. This produces movie files with up to 10x slow-motion effect, adding another option when shooting movies.
Stabilize even more.
When shooting video, you have the option of IBIS as well as digital image stabilization (DIS), which allows for more powerful stabilization. This is especially useful when shooting video while you walk.
The “IS (Image Stabilization) Boost” mode can be enabled for greater stabilization regardless of whether the DIS is turned on or off, allowing more control of camera shake, essential when you cannot use a tripod.
F-Log view assist
During F-Log recording, you can convert the file to a video equivalent to BT.709 for display purposes.
F-Log view assist OFF F-Log view assist ON
Fixed video crop rate
When shooting in 4K with both IBIS and digital stabilizer enabled, the video crop rate is fixed at 1.29x. This makes it easier to align the shooting frame when the video mode is changed.
Line-level audio input
The camera supports external microphones as well as line-level input from external audio equipment.
Focus Check Lock
If you start recording video using the enlarged display, you can keep this display or have the camera switch back to the standard view.
Back up recording
The X-T4 supports backup recording, this is when video is recorded onto two memory cards at the same time.
* You cannot choose different video modes for video to be backed up, the same recording settings are applied to both cards.
|Model name||FUJIFILM X-T4|
|Number of effective pixels||26.1 millions pixels|
|Image sensor||23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.|
|Sensor Cleaning system||Ultra Sonic Vibration|
|Storage media||SD memory card ( – 2GB) / SDHC memory card ( – 32GB) / SDXC memory card ( – 512GB)|
|UHS-I / UHS-II / Video Speed Class V90 *1|
|File format of still image||JPEG: Exif Ver.2.3 *2
RAW: 14bit RAW (RAF original format) TIFF: 8/16bit RGB
|Number of recorded pixels||[L]<3:2> 6240 x 4160 <16:9> 6240 x 3512 <1:1> 4160 x 4160|
|[M]<3:2> 4416 x 2944 <16:9> 4416 x 2488 <1:1> 2944 x 2944|
|[S]<3:2> 3120 x 2080 <16:9> 3120 x 1760 <1:1> 2080 x 2080|
|Lens mount||FUJIFILM X mount|
|Sensitivity||Standard output||AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO160 – 12800 (1/3 step)|
|Extended output||ISO80 / 100 / 125 / 25600 / 51200|
|Exposure control||TTL 256-zone metering, Multi / Spot / Average / Center Weighted|
|Exposure mode||P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)|
|Exposure compensation||-5.0EV – +5.0EV 1/3EV step (Movie: -2.0EV – +2.0EV)|
|Image stabilizer||Mechanism||Image sensor shift mechanism with 5-axis compensation|
|Compensation Effect||Maximum 6.5 stops (based on CIPA standard. Pitch/yaw shake only.|
|Digital Image Stabilization||Yes (movie mode only)|
|IS MODE BOOST||Yes (movie mode only)|
|Shutter type||Focal Plane Shutter|
|Shutter speed||Mechanical Shutter||P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.|
|Electronic Shutter *3||P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed|
|Electronic front curtain shutter||P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.|
|P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.|
|E-front + Mechanical shutter||P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
*Electronic front curtain shutter works until 1/2000sec.
|E-front + Mechanical +
|P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.
*Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec.
|Movie||FHD: 1/8000sec. – 1/4sec.
DCI4K/4K: 1/8000sec. – 1/24sec. (depends on the frame rate)
|Synchronized shutter speed for flash||1/250sec. or slower|
|Continuous shooting||Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 60 frames Lossless compressed RAW / Compressed RAW: 35 frames Uncompressed RAW： 33 frames)|
|Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 114 frames Lossless compressed RAW / Compressed RAW: 37 frames Uncompressed RAW： 34 frames)|
|Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 500 frames Lossless compressed RAW / Compressed RAW: 48 frames Uncompressed RAW： 39 frames)|
|Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compressed RAW / Compressed RAW: 36 frames Uncompressed RAW: 34 frames)|
|Approx. 15fps (JPEG: 110 frames Lossless compressed RAW / Compressed RAW: 38 frames Uncompressed RAW: 35 frames)|
|Approx. 10fps (JPEG: 164 frames Lossless compressed RAW / Compressed RAW: 44 frames Uncompressed RAW: 37 frames)|
|Approx. 8fps (JPEG: 200 frames Lossless compressed RAW / Compressed RAW: 49 frames Uncompressed RAW: 39 frames)|
|Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 20 frames after full press, total max. 40 frames)|
|Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 37 frames after full press, total max. 57 frames)|
|Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 300 frames after full press, total max. 310 frames)|
|*Recordable frames depends on recording media|
|*Speed of continuous shooting depends on shooting environment and shooting frames|
|Auto bracketing||AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps)|
|Filmsimulation bracketing (Any 3 types of film simulation selectable)|
|Dynamic Range Bracketing (100%, 200%, 400%)|
|ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)|
|White Balance Bracketing (±1, ±2, ±3)|
|Focus Bracketing (AUTO, MANUAL)|
|Focus||Mode||Single AF / Continuous AF / MF|
|Type||Intelligent Hybrid AF
(TTL contrast AF / TTL phase detection AF)
|Low-light Performance||Contrast: -3.0EV Phase Detection: -6.0EV (XF35mmF1.4 attached)|
|Single point AF: EVF / LCD: 13 x 9 / 25 x 17 (Changeable size of AF frame)
Zone AF: 3 x 3 / 5 x 5 / 7 x 7 from 91 areas on 13 x 9 grid
Wide/Tracking AF *AF-S: Wide / AF-C: Tracking
|White balance||Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY), / Custom1 – 3 / Color temperature selection (2500K – 10000K) /
Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
|Self-timer||10sec. / 2sec.|
|Interval timer shooting||Yes (Setting: Interval, Number of shots, Starting time)|
|Flash modes||SYNC. MODE||1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) (excl. EF-X8)|
|FLASH MODE||TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF (When EF-X8 is set)
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF (When SHOE MOUNT FLASH is set)
|Hot shoe||Yes (Dedicated TTL Flash compatible)|
|Viewfinder||0.5 inch approx. 3.69 millions dots OLED Color Viewfinder
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 23mm (from the eyepiece lens) Diopter adjustment: -4 – +2m-1 (lockable)
Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1
Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° ) Built-in eye sensor
|LCD monitor||3.0 inch, aspect ratio 3:2, approx. 1.62 millions dots touch screen color LCD monitor(approx. 100% coverage)|
|Movie recording||File format||MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)
MP4 (MPEG-4 AVC/H.264, Audio: AAC)
|Movie compression||All Intra/Long-GOP
* All Intra can be used with following settings.
|[DCI 4K(4096 x 2160)] 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
[4K(3840 x 2160)] 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
[Full HD(2048 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
[Full HD(1920 x 1080) High speed rec.]
240p / 200p 200Mbps(recording) up to approx. 3min.
120p / 100p 200Mbps(recording) up to approx. 6min.
*For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
|Film simulation mode||18 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std,
Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS,
ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema, Classic Neg, ETERNA BLEACH BYPASS)
|Clarity setting||±5 steps|
|HDR mode||AUTO, 200%, 400%, 800%, 800% +|
|Grain effect||Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL|
|Color chrome effect||STRONG, WEAK, OFF|
|Color chrome Blue||STRONG, WEAK, OFF|
|Dynamic range setting||Still||AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
|Movie||100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
|Advanced filter||Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus,
Partial color (Red / Orange / Yellow / Green / Blue / Purple)
|Standard||IEEE802.11b/g/n (standard wireless protocol)|
|Encryption||WEP / WPA / WPA2 mixed mode|
|Bluetooth®||Standard||Bluetooth Ver 4.2 (Bluetooth low energy)|
|Operating frequency (Center frequency)||2402 – 2480MHz|
|Terminal||Digital interface||USB Type-C (USB3.2 Gen1 x 1)|
|HDMI output||HDMI micro connector (Type D)|
|Other||ø3.5mm, stereo mini connector (Microphone) / ø2.5mm, Remote Release Connector, Hot shoe, Synchronized terminal|
|Power supply||NP-W235 Li-ion battery (included)|
|Battery life for still images*4||Approx. 600 frames (Economy Mode), approx. 500 frames (Normal Mode) When XF35mmF1.4 R is set.|
|Actual battery life of
*Face detection is set to OFF
|[4K] approx. 85min. (29.97p)
[Full HD] approx. 95min. (59.94p)
|Continuance battery life of
*Face detection is set to OFF
|[4K] approx. 110min. (29.97p)
[Full HD] approx. 130min. (59.94p)
|Dimensions||(W) 134.6mm x (H) 92.8mm x (D) 63.8mm (minimum depth 37.9mm)|
|Weight||Approx. 607g (including battery and SD memory card)
Approx. 526g (excluding battery and SD memory card)
|Operating Temperature||-10°C – +40°C|
|Operating Humidity||10% – 80% (no condensation)|
|Starting up period||Approx. 0.39sec.|
*1 Please see the Fujifilm website to check SD memory card compatibility.
*2 Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing.
*3 The Electronic Shutter may not be suitable for fast-moving objects. Flash can not be used.
*4 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.