Description
FEATURES
High-speed Performance
High-speed sequential shooting and high-speed AF that can capture split-second moments
Unparalleled sequential shooting performance, an incredibly advanced fast new AF system, and a 120-fps high-speed viewfinder help you capture once-elusive split-second moments in high resolution.
Maximum 18 fps AF/AE tracking sequential shooting
By developing the 20M Live MOS sensor together with the TruePic VIII image processor, framing and sequential shooting of moving subjects using 18-fps AF/AE tracking[1] is made possible while maintaining the high 20M pixel count. With AF/AE tracking high-speed sequential shooting that beats that of DSLRs, it easy to frame fast-moving subjects and capture the precise moment in the finest detail.
- When using Toshiba SDXU-B032G
- 1. When using silent sequential shooting L with C-AF at 1/1000 sec., maximum aperture, and face priority set to Off. Sequential shooting speed slows down when shooting at ISO 8000 or above.
Maximum 60 fps AF/AE lock sequential shooting
Development the new 20M Live MOS sensor together with the TruePic VIII image processor made maximum 60-fps[1] AF/AE lock high-speed sequential shooting possible at a 20M pixel count. Amazing sequential shooting speed beyond that of DSLR cameras lets you capture split-second moments that cannot be seen with the naked eye, in incredible detail.
- When using Toshiba SDXU-B032G
- 1: When using silent sequential shooting H with S-AF or MF, at 1/250 sec. Sequential shooting speed slows down when shooting at ISO 8000 or above.
High-speed sequential shooting performance that surpasses that of SLR flagships
| OM-D E-M1 Mark II | Competitor full-frame SLR flagships | Competitor APS-C SLR flagships | ||
|---|---|---|---|---|
| AF/AE tracking | Electronic shutter | Maximum of approx. 18 fps, Max. no. of frames: RAW 77, JPEG (LN) 105 |
Maximum of 12 to 14 fps | Maximum of 10 fps |
| Mechanical shutter | Maximum of approx. 10 fps, Max. no. of frames: RAW 148, JPEG (LN) until card is full |
|||
| AF/AE locked | Electronic shutter | Maximum of approx. 60 fps, Max. no. of frames: RAW 48, JPEG (LN) 48 |
Maximum of 14 to 16 fps | |
| Mechanical shutter | Maximum of approx. 15 fps, Max. no. of frames: RAW 84, JPEG (LN) 117 |
Pro Capture
Pro Capture, a feature that provides time-lag-free shooting so you can capture the precise, desired moment, is now more advanced than ever. The camera begins recording 20M images once the shutter button is half-pressed, and retains up to 35 of the most recent images when the shutter button is full-pressed. By capturing moments just prior to when the shutter is released, Pro Capture makes up for time lag caused by human reflexes and camera processing.
- When in Pro Capture mode, slower shutter speeds and flash cannot be used.
- In Pro Capture Sequential L, the minimum aperture is F8.
Pro Capture mode compatible lenses
| Lens | Pro Capture L | Pro Capture H |
|---|---|---|
| Olympus Micro Four Thirds lenses | Compatible | Compatible |
| Other Micro Four Thirds lenses | Not compatible | Compatible |
| Four Thirds lenses | Not compatible | Compatible |
| Lenses without electronic contacts | Compatible | Compatible |
High-speed AF system
A completely new AF system makes it possible to capture fast-moving subjects. With a Dual FAST AF system that uses the 121-point AF area for both On-chip Phase Detection AF and Contrast AF, the E-M1 Mark II delivers dramatic advancements in AF precision, tracking performance, and operability.
| When a Micro Four Thirds lens is attached | ||
|---|---|---|
| Still image | S-AF | Hybrid (On-chip Phase Detection AF and Contrast AF) |
| C-AF | On-chip Phase Detection AF | |
| Video | Hybrid (On-chip Phase Detection AF and Contrast AF) | |
121-point All-cross-type On-chip Phase Detection AF
121-point All-cross-type Sensor
- Actual images are different from the images displayed in the viewfinder.
This E-M1 Mark II is equipped with an 11 x 11 121-point All-cross-type sensor. With an AF area that covers 75% vertically and 80% horizontally, subjects can be tracked across a wide range. All 121 points are cross-type focus points, making subject detection very accurate.
New AF algorithm
The new 121-point All-cross-type On-chip Phase Detection sensor and new TruePic VIII image processor significantly improve focus detection performance. The new moving subject tracking algorithm makes it possible to continue tracking various subject changes.
5-level C-AF tracking sensitivity settings
5 levels of C-AF tracking sensitivity are available. Changing the tracking sensitivity to match the subject or scene provides more effective AF tracking performance.
Recommended C-AF tracking sensitivity settings
Blocked shot AF response
Quick
Delayed
Subject motion
Erratic
Steady
Details
Further improves AF performance on moving subjects which quickly change direction toward and away from the camera.
C-AF Sensitivity
+2
+1
Details
Standard (recommended)
Appropriate setting for a wide variety of subjects.
C-AF Sensitivity
0
Details
Further improves performance in maintaining focus on the main subject while other moving subjects pass in front.
C-AF Sensitivity
-1
-2
AF limiter
This model is equipped with an AF limiter function, which lets you set three AF operating areas. This can reduce AF operating time even on lenses without a focus limiter, helping to focus instantly. It is also possible to instantly turn the function on and off via customised controls.
- Compatible with Four Thirds and Micro Four Thirds standard AF lenses
- Distance setting values are rough estimates.
- Lens settings take priority on Micro Four Thirds lenses with a focus limiter.
Controls for making use of high-speed AF
AF target modes
In addition to 5-point Group Target, Small AF Target has been added for a total of five different AF target modes. You can switch AF Target modes and change the AF Target position with minimum operation. AF Target modes can be displayed and hidden via customised controls. With this you can quickly activate the right mode for your subject.
- Single target cannot be hidden.
| AF Target mode | Optimal subjects | Examples |
|---|---|---|
| (1) All Target | Quick shots or when subjects move around the entire screen | Snapshots, photographing children and pets indoors |
| (2) Single Target | Shooting still or small subjects | Landscapes, tripod shooting, etc. |
| (3) Small AF Target (Added feature in firmware Ver. 2.0) |
Shooting still or small subjects | Landscapes, tripod shooting, etc. |
| (4) 5-point Group Target | Moving subjects when 9-points are too wide | Soccer and rugby when other subjects pass in front of and behind the main subject |
| (5) 9-point Group Target | Moving subjects | Birds, small animals, aircraft, vehicle, and sports photography |
AF settings
(1) Front dial: AF Target mode (2) Rear dial: Face/Eye Priority AF (3) Allow pad: AF Target position
AF Target mode, AF target position, and Face/Eye Priority can be changed with a single operation. Simply customise settings so you can use your preferred controls.
Moving-subject-tracking cluster display
A cluster display that moves along with the subject makes it easy to confirm that the subject is continuously in focus.
- When C-AF and All Target are set
- When AF Target display is set to ON2
AF Targeting Pad
The AF Targeting Pad allows you to control the position of the AF target by moving your finger across the rear monitor as you keep your eye to the viewfinder. Your nose touching the rear monitor will not affect touch control of the AF target. A double-tap turns the AF Targeting Pad on and off (When AF Targeting Pad is activated from the menu).
High-speed viewfinder
This model is equipped with a high-speed viewfinder with a maximum frame rate of 120 fps, and a minimum display time lag of 0.005 sec. for optimal image display. With this display you won’t miss capturing the precise moment when shooting fast-moving subjects.
- According to Olympus testing conditions
High-speed response
Camera operation speed has been significantly accelerated with release time lag shortened by approximately 70%, and playback frame advance made 3 times faster.
- Comparison with past Olympus models, according to Olympus testing conditions
Technology that supports high-speed performance
Compared to its predecessor, the E-M1 Mark II’s image processor is 3.5 times faster, sensor transfer speed is 3 times faster, and buffer memory capacity is 2 times larger. These significant advancements support the new AF system.
- Comparison with past Olympus models, according to Olympus testing conditions
- Pictures are for illustrative purposes only.
- Screen captures in the monitor are composite images.
Mobility/Reliability
Unrivaled mobility and ultimate reliability
A compact, lightweight body that is splashproof, dustproof, and freezeproof provides unrivaled mobility and ultimate reliability, allowing you to shoot in the most severe environments.
Amazingly compact, lightweight body and system
An amazingly compact, lightweight body and system provide a different dimension in mobility. Even when a 600mm f/4 (35mm equivalent) super-telephoto lens is attached, the camera is portable and handheld shooting is comfortable.
Ultimate reliability
Dustproof, splashproof and freezeproof to -10°C
A body construction that is splashproof, dustproof, and freezeproof to -10°C makes photography possible in the most brutal environments. Sealing throughout the entire body keeps out sand, dust, rain, and other droplets. The OM-D’s weatherproof performance has been highly regarded by professional photographers worldwide.
Shutter that can be released 200,000 times
This model is equipped with a shutter that clears durability tests of 200,000 operations. A floating shutter mechanism is employed so that shutter shock is not easily transmitted to the camera body.
- According to Olympus testing conditions
Dual card slots requested by professional photographers
Due to popular demand by professional photographers, dual card slots have been included on this model. A side-by-side layout has been employed for easy removal of the desired card. Select one of four recording settings.
Standard : Records to specified card
Auto Switching : Continues recording on the other card when the specified card is full
Dual Independent : Records to both cards at specified image quality settings
Dual Same : Records to both cards in the same image quality mode
- Slot 1: UHS-II/ UHS-I compatible
- Slot 2: UHS-I compatible
New lithium ion rechargeable battery and rapid battery charger
The capacity of BLH-1 Lithium Ion Rechargeable Battery has been increased by approximately 37% (compared to BLN-1), and the new BCH-1 Rapid Lithium Ion Battery Charger shortens charging time by approximately 50% (compared to BCN-1). Approximately 440 shots can be taken (CIPA testing standards). A percentage display (%) is now available so you can easily check remaining battery charge. You can also check battery status, number of shots, and the battery serial number.
Excellent grip
(1) Larger thumb grip surface for easier thumb rest (2) Deeper indentation on the front grip for middle finger rest (3) High grip for pinky finger rest
The new grip shape provides a sure grip on the camera.
- Pictures are for illustrative purposes only.
- Screen captures in the monitor are composite images.
High Image Quality
Top-class image quality
The Zuiko Lens Systems is known for its excellent optical performance. Maximising that performance are the 20M Live MOS sensor and TruePic VIII image processor. These combined with further improved image stabilisation technology, provides top-class image quality among interchangeable lens cameras.
New 20M Live MOS sensor
The new 20M Live MOS sensor improves pixel characteristics for enhanced gradations and optimises pixel optics for better image quality at high sensitivities. By applying anti-reflective coating on the surface of the sensor, flaring and ghosts are reduced. Moving object distortion that tends to occur when recording movies is also reduced due to the high-speed reading performance of the new sensor.
New TruePic VIII image processor
The new TruePic VIII image processor packs two types of quad cores on one chip, one dedicated to image processing, and the other for camera control and computation processes. A state-of-the-art process, which carries out parallel processing of sensor reading, AF processing, and image processing speeds up the camera and reduces power consumption.
20M APS-C model, ISO200
20M full-frame model, ISO200
E-M1 Mark II, ISO200
Improved image quality at high ISO settings
f/4.0, 1/200 sec., ISO6400
The new 20M Live MOS sensor and new TruePic VIII image processor deliver dramatically improved image quality at high ISO settings. Normal ISO speed (ISO AUTO) has been expanded to ISO 6400. You can capture detailed images with minimal noise even at high ISO settings.
ISO LOW (ISO 64 equivalent) compatible
The new 20M Live MOS sensor makes it possible to use ISO LOW (ISO 64 equivalent). With this advantage you can enjoy shooting at slow shutter speeds.
Rich dynamic range
Smooth gradations are possible even in high-contrast scenes.
Anti-reflective coating
Without AR coating
With AR coating
Anti-reflective (AR) coating is used on both sides of the sealing glass for the image sensor. This feature minimises ghosts and flaring.
50M High Res Shot
This function is perfect for scenes where you need a higher resolution in photos, such as shooting artwork and landscapes. The camera moves the sensor in half-pixel increments while capturing eight shots, which are then used to generate a single high-resolution shot equal to that captured with a 50M sensor. Using the high resolving power of M.Zuiko PRO or M.Zuiko Premium lenses yields the best results. The new TruePic VIII image processor effectively suppresses blur caused by moving subjects. It is also possible to capture 25M-equivalent images if you want to keep the file size smaller.
RAW processing
In RAW+JPEG mode, three types of imaged are saved including 50M or 25M JPEG, 80M RAW (ORF), and 20M RAW (ORI).
80M RAW images can be converted to 50M JPEG images in the camera, and to 80M JPEG images by using Olympus Viewer 3.
20M RAW (ORI) images cannot be played back or processed in the camera, but they can be viewed and processed using Olympus Viewer 3.
High Res Shot RAW images can be processed using Olympus Viewer 3 V2.0 (64 bit OS).
- The 20M RAW (ORI) image is the first of the 8 RAW images shot.
- A tripod is required for shooting.
- If the subject moves while shooting, the section that moved will appear at a lower resolution in the image.
- Due to flickering, it will not work under inconsistent light sources.
- You can select from the widest aperture value up to f/8, from 1/8000 to 8 sec. for shutter speed, and from ISO LOW to ISO 1600.
- For flash photography, set the sync speed to longer than 1/50 sec.
- Art Filter, Multi. Exposure, Live Bulb/Composite, Interval Shooting, HDR, all BKT and e-Portrait are not supported.
The world’s most powerful stabilisation performance: 6.5 shutter speed stops
5-axis image stabilisation
This model is equipped with a new type of in-body 5-axis image stabilisation that compensates for all types of camera shake. When combined with in-lens image stabilisation, 5-axis sync IS provides the world’s most powerful stabilisation performance equivalent to 6.5 shutter speed stops[1]. Even the in-body 5-axis image stabilisation on its own boasts outstanding stabilisation performance equivalent to 5.5 shutter speed stops[2].
- 1 : When using M.Zuiko Digital ED 12-100mm F4.0 IS PRO at 100mm (35mm equivalent: 200mm), with halfway release image stabilisation set to OFF, when yaw and pitch are applied to camera. As of September 2016. CIPA standard compliant.
- 2 : When using M.Zuiko Digital ED 12-40mm F2.8 PRO at 40mm (35mm equivalent: 80mm), when yaw and pitch are applied to camera. CIPA standard compliant.
Image stabilisation Off, f/5.6, 2 sec., ISO200
Image stabilisation On, f/5.6, 2 sec., ISO200
- Pictures are for illustrative purposes only.
- Screen captures in the monitor are composite images.
OM-D Movie
The reliable in-body 5-axis image stabilization system enables stable movie recording in beautiful 4K even during active camera work. The compact, lightweight OM-D does not intimidate subjects, letting you capture the most natural expressions. OM-D Movie achieves cinema-quality recordings with amazing maneuverability.
Hand-held 4K video recording
Combining the powerful 5-axis image stabilisation system with electronic stabilisation for video makes it possible to shoot high-quality 4K movies handheld without cinematic equipment such as tripods, a mini jib, crane, etc.
- The angle of view is narrowed when using electronic stabilisation for movies (M-IS1).
Compatible with 4K, the digitial cinema standard
The E-M1 Mark II supports digital cinema standards like 4K (4096 x 2160), a 24P frame rate, and a 237 Mbps bit rate, for authentic video production.
HDMI Monitor connection
The HDMI Monitor connection is now more advanced due to requests from professional photographers. A 4:2:2 output is now supported for expanded colour correction range.
- When recording simultaneously on the camera, 4:2:0 is upsampled to 4:2:2.
- Some functions may not be available depending on the monitor.
Two HDMI output modes
You can select from Monitor mode for an external monitor, and Recording mode for an external recorder.
HDMI output (actual size) + camera monitor (magnified) display
During standby when shooting a movie, you can magnify the camera monitor on its own for more accurate focusing.
Sync signal for HDMI output recording
An external recorder can be synced with starting and stopping movie recording on the camera.
| Recording size | Frame rate | Bit rate |
|---|---|---|
| 4K | 30P, 25P, 24P | 102 Mbps |
| Cinema 4K (C4K) | 24P | 237 Mbps |
| FHD | 60P, 50P, 30P, 25P, 24P | ALL-Intra (202 Mbps), SuperFine (52 Mbps), Fine (30 Mbps), Normal (18 Mbps) |
| HD | 60P, 50P, 30P, 25P, 24P | ALL-Intra (102 Mbps), SuperFine (26 Mbps), Fine (10 Mbps), Normal (10 Mbps) |
- Frame rate for ALL-Intra (202 Mbps) is 30P, 25P, and 24P only.
Variety of video features
Super Control Panel : In movie mode, you can use the Live Super Control Panel to change image quality settings and the image stabilisation mode (M-IS).
4K single frame extraction : This function lets you extract a single frame from a recorded 4K movie to use as a still image.
Movie editing : This feature lets you cut frames at the beginning and end of movies.
Clips : Shoot short video clips of a fixed length and combine them together to create a short movie.
Flat mode : In this picture mode developed only for video, contrast is lowered to prevent highlight blowout and loss of shadow detail for colour grading and adding rich gradations in post-production editing. Beginning February 28, 2018, an LUT file is supplied for colour grading when converting files recorded in Flat mode to BT.709 using Blackmagic DaVinciResolve.
Focus peaking : Focus peaking is possible during video recording. Peaking colour can be selected from white, black, red, and yellow, and intensity can be selected from low, standard, and high.
Slow/quick motion video : Shoot slow motion or quick motion movies.
Art Filter Movie : All Art Filter options are available for video as well.
Art Fade : Fade from one Art Filter to another in a single piece of footage.
Old Film Effect : Make your videos appear like old movies.
One Shot and Multi Echo : This function expresses motion with afterimages.
Start/stop control : Use a release cable or your smartphone with OI.Share app installed to start and stop video recording remotely.
Movie Tele-converter (approx. 3x) : This function lets you take zoomed-in shots of the area you touch on the monitor during shooting while maintaining high image quality.
Time code setting : You can select from Rec Run, Free Run, Drop Frame/Non Drop Frame. The time code start time can be synced with the actual time or set manually.
Continuous movie recording over 4 GB : When recording movies that exceed 4 GB, the camera automatically splits and saves the movie file. When playing back the movie on the camera, split files are played as one file.
Flicker Scan : Fine-tune the shutter speed to reduce flicker effects. It is now possible to check the monitor while selecting a shutter speed that does not cause flickering effects.
- Pictures are for illustrative purposes only.
- Screen captures in the monitor are composite images.
More Features
Silent Mode for silent shooting
The E-M1 Mark II is equipped with Silent Mode, which disables shutter sounds and electronic sounds for silent shooting. This feature is useful for concerts and other events where sounds are inappropriate.
- Shooting quick-moving subjects may cause distortion in the image.
- When noise reduction for long shutter time is set to Auto while using Silent Mode, you will hear a shutter sound when the dark frame is captured in a shooting time of 4 seconds or more.
- You can select to activate or deactivate the AF Illuminator, autofocus sound, and flash.
- Shutter speed can be set from 60 to 1/32000 sec.
- Certain types of fluorescent light or LED light may cause striped patters to appear on the image depending on the shutter speed used.
- The shock caused by the shutter opening and closing can be reduced.
Focus Stacking Mode
Focus stacking captures 8 photos of slightly different focus and then automatically merges them for a single photo in focus from the foreground to background.
M.Zuiko Digital ED 7-14mm f/2.8 PRO, f/11, 1/60sec., Focus Step : 3
(1) High magnification macro shooting: Even when closing the aperture, a photo in focus from foreground to background cannot be achieved.
(2) Focus Stacking Mode: Obtain a depth of field that goes beyond the smallest aperture setting (f22) in a high resolution image without the effects of diffraction. You can also deepen the depth of field while keeping the background defocused.
- 8 recorded shots are saved (either RAW or JPEG) along with the single composite image (JPEG).
- Flash is available (flash charging time can be set). The flash sync speed is 1/50 sec or less.
- The focus moves from the standard position at the beginning of shooting, then captures 2 close-up shots, and 5 shots at infinity for a total of 8 shots
- Composited photos are cropped 7% on the top, bottom, and sides.
Focus Bracketing Mode
M.Zuiko Digital ED 60mm f/2.8 Macro, f/7.1, 1/8 sec., Focus Step: 5, 8 images
In focus bracketing, the focal location is shifted slightly with each shutter activation for up to 999 shots. You can select from 10 levels of focus shift. Create photos that look like they belong in an encyclopedia by using photo software to composite images.
- Flash is available (flash charging time can be set). The flash sync speed is 1/50 sec or less.
Long exposure photography produces spectacular imagery
Live Composite
Shooting time : 3 seconds
Shooting time : 1 min. (20 shots)
Shooting time : 60 min. (1200 shots)
Live Composite records only those areas that are newly bright, thus avoiding over-exposure which may occur with conventional bulb shooting. This feature allows the capture of beautiful nightscapes with star trails or fireworks in the background and buildings in the foreground. As with Live Bulb, you can confirm the progress of your shot on the rear monitor. Moreover, you can also use the flash to emphasise a moment during the exposure or a pen light to write letters. A maximum exposure of up to 3 hours is possible.
Live Bulb/Live Time
Shooting time : 1 min.
Shooting time : 2 min.
Shooting time : 4 min.
This function updates the display during exposure at a set interval. You can choose from two modes, Live Bulb that opens the shutter while the shutter button is pressed and Live Time that opens the shutter on the first push and closes it on the second push of the shutter button. While in Live Bulb mode, the screen displays the exposure time and a histogramme. When the Bulb/Time shooting mode is selected, the backlight is automatically dimmed to reduce the power consumption and brightness.
Keystone Compensation
f/8, 1/400 sec., ISO 200, Keystone Compensation ON
Keystone Compensation is similar to using tilt-shift photography. In the OM-D E-M1 Mark II, vertical and horizontal trapezoidal compensation can be adjusted simultaneously as you confirm the results in Live View, prior to releasing the shutter. This feature can also be used to enhance perspective. Keystone Compensation is also available on the Olympus Viewer 3 software, so you can make small adjustments in post-production editing as well.
Fisheye Compensation
Fisheye Compensation (Distortion Compensation) ON
(Added feature in firmware V2.0)
The Fisheye Compensation function available in Olympus Viewer 3 is now available in-body. This feature makes it possible to shoot without the fisheye effect, using the M.Zuiko Digital ED 8mm F1.8 Fisheye PRO as a wide-angle lens. You can shoot while confirming compensation effects on the monitor.
Flicker Scan
(Added feature in firmware V2.0)
Flicker Scan has been added for fine-tuning the shutter speed to reduce flicker effects. It is now possible to watch the monitor while selecting a shutter speed that does not cause flickering effects when using the electronic shutter.
Magnification factor selection during image playback and actual pixel size display
(Added feature in firmware V2.0)
You can now select the magnification factor (the value when the dial is initially turned one step) during playback. Actual pixel size has also been added to magnification factor options. This makes it possible to check recorded images more quickly.
Olympus Capture tethering software
The Olympus Capture tethering software was developed based on the requests of professional photographers, and can be extremely useful for studio photography. The new TruePic VIII image processor and USB 3.0 compatibility provides for transfer speed from the E-M1 Mark II that is four times faster than its successor. Olympus Capture Ver. 1.2 supports the E-M1 Mark II’s 121-point AF area and dual card slots.
Compatible with USB 3.0 for high-speed transfer of large shooting data
1. USB3.0 : Easy to connect without worrying about the right position
2. Cable Clip (CC-1) : Helps prevent unintentional removal of the USB or HDMI cable from the camera body
USB 3.0 (connector Type-C) is now supported for high-speed transfer of large shooting data. The included cable clip can be used to secure the cable and keep it from being disconnected.
Other new functions
Many new functions and user interface displays are included on the E-M1 Mark II.
Preset MF : This function lets you instantly set the focus to your preferred position. (Distance setting values are rough estimates.)
AF Home settings : Assign AF home settings to one of the buttons, program your most frequently used AF target position, AF Target mode, and AF mode as your AF Home settings, and pull them up simply by pressing the assigned button.
Low shutter speed limit : This function lets you set the shutter speed at which the ISO setting begins to automatically rise when in ISO Auto. This is convenient for when you want to shoot at low ISO settings or high shutter speeds.
Save settings/Mysets : Backing up camera settings on a computer lets you avoid having to reset them after a firmware upgrade.
Assign save folder/new folder : This function lets you assign a folder on the memory card for saving recorded images. You can also create new folders. Doing so helps make image editing and management easier.
Grid settings : You can change the colour of the grid to make shooting easier in dark locations such as stage performances.
Date/time/second display : You can organise images up to second increments.
Tab scroll menu : Scrolling a tab screen that collects separate genres makes it much easier to access the menu.
- Pictures are for illustrative purposes only.
- Screen captures in the monitor are composite images.
SPECIFICATIONS
Product Type
| Product type | Micro Four Thirds interchangeable lens system camera |
|---|---|
| Memory | SD, SDHC[1], SDXC[1], Eye-Fi Card compatible[2]
|
| Sensor size | 17.4 mm (H) x 13.0 mm (V) |
| Lens mount | Micro Four Thirds Mount |
Image Sensor
| Product type | 4/3 Live MOS Sensor |
|---|---|
| Number of pixels / aspect ratio | Number of effective pixels: Approx. 20.4 million pixels Total number of pixels: Approx. 21.8 million pixels Aspect ratio: 1.33 (4:3) |
| Dust reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Recording (Still)
| Recording format | DCF2.0, Exif2.3 |
|---|---|
| File format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording image size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels – 1024 x 768 pixels |
| Dual Slot Settings | Standard, Auto Switch, Dual Independent, Dual Same
|
| Folder creation and selection | With |
| Copy | Copy single file, copy multiple files, copy all
|
Image Stabilisation System
| Type | Built-in 5-axis sensor-shift image stabilisation for movie and still photos
|
|---|---|
| Mode | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Live View image stabilisation | Activation by half-pressing shutter button or enlarging the view |
| Focal length setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting |
| Lens IS priority | With |
| 5 axis Sync IS | With
|
| Stabilisation performance | 5.5 EV
|
Finder
| Finder type | Eye-level electronic viewfinder, approx. 2.36M dots |
|---|---|
| Field of view / Viewfinder magnification | Approx. 100% / Approx. 1.30x[1] – 1.48x[2] (-1m-1, 50mm lens, Infinity)
|
| Eye point / Dioptre adjustment range | Approx. 21 mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Preview | Live View preview with depth of field preview lock |
| Display Grid | Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid
|
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness and Colour Temperature Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual colour temperature control |
| S-OVF (Simulated OVF) | Expands the Live View dynamic range.
|
| Eye Cup | Optional eyecup EP-13 is available. |
Live View
| Live View | Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3 / x5 / x7 / x10 / x14), Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only) |
|---|---|
| Preview | Preview with depth of field preview lock |
| Live View Boost | Live View Boost 1 , Live View Boost 2 (slow frame rate for dark areas)
|
Monitor
| Monitor type | 3.0-inch vari-angle monitor
|
|---|---|
| Touch control | Shutter release, magnification, AF area selection, AF area size adjustment, AF target pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer) |
| Tilting capability | With (mirror display when monitor is in self portrait position) |
| Brightness / Colour temperature control | ±7 levels / ±7 levels |
| Colour tone select | Vivid / Natural |
Focusing
| AF system | High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected) |
|---|---|
| Focusing point | 121-point cross-type phase detection AF and 121-point contrast AF |
| Focusing point selection mode | All target, single target, small target, group target (9-area or 5-area) |
| Focus mode | Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF[*]
|
| AF performance | C-AF Sensitivity (5 steps), AF scanner (3 types) |
| AF limiter | With (Fn button can be assigned to On/Off; can save 3 settings)
|
| AF targeting pad | With (activate / deactivate with double tap on rear monitor) |
| Magnified frame AF | 3x , 5x , 7x , 10x , 14x
|
| Super spot AF | With (Contrast AF in center of the monitor when magnified)
|
| Face detection AF / Eye detection AF | With (Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority) |
| Manual focus assist | Focus ring rotation activates Live View image magnification and / or focus peaking when in S-AF+MF or MF mode |
| Peaking function | Activate with Fn button or focus ring Change peaking settings using the Info button Colour selection: white, black, red, yellow Intensity selection: high, normal, low Back light effect: on, off |
| AF Focus Adj. | Adjust all, adjust by lens (for Phase detection AF only) |
| AF illuminator | With |
Exposure Control (Still)
| Metering system (TTL Image sensor metering) |
Digital ESP metering (324-area multi pattern metering), centre-weighted average metering, spot metering[*], spot metering with highlight control, spot metering with shadow control
|
|---|---|
| Metering range | EV- 2 – 20 (using 17 mm f/2.8, ISO 100) |
| Exposure mode / Shooting mode | iAuto (Live Guide can be used), P: program AE (programme shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual (Live Bulb, Live Time and Live Composite are available), Custom 1～3, Art Filter, Underwater wide / Underwater macro (to be assigned to the Fn1 button) |
| Live Guide | Saturation, Colour, Brightness, Background Blur, Expressing Motion, Shooting Tips
|
| ISO sensitivity | AUTO ISO (default) : LOW (approx. 64) ‐ 6400 with customizable upper limit (200 – 6400) Manual ISO : LOW (approx. 64), 200 – 25600 (adjustable in 1/3 or 1 EV steps) |
| Exposure compensation | ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps |
| AE lock | Locks with a half-press of the shutter button, AEL / AFL button (can be set to Fn button as well) |
Shutter
| Shutter type | [Focal-plane shutter (mechanical shutter)] 1/8000 – 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
[Electronic first curtain shutter (Anti-shock mode)]
|
|---|
Drive
| Sequential shooting maximum speed | [Sequential shooting H] approx. 15 fps with selectable 10-15 fps [Sequential shooting L] approx. 10 fps with selectable 1-10 fps [Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps [Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps [Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps [Pro Capture H] approx. 60 fps with selectable 15, 20, 30, 60 fps [Pro Capture L] approx. 18 fps with selectable 1-10, 15, 18 fps
|
|---|---|
| Sequential shooting frame count | 1- 99 frames |
Pre-shutter Frames
|
Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames. |
| Sequential shooting maximum recordable frames | [Sequential shooting H 15 fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames [Sequential shooting L 10 fps] RAW: Max. 148 frames, JPEG (LN): Until card is full [Silent sequential shooting L 60 fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames [Silent sequential shooting L 18 fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
|
| Self-timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5 / 1 / 2 / 3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Flash
| Flash intensity control method | TTL Auto, Auto[*], Manual, Super FP[*] (FP-TTL AUTO, FP-MANUAL)
|
|---|---|
| Bundled standard flash | FL-LM3 (dustproof and splashproof flash) GN = 9.1 (ISO100・m) / GN = 12.9 (ISO200・m) Bounce Capability (up and down: 45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
|
| Flash mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronisation speed | 1/250 sec.
|
| Flash intensity control | Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable |
| Compatible external flash | FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8 |
Wireless Flash Control
| Compatible external flash | FL-50R, FL-36R, FL-300R, FL-600R, FL-900R |
|---|---|
| Control method | Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R, STF-8 |
| External Flash intensity type | TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL |
| Channel | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
White Balance
| White balance mode | Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting) |
|---|---|
| White balance compensation | ±7 steps along A-B / G-M axis (Except for Custom WB) |
Colour Mode
| Colour matrix | sRGB, Adobe RGB |
|---|
Picture Mode
| Mode | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Colour Creator, Art Filters |
|---|---|
| Gradation | Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator] |
| Hilight and shadow control | ±7 steps each for highlight, shadow, midtone |
Art Filter
| Art Filter (Variation / Art Effect) |
Pop Art (I, II / a.b.c.d.e.f) Soft Focus ( – / c.e) Pale & Light Colour (I, II / a.b.c.d.f) Light Tone ( – / d.f) Grainy Film (I, II / b.c.d.g.h) Pin Hole (I, II, III / d) Diorama ( I,II / d) Cross Process (I, II / b.c.d.f) Gentle Sepia ( – / a.b.c.d.f) Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h) Key Line (I, II / a.b.c.d.e) WaterColour (I, II / a.b.c.d) Vintage (I, II, III / a.b.c.d.e.f.i) Partial Colour (I, II, III / a.b.c.d.e.f) Bleach Bypass (I, II / a.b.c.d.e.f.i) |
|---|---|
| Detail of Art Effect | a. Soft Focus Effect b. Pin-Hole Effect c. White Edge Effect d. Frame Effect e. Star Light Effect f. Blur Effect (Top & bottom, Left & Right) g. B & W Effect (None, Yellow, Orange, Red, Green) h. Pict. Tone (None, Sepia, Blue, Purple, Green) i. Shade Effect (Top & bottom, Left & Right) |
| Colour Ring (for partial color) | 18 colour selectable |
Colour Creator
| Colour Creator | Colour pattern : 30 colours / Saturation setting -4 ~ +3 |
|---|
Bracketing
| Exposure bracketing | 2, 3 or 5 frames in 0.3 / 0.7 / 1.0 EV steps selectable, 7 frames in 0.3 / 0.7EV steps selectable |
|---|---|
| ISO bracketing | 3 frames in 0.3 / 0.7 / 1.0 EV steps selectable |
| White balance bracketing | 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis. |
| Flash bracketing | 3 frames in 0.3 / 0.7 / 1.0 EV step selectable |
| Art Filter bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Colour Creator selectable |
| Focus bracketing | 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses) |
| Focus stacking | 8 shots are taken at different focus points and automatically composited together into a single image
|
HDR Function
| HDR(Auto composite) | HDR1, HDR2 (painting-like)
|
|---|---|
| Bracketing for HDR post process | 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
|
Fisheye / Keystone compensation
| Keystone Compensation | With (can be confirmed in Live View)
|
|---|---|
| Fisheye compensation | Available when M.Zuiko Digital ED 8mm Fisheye PRO is attached (angle : 1-3)
|
High Res Shot
| Resolution | Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift)
|
|---|---|
| Shutter Type | Electronic shutter |
| Shutter Speed | 1/8000 – 60 sec. |
| Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30sec. |
| Charge Time | 0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30sec. |
Anti-shock Mode
| Shutter Type | Electronic first curtain shutter |
|---|---|
| Shutter Speed | 1/320 – 60 sec.
|
| Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec. |
Silent Mode
| Shutter Type | Electronic shutter |
|---|---|
| Shutter Speed | 1/32000 – 60 sec. |
| Shutter start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec. |
| Silent Mode Settings | Settings for sound, AF illuminator, and flash can be customised (default setting is Off for all three) |
| Flicker scan | Available M mode, S mode, and silent mode. (can be confirmed in Live View) |
Live Bulb /. Live Time
| Update interval time | 0.5 sec. – 60 sec. |
|---|
Live Composite
| Update interval time / composite method | 0.5 sec. – 60 sec. / Lighten Mode (Bright area prioritisation) |
|---|
Interval Mode
| Interval Mode | Interval Time 1 sec. – 24 hours, Max 999 frames Automatic creation of time-lapse movies possible |
|---|
Multi Exposure
| Number of picture / Function | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
|---|
Multi Aspect
| Aspect Ratio | 4:3 (Default) / 3:2 / 16:9 / 1:1 / 3:4 |
|---|
One push Tele-converter
| Magnification | x2 |
|---|
Level Gauge
| Detection | 2-axis |
|---|
Movie
| Recording format | MOV(MPEG-4AVC/H.264), AVI(Motion JPEG) |
|---|---|
| Mode / frame rate / compression method | [MOV] 4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps) 3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps) 1920×1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 1920×1080 (FHD) / 60p, 50p / IPB (SF, F, N) 1280×720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) 60p: 59.94 fps, 50p: 50.00 fps, 30p : 29.97 fps, 25p : 25.00 fps, 24p: 23.98 fps, C4K 24.00 fps FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps), FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx. 30 Mbps, N: Normal / approx. 18 Mbps) HD ALL-I (A-I: ALL-Intra / approx. 102 Mbps), HD IPB(SF : SuperFine / approx. 26Mbps, F:Fine / approx. 14Mbps, N : Normal / approx.10Mbps) [AVI]
|
| Maximum recording time | [MOV] Approx. 29min [AVI] HD: Approx. 7min[*]
|
| Art Filter Movie | With (Frame rates may drop when certain Art Filters are used) |
| Movie Effect | One-shot Echo / Multi-echo / Art Fade / Old Film |
| One-push Movie Digital Converter | Approx. 3x (enlarges view of touched area) |
| Time Lapse Movie | [AVI ] 3840 x 2160 (4K) / 5 fps 1920 x 1080 (FHD) / 5 fps, 10 fps, 15 fps 1280 x 720 (HD) / 5 fps, 10 fps, 15 fps, 30 fps |
| Clips | 1, 2, 4, 8 sec. (Further continued shooting possible up to 16 seconds by pressing movie record button again) |
| Quick Movie / Slow Movie | With (this function is not available for videos with certain frame rates) |
| Image Stabilization for Movie | M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS), M-IS2 (Image sensor shift with multi motion IS), Off
|
| Grid Line / Focus Peaking | 4 types of grid lines / 4 colours for focus peaking |
| Time code | Rec run/free run, drop frame/non-drop frame |
| REC Bit | With |
| Live View Output via HDMI | Monitor Mode (outputs video and info display to a connected monitor)[1] Record Mode (outputs video only, with no info display)[2]
|
| Movie Picture Mode | Flat (LUT file available for download from website) |
| Exposure Control | Programme AE, aperture priority AE, shutter priority AE, manual |
| AE Lock | With |
| [Movie] flicker scan | Available for M mode. (can be confirmed in Live View) |
Recording (Sound)
| Recording format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|---|---|
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker
|
| Microphone function | Wind noise reduction, recording volume, microphone volume limiter, Audio dubbing possible for still pictures (up to 30 sec.)
|
| IC recorder linkage | Slate Tone / Synchronised Audio Rec-Movie Rec
|
Wi-Fi Function
| GPS info. Function | Via smartphone GPS data |
|---|---|
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off iAuto / ART / P / A / S / M (Live Bulb, Live Time, Live Composite) and drive mode can be selected. Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.
|
| Image Share | File Type: JPEG, MOV Connect to up to 4 devices simultaneously. Marking function for image share. |
| Easy Connection | QR code setting |
Tethered shooting
| Tethered shooting | Via USB cable (camera can be operated by both PC or camera controls) |
|---|
Playback
| Playback mode | Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (equally value, 2x – 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display |
|---|---|
| Information display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Image Editing
| Movie Editing function | Trimming (beginning / end) / in-movie image extraction[*] (4K only)
|
|---|---|
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280×960, 640×480, 320×240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including e-Portrait, Color Creator, Art Filter, ART-BKT). 2 programmable settings, preview capability. |
| Print function | Print reservation (DPOF), Direct print (PictBridge compatible) |
|---|
Menu
| Languages | 34 languages selectable : English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai |
|---|
Custom
| Mode dial my set | Modes C1, C2, and C3 can be accessed by mode dial |
|---|---|
| Menu my set | Modes C1, C2, and C3 can be accessed via the menu |
| Dial customization | Dial function and dial direction are customizable for both dials |
| Lever Customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions)
|
| Copyright Settings/Lens info Settings | With / With (save up to 10 lenses) |
Input / Output
| USB | USB Type-C |
|---|---|
| Remote controller connector | φ2.5Pin Jack (when using separately available RM-CB2) |
| HDMI connector | Micro HDMI (type D) |
| Flash attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Microphone input jack | φ3.5 stereo mini jack (plug-in power on/off) |
| Headphone connector | φ3.5 stereo mini jack |
| PC interface | Super Speed (USB3.0) |
Power Requirements
| Battery | BLH-1 Li-ion battery (included) |
|---|---|
| Battery status display | Remaining power (10 steps, %, or by-minute display), shot count, degradation |
| Power Battery Holder | HLD-9 power battery holder is separately available (holds one BLH-1 battery). |
| AC Adapter | AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera). |
| Sleep mode | With (1 / 3 / 5 min. off) |
| Number of recordable images | Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) |
| Battery life for movie recording | Approx. 90 minutes (under standard JEITA testing) Approx. 150 minutes (when zoom and other operational functions are not used)
|
Dimensions / Weight
| Dimensions | W: 134.1 mm, H: 90.9 mm, D: 68.9 mm (based on CIPA standards: excludes protrusions) |
|---|---|
| Weight | Approx. 574 g (with BLH-1 battery and Memory card, based on CIPA standards) Approx. 498 g (body only) |
Operating Environment
| Temperature | -10 ~ +40°C (when in operation) / -20 ~ +60°C (when stored) |
|---|---|
| Humidity | 30 – 90% (when in operation) / 10 – 90% (when stored) |
Box contents
| Box contents | Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion battery, BCH-1 rapid Li-ion battery charger |
|---|
- HDMI, the HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing, LLC.
- Wi-Fi is a registered trademark of Wi-Fi Alliance.
- The Wi-Fi CERTIFIED Logo is a certification mark of the Wi-Fi Alliance.
- Specifications are subject to change without notice.
