It will change the way you think about recording forever.
Here at Zoom we’ve been building innovative products for the past thirty years. But with the revolutionary H6 six-track recorder, the bar is raised further still. Four interchangeable input capsules – X/Y, MS, Shotgun, and Dual XLR/TRS Combo – make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too. Whatever your application – live recording, professional film/video work, live broadcast or electronic news gathering – the H6 can handle it with ease.
The most versatile portable recorder ever.
Six interchangeable mic capsules that can be swapped out as easily as the lenses of a camera
XYH-6 X/Y CAPSULE
A little X, a little Y, a whole lotta stereo.
The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording.
The XYH-6 X/Y capsule comes standard with the H6.
The capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern.
Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice.
As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815).
MSH-6 MS CAPSULE
Mid-side mic magic.
MS (“Mid-Side”) recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on.
The MSH-6 comes standard with the H6 and can be used with the H5.
Although the MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides).
The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side.
The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well. Another benefit is that it provides total mono compatibility, making it an excellent choice for stereo recordings that may eventually be played back in mono, such as TV broadcasts.
Inside the H6 MS capsule, the directional (“Mid”) mic faces forwards while the bi-directional (“Side”) mic is set perpendicular to it, like this:
XYH-5 X/Y CAPSULE
Louder. Closer. Cleaner.
X/Y stereo recording allows you to cover a wide area yet still capture a strong center image. The XYH-5 X/Y microphone capsule provided with the H5 features two matched unidirectional condenser microphones set at a 90 degree angle and housed within an advanced shockmount to minimize vibration and handling noise, making it ideal for location videography and live broadcast/podcast applications. The design of the XYH-5 also allows it to handle extremely loud sounds, making it perfect for use at live rock concerts and for electronic newsgathering. The XYH-5 can also be used with the H6.
SGH-6 SHOTGUN CAPSULE
The SGH-6 Shotgun capsule adds a professional-quality hyperdirectional (that is, highly directional) microphone turning your H6 or H5 into the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.
A “shotgun” is a long, cylindrical microphone which excels at picking up sounds in front of it while rejecting sounds to the sides and rear. Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don’t want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic.
Shotgun mics have a narrower focus (sometimes referred to as more “reach”) than an average microphone. However, shotgun mics are not the audio equivalent of a photographic telephoto lens. Even though they do an above-average job of picking up sounds that originate from a short distance away, they always sound better when they’re physically close to the sound source. That’s why whenever you use the SGH-6 shotgun capsule, you should always strive to get as close as possible to the sound source, which often means hovering right at the edge of the frame of a shot.
EXH-6 DUAL XLR/TRS COMBO CAPSULE
Need more inputs?
If you need more inputs, simply plug in the EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect two additional discrete channels for external microphones, instruments, mixers or portable music players.
Both EXH-6 inputs are combo jacks that accept either XLR or ¼” balanced (TRS) or unbalanced (TS) connectors. They can handle both mic- and line-level signals, which means that you can connect either microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.
Each EXH-6 input offers a dedicated analog gain control knob as well as a -20dB pad that allows you to prevent distortion even when high-level signals are introduced; in fact, with the use of the Pad switch, the H6 can input 30dB louder signal and 14dB softer signal than any other Handy Recorder model. In addition, a built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.
SSH-6 STEREO SHOTGUN CAPSULE
The best of both worlds.
The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of environmental sound captured by the side mic directly on your Zoom recorder, or in postproduction.
A hairy windscreen is included for reduction of wind noise.
The SSH-6 mid-side stereo shotgun microphone capsule is compatible with the Zoom H5 and H6 Handy Recorders, Q8 Handy Video Recorder, U-44 Handy Audio Interface, F1, F4, F8 and F8n MultiTrack Field Recorders, as well as the ECM-3 extension cable for Zoom microphone capsules.
HOW DO YOU WANT TO RECORD TODAY?
The H6 is the most versatile portable recorder ever… which means it can handle virtually any kind of recording job, whatever the environment, whatever the application. Here are just some examples of how you can use your H6.
LIVE CONCERT RECORDING
Capture the performance on a whole new level.
Do more than just record the show: Document the experience. Use the X/Y capsule to capture the overall sound in stereo, then use the other four inputs for a direct feed from the mixing board, or for external spot mics to pick up specific instruments and the room sound. With the H6, you can relive that great performance night after night.
In this example, the XYH-6 X/Y capsule is being used to capture the overall performance in stereo. In addition, a stereo feed from the mixer is being sent to Inputs 1 and 2 in order to record the signal coming from the board, and a pair of external mics is connected to Inputs 3 and 4 to pick up the room and audience sound.
Get the sound that completes the scene.
Whether you slide it onto your camera strap or attach it directly to your DSLR with our Hot Shoe mount, the H6 is the essential audio recorder for location videography. Its supplied MSH-6 mic capsule and onboard MS decoding, plus the ability to record up to 6 tracks simultaneously, gives you plenty of options in post-production.
In this example, the MSH-6 MS capsule is being used to capture the main sound source in stereo, with external boom and lavalier mics (connected to Inputs 1 and 2) focused on the talent providing narration. Another pair of external mics is connected to Inputs 3 and 4 and are being used to record a second stereo image, this one of the other performers in the scene. By using the MS capsule, you can later use the H6’s onboard MS decoder to adjust the width of the main stereo image in post-production.
Deliver the full story, down to the last detail.
Extend your range with the optional SGH-6 Shotgun mic. Get every word of that headline-making interview. Capture breaking news with maximum impact, then mix and prepare the audio for broadcast while still in the field.
In this example, the SGH-6 Shotgun mic capsule is being used to capture the news event itself, recorded on the L/R tracks. Two external handheld mics for the interviewer and interview subject are connected to Inputs 1 and 3, with backup external lavaliers connected to Inputs 2 and 4. The H6’s low-cut filter can be used to reduce wind noise and its compressor/limiter employed to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility.
Make every chord, every note, every riff really sing.
Plug in the optional EXH-6 Dual XLR/TRS capsule and your H6 becomes a personal 6-track studio with six discrete line- or mic-level inputs, each with its own volume control and pad. Record and overdub up to 99 takes in high-resolution audio, then mix down to a stereo MP3 for posting to your favorite website.
In this example, a stereo submix of the mics covering the drum kit is being fed from a PA mixer to the L/R inputs of the H6 via an EXH-6 Dual XLR/TRS Combo capsule. The four main H6 inputs are used as follows: the lead singer’s mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player’s active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks). The H6’s built-in tuner ensures that everyone in the band stays perfectly in tune, and its metronome will help keep even the unsteadiest drummer on the beat.
Here at Zoom we’ve been building innovative, great-sounding products for the past thirty years. But with the revolutionary H6—the most versatile portable recorder ever—the bar is raised further still.
THE INS AND OUTS
More of what you need
The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo ⅛” Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted.
All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or ¼” balanced or unbalanced phone cables. They can handle both mic- and line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.
On the H6, all connectors use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors, as shown here:
Each of the six inputs (that is, 1-4 as well L, R) have a dedicated gain control knob as well as a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.
If you’re using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule’s stereo 1/8” Line In jack.
The H6 Line Out is an unbalanced stereo 1/8” phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6’s internal mixer.
The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the “Audio Interface” function in the USB menu.
In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to its stereo 1/8” mini phone jack for private monitoring of the stereo output signal.
The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.
Never miss a take
Pre-Record, Backup-Record, and Auto-Record
The interview started a split-second before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.
No problem… as long as you’re using the H6. Its Pre-Record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It’s as if the H6 had started recording two seconds before you actually got to hit the button.
Backup-Record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.
You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you’ll hear the original L/R tracks; when turned ON, you’ll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved.
The Auto-Record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn’t immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you’ve set, recording begins.
There’s an equivalent Auto-Record Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you’ve set, recording ends.
It’s all about control.
The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment.
The H6 allows you to choose from three compressor settings and three limiter settings. The two “General” settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room “studio” recording, respectively.
Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds above a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely.
A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble.
In addition, there’s an onboard metronome and chromatic / guitar / bass tuner—both handy tools when recording musical content.
BATTERY LIFE AND RECORDING TIMES
Time is on your side.
The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket.
The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage. A handy “SD Card Remain” function allows you to see at a glance how much space remains on the currently inserted card, both in gigabytes and percentage.
SUPPORTED FILE TYPES
To compress or not to compress.
The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any “bits” (digital words) being removed. Thus, they provide full fidelity without compromise.
The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:
All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are “BWF-compliant.” This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in post-production.
MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.
Note that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6’s internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 (or WAV), with independent control over each track’s level, panning and pitch.
THE H6 AS AN AUDIO INTERFACE
Do it yourself never sounded so good
The H6’s USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE software, and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).
When the H6 is set to “Stereo Mix” in the USB menu, it acts as a 2-input / 2-output interface; when set to “Multi Track,” it acts as a 6-input / 2-output interface. The H6’s onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad for zero latency (that is, without any delay). There’s also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track.
H6 Features at a glance
- Interchangeable input capsules that can be swapped out as easily as the lens of a camera
- Six-track simultaneous recording
- Four mic/line inputs with XLR/TRS combo connectors
- Gain controls (real knobs!) and -20dB pads for each input
- Phantom power for all main inputs: +12/+24/+48V
- Large full-color LCD display, angled so it’s easy to read in all environments
- Records directly to SD, SDHC and SDXC cards up to 128GB
- Up to 24-bit /96kHz audio in BWF-compliant WAV or a variety of MP3 formats
- Auto-record, Pre-record and Backup-record functions mean that you’ll never miss that perfect take
- Multitrack to stereo internal mixdown
- Independent monitor and playback mixes
- Virtual VU meters
- Voice memo and up to 99 marks per recording
- Overdubbing, up to 99 takes
- Built-in effects, including low-cut filtering, compression and limiting
- Onboard MS decoding
- Normalize, Divide and Trim editing
- Chromatic tuner and metronome
- A/B loop playback
- Variable playback speed, from 50% to 150%
- Variable pitch per track without affecting playback speed
- USB port for data exchange to and from computer
- Multichannel and stereo USB audio interface for PC/Mac/iPad
- Camera strap mounts
- Mountable directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
- Accepts standard AA alkaline or NiMH rechargeable batteries
- Over 20 hours of operation with 4 AA alkaline batteries
Here’s what comes included with the H6.
- Operation manual
- XYH-6 X/Y mic capsule
- MSH-6 MS mic capsule
- AA size (LR6) battery x 4
- Cubase LE Software
- WaveLab LE Software
- USB Cable
Optional H6 accessories
- SGH-6 Shotgun mic capsule
- EXH-6 Dual XLR/TRS Combo capsule
- HS-01 Hot Shoe Mount adapter
- APH-6 Accessory Pack includes RCH-6 wired Remote Controller, AD-17 USB-type AC adapter and Hairy Windscreen
- Carrying bag
|XYH-6 X/Y mic||
|XYH-6 MIC/LINE IN||
|MSH-6 MS mic||
|Shotgun mic (SGH-6)||
|INPUTS 1 to 4|
|Built-in speaker||400mw 8 Ω mono speaker|
|RECORDING TIME (WITH 2GB CARD)|
|03:08:00 (44.1 kHz / 16-bit WAV)|
|34:43:00 (128kbps MP3)|
|2.0-inch full color LCD (320 x 240 pixels)|
|Mass Storage Class operation||
|Audio Interface operation: Multi-track mode||
|Audio Interface operation: Stereo mode||
|AA size (LR6) battery x 4
Alkaline or NiMH type
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power
|Battery life (with alkaline battery, continuous recording)||Over 20 hours|
|DIMENSIONS AND WEIGHT|